with the High Hand (2nd ed.), by 
Arnold Bennett 
 
Project Gutenberg's Helen with the High Hand (2nd ed.), by Arnold 
Bennett This eBook is for the use of anyone anywhere at no cost and 
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Title: Helen with the High Hand (2nd ed.) 
Author: Arnold Bennett 
Release Date: June 29, 2004 [EBook #12779] 
Language: English 
Character set encoding: ISO-8859-1 
*** START OF THIS PROJECT GUTENBERG EBOOK HELEN 
WITH THE HIGH HAND (2ND ED.) *** 
 
Produced by Jonathan Ingram, Martin Pettit and PG Distributed 
Proofreaders 
 
BY THE SAME AUTHOR 
NOVELS
A MAN FROM THE NORTH ANNA OF THE FIVE TOWNS 
LEONORA A GREAT MAN SACRED AND PROFANE LOVE 
WHOM GOD HATH JOINED BURIED ALIVE THE OLD WIVES' 
TALE THE GLIMPSE HELEN WITH THE HIGH HAND 
CLAYHANGER THE CARD HILDA LESSWAYS THE REGENT 
THE PRICE OF LOVE 
FANTASIAS 
THE GRAND BABYLON HOTEL THE GATES OF WRATH 
TERESA OF WATLING STREET THE LOOT OF CITIES HUGO 
THE GHOST THE CITY OF PLEASURE 
SHORT STORIES 
TALES OF THE FIVE TOWNS THE GRIM SMILE OF THE FIVE 
TOWNS THE MATADOR OF THE FIVE TOWNS 
BELLES-LETTRES 
JOURNALISM FOR WOMEN FAME AND FICTION HOW TO 
BECOME AN AUTHOR THE TRUTH ABOUT AN AUTHOR THE 
REASONABLE LIFE HOW TO LIVE ON 24 HOURS A DAY THE 
HUMAN MACHINE LITERARY TASTE THE FEAST OF ST. 
FRIEND THOSE UNITED STATES THE PLAIN MAN AND HIS 
WIFE PARIS NIGHTS THE AUTHOR'S CRAFT LIBERTY 
DRAMA 
POLITE FARCES CUPID AND COMMON SENSE WHAT THE 
PUBLIC WANTS THE HONEYMOON THE GREAT ADVENTURE 
(In collaboration with Eden Phillpotts) 
THE SINEWS OF WAR: A Romance THE STATUE: A Romance 
(In collaboration with Edward Knoblauch) 
MILESTONES
HELEN WITH THE HIGH HAND 
IDYLLIC DIVERSION 
BY ARNOLD BENNETT 
AUTHOR OF "THE OLD WIVES TALE," ETC. 
A NEW EDITION 
HODDER AND STOUGHTON 
LONDON NEW YORK TORONTO 
1915 
 
CONTENTS 
CHAP. 
I BEGINNING OF THE IDYLL 
II AN AFFAIR OF THE SEVENTIES 
III MARRYING OFF A MOTHER 
IV INVITATION TO TEA 
V A SALUTATION 
VI MRS. BUTT'S DEPARTURE 
VII THE NEW COOK 
VIII OMELETTE 
IX A GREAT CHANGE
X A CALL 
XI ANOTHER CALL 
XII BREAKFAST 
XIII THE WORLD 
XIV SONG, SCENE AND DANCE 
XV THE GIFT 
XVI THE HALL AND ITS RESULT 
XVII DESCENDANTS OF MACHIAVELLI 
XVIII CHICANE 
XIX THE TOSSING 
XX THE FLITTING 
XXI SHIP AND OCEAN 
XXII CONFESSIONAL 
XXIII NOCTURNAL 
XXIV SEEING A LADY HOME 
XXV GIRLISH CONFIDENCES 
XXVI THE CONCERT 
XXVII UNKNOTTING AND KNOTTING 
CHAPTER I 
BEGINNING OF THE IDYLL
In the Five Towns human nature is reported to be so hard that you can 
break stones on it. Yet sometimes it softens, and then we have one of 
our rare idylls of which we are very proud, while pretending not to be. 
The soft and delicate South would possibly not esteem highly our idylls, 
as such. Nevertheless they are our idylls, idyllic for us, and reminding 
us, by certain symptoms, that though we never cry there is concealed 
somewhere within our bodies a fount of happy tears. 
The town park is an idyll in the otherwise prosaic municipal history of 
the Borough of Bursley, which previously had never got nearer to 
romance than a Turkish bath. It was once waste ground covered with 
horrible rubbish-heaps, and made dangerous by the 
imperfectly-protected shafts of disused coal-pits. Now you enter it by 
emblazoned gates; it is surrounded by elegant railings; fountains and 
cascades babble in it; wild-fowl from far countries roost in it, on trees 
with long names; tea is served in it; brass bands make music on its 
terraces, and on its highest terrace town councillors play bowls on 
billiard-table greens while casting proud glances on the houses of thirty 
thousand people spread out under the sweet influence of the gold angel 
that tops the Town Hall spire. The other four towns are apt to ridicule 
that gold angel, which for exactly fifty years has guarded the borough 
and only been regilded twice. But ask the plumber who last had the 
fearsome job of regilding it whether it is a gold angel to be despised, 
and--you will see! 
The other four towns are also apt to point to their own parks when 
Bursley mentions its park (especially Turnhill, smallest and most 
conceited of the Five); but let them show a park whose natural situation 
equals that of Bursley's park. You may tell me that the terra-cotta 
constructions within it carry ugliness beyond a joke; you may tell me 
that in spite of the park's vaunted situation nothing can be seen from it 
save the chimneys and kilns of earthenware manufactories, the 
scaffoldings of pitheads, the ample dome of the rate-collector's offices, 
the railway, minarets of non-conformity, sundry undulating    
    
		
	
	
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