Home Again, Home Again | Page 4

Cory Doctorow
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Home Again, Home Again ======================
The kids in my local bat-house breathe heavy metals, and their gelatinous bodies quiver nauseously during our counseling sessions, and for all that, they reacted just like I had when I told them I was going away for a while -- with hurt and betrayal, and they aroused palpable guilt in me.
It goes in circles. When I was sixteen, and The Amazing Robotron told me he needed to go away for a while, but he'd be back, I did everything I could to make him guilty. Now it's me, on a world far from home, and a pack of snot-nosed jellyfish kids have so twisted my psyche that they're all I can think of when I debark the shuttle at Aristide Interplanetary, just outside my dirty ole Toronto.
The customs officer isn't even human, so it feels like just another R&R, another halting conversation carried on in ugly trade-speak, another bewilderment of queues and luggage carousels. Outside: another spaceport, surrounded by the variegated hostels for the variegated tourists, and bipeds are in bare majority.
I can think of it like that.
I can think of it as another spaceport.
I can think of it like another trip.
The thing he can't think of it is, is a homecoming. That's too hard for this weak vessel.
He's very weak.
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Look at him. He's eleven, and it's the tencennial of the Ascension of his homeworld -- dirty blue ball, so unworthy, yet -- inducted into the Galactic fraternity and the infinite compassion of the bugouts.
The foam, which had been confined to just the newer, Process-enclaves before the Ascension, has spread, as has the cult of the Process For Lasting Happiness. Process is, after all, why the dirty blue ball was judged and found barely adequate for membership. Toronto, which had seen half its inhabitants emigrate on open-ended tours of the wondrous worlds of the bugout domain, is full again. Bursting. The whole damn planet is accreting a layer of off-world tourists.
It's a time of plenty. Plenty of cheap food and plenty of cheap foam structures, built as needed, then dissolved and washed away when the need disappears. Plenty of healthcare and education. Plenty of toys and distractions and beautiful, haunting bugout art. Plenty, in fact, of everything, except space.
He lived in a building that is so tall, its top floors are perpetually damp with clouds. There's a nice name for this building, inscribed on a much-abused foam sculpture in the central courtyard. No one uses the nice name. They call it by the name that the tabloids use, that the inhabitants use, that everyone but the off-world counselors use. They call it the bat-house.
Bats in the belfry. Batty. Batshit.
I hated it when they moved us into the bat-house. My parents gamely tried to explain why we were going, but they never understood, no more than any human could. The bugouts had a test, a scifi helmet you wore, and it told you whether you were normal, or batty. Some of our neighbors were clearly batshit: the woman who screamed all the time, about the bugs and the little niggers crawling over her flesh; the couple who ate dogturds off the foam sidewalk with lip-smacking relish; the guy who thought he was Nicola Tesla.
I don't want to talk about him right now.
His parents' flaw -- whatever it was -- was too subtle to detect without the scifi helmet. They never knew for sure what it was. Many of the bats were in the same belfry: part of the bugouts' arrogant compassion held that a couple never knew which one of them was defective, so his family never knew if it was his nervous, shy mother, or his loud, opinionated father who had doomed them to the quarantine.
His father told him, in an impromptu ceremony before he slid his keycard into the lock on their new apt in the belfry: "Chet, whatever they say, there's nothing wrong with us. They have no right to put us here." He knelt to look the skinny ten-year-old right in the eye. "Don't
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