bust of Pallas
without being caught. He tried it, but his master was too quick for him, 
and foiled, he lay sullenly in Gethryn's hands, his two long claws 
projecting helplessly between the brown fists of his master. 
"Oh, you fiend!" muttered Rex, taking him toward a wicker basket, 
which he hated. "Solitary confinement for you, my boy." 
"Double, double, toil and trouble," croaked the parrot. 
Gethryn started nervously and shut him inside the cage, a regal gilt 
structure with "Shakespeare" printed over the door. Then, replacing the 
agitated Gummidge on her panther skin, he sat down once more and 
lighted another cigarette. 
His picture. He could think of nothing else. It was a serious matter with 
Gethryn. Admitted to the Salon meant three more years' study in Paris. 
Failure, and back he must go to New York. 
The personal income of Reginald Gethryn amounted to the magnificent 
sum of two hundred and fifty dollars. To this, his aunt, Miss Celestia 
Gethryn, added nine hundred and fifty dollars more. This gave him a 
sum of twelve hundred dollars a year to live on and study in Paris. It 
was not a large sum, but it was princely when compared to the amount 
on which many a talented fellow subsists, spending his best years in a 
foul atmosphere of paint and tobacco, ill fed, ill clothed, scarcely 
warmed at all, often sick in mind and body, attaining his first scant 
measure of success just as his overtaxed powers give way. 
Gethryn's aunt, his only surviving relative, had recently written him one 
of her ponderous letters. He took it from his pocket and began to read it 
again, for the fourth time. 
You have now been in Paris three years, and as yet I have seen no 
results. You should be earning your own living, but instead you are still 
dependent upon me. You are welcome to all the assistance I can give 
you, in reason, but I expect that you will have something to show for all 
the money I expend upon you. Why are you not making a handsome 
income and a splendid reputation, like Mr Spinder?
The artist named was thirty-five and had been in Paris fifteen years. 
Gethryn was twenty-two and had been studying three years. 
Why are you not doing beautiful things, like Mr Mousely? I'm told he 
gets a thousand dollars for a little sketch. 
Rex groaned. Mr Mousely could neither draw nor paint, but he made 
stories of babies' deathbeds on squares of canvas with china angels 
solidly suspended from the ceiling of the nursery, pointing upward, and 
he gave them titles out of the hymnbook, which caused them to be 
bought with eagerness by all the members of the congregation to which 
his family belonged. 
The letter proceeded: 
I am told by many reliable persons that three years abroad is more than 
enough for a thorough art education. If no results are attained at the end 
of that time, there is only one of two conclusions to be drawn. Either 
you have no talent, or you are wasting your time. I shall wait until the 
next Salon before I come to a decision. If then you have a picture 
accepted and if it shows no trace of the immorality which is rife in 
Paris, I will continue your allowance for three years more; this, 
however, on condition that you have a picture in the Salon each year. If 
you fail again this year, I shall insist upon your coming home at once. 
Why Gethryn should want to read this letter four times, when one 
perusal of it had been more than enough, no one, least of all himself, 
could have told. He sat now crushing it in is hand, tasting all the 
bitterness that is stored up for a sensitive artist tied by fate to an 
omniscient Philistine who feeds his body with bread and his soul with 
instruction about art and behavior. 
Presently he mastered the black mood which came near being too much 
for him, his face cleared and he leaned back, quietly smoking. From the 
rug rose a muffled rumbling where Mrs Gummidge dozed in peace. 
The clock ticked sharply. A mouse dropped silently from the window 
curtain and scuttled away unmarked.
The pups lay in a soft heap. The parrot no longer hung head downward, 
but rested in his cage in a normal position, one eye fixed steadily on 
Gethryn, the other sheathed in a bluish-white eyelid, every wrinkle of 
which spoke scorn of men and things. 
For some time Gethryn had been half-conscious of a piano sounding on 
the floor below. It suddenly struck him now that the apartment under 
his, which had been long vacant, must have found an occupant. 
"Idiots!" he grumbled. "Playing at midnight! That will have to stop.    
    
		
	
	
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