J D Fuentes - Basic Arousal | Page 2

Sex.
And was the young lady upset or embarrassed by this?
Well, her face and upper chest were certainly red. And she
began to quiver in her seat. And she often seemed to stop breathing
entirely. And her mouth was slightly agape, and her pupils looked as big
as nickels.
So, no, she wasn’t upset—she was really turned on. In time,
when the man’s friend and ride appeared, such that the man had to go,
the girl ripped open her purse and hurriedly scribbled her number without
the man even asking for it. She made him promise to call her.
As you can imagine, this incident gave me some food for
thought.
In case you’re wondering, the man’s success in this case wasn’t
dependent on extraordinary luck—the chance of finding the one woman
in a million aroused by such talk. Actually, very very few women won’t
be.

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A week ago, between interviewing prospective distributors, I
stopped off at an “entertainment complex”—a glorified upscale mall—
noticed a pretty redhead with a guitar, and within ten minutes of first
approaching her, was standing on a balcony with her, her tongue in my
mouth and my finger inside her.
When you take the time to learn the skills offered at
www.sexualkey.com, you can do this, too—anyone can.
These skills aren’t magic--they just look that way.
In fact, they’re very simple, and I look forward to receiving
email from you telling me about your triumphs.
Of course, the book you’re now reading is meant purely to
acquaint you with some of the tools www.sexualkey.com can offer you.
You’ll read, learn some stuff, have some fun putting this stuff into
practice. When you want much more powerful stuff—the stuff that will
not just impress your friends, but amaze them—perhaps you’ll visit
www.sexualkey.com, order there, and then send me some email about the
wonderful experiences you’ve had.
I like receiving that kind of email, and knowing that you now
know how to make the people around you—especially women—feel
incredibly good, in ways that stun them.
Words are tools for giving other people new experiences; if
someone else hasn’t seen a whale rise up and spout water into the air, yet
you have, you can put the things you saw, heard, and felt at the time into
words, convey these words to your listener, and your listener will begin
to imagine the experience. As he or she begins to imagine the
experience, he or she will begin to feel some of the sensations described,
because the unconscious mind must identify with an experience, must
feel it, in order to understand it.
As it happens, the approach taken by the man with the young
blonde was successful—but it was also terribly, terribly inefficient.
You can arouse women much more quickly, and the products offered by
www.sexualkey.com will show you how.

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3. The Basics, or How Powerful Communication Works

Powerful, effective communication a) grabs the listener’s
attention, and b) spurs the listener’s feelings and imagination in
directions the communicator wants.
The first effect, in which your listener becomes drawn into what
you are saying and comes to pay more attention to it, than, for example,
the fact you are both standing on a street corner, or the fact that the
stoplight has changed, or the fact that your listener ought to be rushing to
an appointment--in short, the effect wherein your listener is enjoying
listening to you and is more interested in what you are saying than in
other things--we'll call Engagement.




ENGAGEMENT



STIMULATION

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The second effect, in which as you talk at length about your
weekend in Tahoe, your listener begins visualizing ski slopes, trees, the
dull and filtered winter sun, warm fireplaces, warm beverages, and
bearskin rugs--and not only visualizes, but imagines, subtly, feeling what
it would be like to have these experiences, we’ll call Stimulation.

Engagement is getting your listener absorbed in what you are saying.
Stimulation is getting your listener to imagine experiencing what you
are talking about.

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4. The Head and the Gut, or The Two Ways We Handle Information
Becoming a great communicator is easy, if you think of the person
you’re communicating to as being made of two separate parts. These two
separate parts, which, for simplicity’s sake, we’ll call the Head and the
Gut, handle information in very different ways.
The Head uses words and logic to analyze and communicate
information. That is, the Head picks information apart, tries to put labels
on it, compares it to existing beliefs, thinks about what factors caused it
and what effects it will have on other things, plans future steps and
makes decisions. Emotionally detached, the Head uses symbol systems
like language and mathematics to store and communicate complex
information.
The Gut responds to information through that information’s
emotional associations. If a particular stimulus or piece of information is
experienced at the same time a strong feeling is