Jokes For All Occasions, by 
Anonymous 
 
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Title: Jokes For All Occasions Selected and Edited by One of 
America's Foremost Public Speakers 
Author: Anonymous 
Release Date: April 15, 2007 [EBook #21084] 
Language: English 
Character set encoding: ISO-8859-1 
*** START OF THIS PROJECT GUTENBERG EBOOK JOKES 
FOR ALL OCCASIONS *** 
 
Produced by Barbara Tozier, Bill Tozier, Martin Pettit and the Online 
Distributed Proofreading Team at http://www.pgdp.net 
 
JOKES FOR ALL OCCASIONS 
SELECTED AND EDITED BY ONE OF AMERICA'S FOREMOST
PUBLIC SPEAKERS 
[Illustration: Publisher's logo] 
NEW YORK EDWARD J. CLODE 
COPYRIGHT, 1921, 1922, BY 
EDWARD J. CLODE 
Printed in the United States of America 
 
JOKES FOR ALL OCCASIONS 
 
PREFACE 
The ways of telling a story are as many as the tellers themselves. It is 
impossible to lay down precise rules by which any one may perfect 
himself in the art, but it is possible to offer suggestions by which to 
guide practise in narration toward a gratifying success. 
Broadly distinguished, there are two methods of telling a story. One 
uses the extreme of brevity, and makes its chief reliance on the point. 
The other devotes itself in great part to preliminary elaboration in the 
narrative, making this as amusing as possible, so that the point itself 
serves to cap a climax. In the public telling of an anecdote the tyro 
would be well advised to follow the first method. That is, he should put 
his reliance on the point of the story, and on this alone. He should 
scrupulously limit himself to such statements as are absolutely essential 
to clear understanding of the point. He should make a careful 
examination of the story with two objects in mind: the first, to 
determine just what is required in the way of explanation; the second, 
an exact understanding of the point itself. Then, when it comes to the 
relating of the story, he must simply give the information required by 
the hearers in order to appreciate the point. As to the point itself, he
must guard against any carelessness. Omission of an essential detail is 
fatal. It may be well for him, at the outset, to memorize the conclusion 
of the story. No matter how falteringly the story is told, it will succeed 
if the point itself be made clear, and this is insured for even the most 
embarrassed speaker by memorizing it. 
The art of making the whole narration entertaining and amusing is to be 
attained only by intelligent practise. It is commonly believed that 
story-sellers are born, not made. As a matter of fact, however, the 
skilled raconteurs owe their skill in great measure to the fact that they 
are unwearying in practise. It is, therefore, recommended to any one 
having ambition in this direction that he cultivate his ability by 
exercising it. He should practise short and simple stories according to 
his opportunities, with the object of making the narration smooth and 
easy. An audience of one or two familiar friends is sufficient in the 
earlier efforts. Afterward, the practise may be extended before a larger 
number of listeners on social occasions. When facility has been attained 
in the simplest form, attempts to extend the preliminary narrative 
should be made. The preparation should include an effort to invest the 
characters of the story; or its setting, with qualities amusing in 
themselves, quite apart from any relation to the point. Precise 
instruction cannot be given, but concentration along this line will of 
itself develop the humorous perception of the story-teller, so that, 
though the task may appear too difficult in prospect, it will not prove so 
in actual experience. But, in every instance, care must be exercised to 
keep the point of the story clearly in view, and to omit nothing essential 
in the preparation for it. 
In the selection of stories to be retailed, it is the part of wisdom to 
choose the old, rather than the new. This is because the new story, so 
called, travels with frightful velocity under modern social conditions, 
and, in any particular case, the latest story, when told by you to a friend, 
has just been heard by him from some other victim of it. But the 
memory of most persons for stories is very short. Practically never does 
it last for years. So, it is uniformly safe to present as novelties at the 
present day the humor of past decades. Moreover, the exercise of some 
slight degree of ingenuity will serve to give those touches in the way    
    
		
	
	
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