Initial Studies in American Letters | Page 2

lived under the king," had yielded little in the way of literature that is of any permanent interest. There would seem to be something in the relation of a colony to the mother-country which dooms the thought and art of the former to a helpless provincialism. Canada and Australia are great provinces, wealthier and more populous than the thirteen colonies at the time of their separation from England. They have cities whose inhabitants number hundreds of thousands, well-equipped universities, libraries, cathedrals, costly public buildings, all the outward appliances of an advanced civilization; and yet what have Canada and Australia contributed to British literature?
American literature had no infancy. That engaging _na?vet��_ and that heroic rudeness which give a charm to the early popular tales and songs of Europe find, of course, no counterpart on our soil. Instead of emerging from the twilight of the past the first American writings were produced under the garish noon of a modern and learned age. Decrepitude rather than youthfulness is the mark of a colonial literature. The poets, in particular, instead of finding a challenge to their imagination in the new life about them, are apt to go on imitating the cast-off literary fashions of the mother-country. America was settled by Englishmen who were contemporary with the greatest names in English literature. Jamestown was planted in 1607, nine years before Shakespeare's death, and the hero of that enterprise, Captain John Smith, may not improbably have been a personal acquaintance of the great dramatist. "They have acted my fatal tragedies on the stage," wrote Smith. Many circumstances in The Tempest were doubtless suggested by the wreck of the Sea Venture on "the still vext Bermoothes," as described by William Strachey in his True Repertory of the Wrack and Redemption of Sir Thomas Gates, written at Jamestown, and published at London in 1610. Shakespeare's contemporary, Michael Drayton, the poet of the Polyolbion, addressed a spirited valedictory ode to the three shiploads of "brave, heroic minds" who sailed from London in 1606 to colonize Virginia, an ode which ended with the prophecy of a future American literature:
"And as there plenty grows Of laurel every-where-- Apollo's sacred tree-- You it may see A poet's brows To crown, that may sing there."
Another English poet, Samuel Daniel, the author of the Civil Wars, had also prophesied in a similar strain:
"And who in time knows whither we may vent The treasure of our tongue, to what strange shores . . . What worlds in the yet unformed Occident May come refined with accents that are ours?"
It needed but a slight movement in the balances of fate, and Walter Raleigh might have been reckoned among the poets of America. He was one of the original promoters of the Virginia colony, and he made voyages in person to Newfoundland and Guiana. And more unlikely things have happened than that when John Milton left Cambridge in 1632 he should have been tempted to follow Winthrop and the colonists of Massachusetts Bay, who had sailed two years before. Sir Henry Vane, the younger, who was afterward Milton's friend--
"Vane, young in years, but in sage counsel old"--
came over in 1635, and was for a short time governor of Massachusetts. These are idle speculations, and yet, when we reflect that Oliver Cromwell was on the point of embarking for America when he was prevented by the king's officers, we may, for the nonce, "let our frail thoughts dally with false surmise," and fancy by how narrow a chance Paradise Lost missed being written in Boston. But, as a rule, the members of the literary guild are not quick to emigrate. They like the feeling of an old and rich civilization about them, a state of society which America has only begun to reach during the present century.
Virginia and New England, says Lowell, were the "two great distributing centers of the English race." The men who colonized the country between the Capes of Virginia were not drawn, to any large extent, from the literary or bookish classes in the old country. Many of the first settlers were gentlemen--too many, Captain Smith thought, for the good of the plantation. Some among these were men of worth and spirit, "of good means and great parentage." Such was, for example, George Percy, a younger brother of the Earl of Northumberland, who was one of the original adventurers, and the author of A Discourse of the Plantation of the Southern Colony of Virginia, which contains a graphic narrative of the fever and famine summer of 1607 at Jamestown. But many of these gentlemen were idlers, "unruly gallants, packed thither by their friends to escape ill destinies," dissipated younger sons, soldiers of fortune, who came over after the gold which was supposed to abound in the new country, and who spent their time in