How To Write Special Feature 
Articles 
 
The Project Gutenberg EBook of How To Write Special Feature 
Articles 
by Willard Grosvenor Bleyer This eBook is for the use of anyone 
anywhere at no cost and with almost no restrictions whatsoever. You 
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Title: How To Write Special Feature Articles A Handbook for 
Reporters, Correspondents and Free-Lance Writers Who Desire to 
Contribute to Popular Magazines and Magazine Sections of 
Newspapers 
Author: Willard Grosvenor Bleyer 
Release Date: April 26, 2005 [EBook #15718] 
Language: English 
Character set encoding: ISO-8859-1 
*** START OF THIS PROJECT GUTENBERG EBOOK HOW TO 
WRITE SPECIAL FEATURE *** 
 
Produced by Audrey Longhurst, Charlene Taylor and the Online
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HOW TO WRITE SPECIAL FEATURE ARTICLES 
A HANDBOOK FOR REPORTERS, CORRESPONDENTS AND 
FREE-LANCE WRITERS WHO DESIRE TO CONTRIBUTE TO 
POPULAR MAGAZINES AND MAGAZINE SECTIONS OF 
NEWSPAPERS 
BY 
WILLARD GROSVENOR BLEYER, PH.D. 
_Author of "Newspaper Writing and Editing," and "Types of News 
Writing"; Director of the Course in Journalism in the University of 
Wisconsin_ 
 
BOSTON, NEW YORK, CHICAGO, SAN FRANCISCO 
HOUGHTON MIFFLIN COMPANY 
The Riverside Press Cambridge 
The Riverside Press CAMBRIDGE, MASSACHUSETTS PRINTED 
IN THE U.S.A. 
 
PREFACE 
This book is the result of twelve years' experience in teaching 
university students to write special feature articles for newspapers and 
popular magazines. By applying the methods outlined in the following 
pages, young men and women have been able to prepare articles that 
have been accepted by many newspaper and magazine editors. The 
success that these students have achieved leads the author to believe 
that others who desire to write special articles may be aided by the 
suggestions given in this book. 
Although innumerable books on short-story writing have been 
published, no attempt has hitherto been made to discuss in detail the 
writing of special feature articles. In the absence of any generally 
accepted method of approach to the subject, it has been necessary to 
work out a systematic classification of the various types of articles and 
of the different kinds of titles, beginnings, and similar details, as well 
as to supply names by which to identify them. 
A careful analysis of current practice in the writing of special feature
stories and popular magazine articles is the basis of the methods 
presented. In this analysis an effort has been made to show the 
application of the principles of composition to the writing of articles. 
Examples taken from representative newspapers and magazines are 
freely used to illustrate the methods discussed. To encourage students 
to analyze typical articles, the second part of the book is devoted to a 
collection of newspaper and magazine articles of various types, with an 
outline for the analysis of them. 
Particular emphasis is placed on methods of popularizing such 
knowledge as is not available to the general reader. This has been done 
in the belief that it is important for the average person to know of the 
progress that is being made in every field of human endeavor, in order 
that he may, if possible, apply the results to his own affairs. The 
problem, therefore, is to show aspiring writers how to present 
discoveries, inventions, new methods, and every significant advance in 
knowledge, in an accurate and attractive form. 
To train students to write articles for newspapers and popular 
magazines may, perhaps, be regarded by some college instructors in 
composition as an undertaking scarcely worth their while. They would 
doubtless prefer to encourage their students to write what is commonly 
called "literature." The fact remains, nevertheless, that the average 
undergraduate cannot write anything that approximates literature, 
whereas experience has shown that many students can write acceptable 
popular articles. Moreover, since the overwhelming majority of 
Americans read only newspapers and magazines, it is by no means an 
unimportant task for our universities to train writers to supply the 
steady demand for well-written articles. The late Walter Hines Page, 
founder of the _World's Work_ and former editor of the Atlantic 
Monthly, presented the whole situation effectively in an article on "The 
Writer and the University," when he wrote: 
The journeymen writers write almost all that almost all Americans read. 
This is a fact that we love to fool ourselves about. We talk about 
"literature" and we talk about "hack writers," implying that the reading 
that we do is of literature. The truth all the while is, we read little else 
than the writing of the hacks--living hacks, that is, men and women 
who write for pay. We may hug the notion that our life and thought are 
not really affected by current literature, that we read the living writers
only for utilitarian reasons, and that our real intellectual life is fed by 
the great dead    
    
		
	
	
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