A free download from www.dertz.in       
 
The Project Gutenberg eBook, Hawthorn and Lavender, by William 
Ernest Henley 
This eBook is for the use of anyone anywhere at no cost and with 
almost no restrictions whatsoever. You may copy it, give it away or 
re-use it under the terms of the Project Gutenberg License included 
with this eBook or online at www.gutenberg.org 
Title: Hawthorn and Lavender 
with Other Verses 
Author: William Ernest Henley 
Release Date: June 1, 2007 [eBook #21662] 
Language: English 
Character set encoding: ISO-646-US (US-ASCII) 
***START OF THE PROJECT GUTENBERG EBOOK 
HAWTHORN AND LAVENDER*** 
Transcribed from the 1901 David Nutt edition by David Price, email 
[email protected] 
HAWTHORN
AND LAVENDER 
_With Other Verses_, _by_
WILLIAM ERNEST HENLEY 
_O_, _how shall summer's honey breath hold out_
_Against the 
wrackful siege of battering days_? 
SHAKESPEARE 
LONDON
_Published by DAVID NUTT_
at the Sign of the
Phoenix
IN LONG ACRE
1901 
_First Edition printed October_ 1901
_Second Edition printed 
November_ 1901 
Edinburgh: T. and A. CONSTABLE, (late) Printers to Her Majesty 
Dedication 
_Ask me not how they came_,
_These songs of love and death_,
_These dreams of a futile stage_,
_These thumb-nails seen in the 
street_:
_Ask me not how nor why_,
_But take them for your own_,
_Dear Wife of twenty years_,
_Knowing_--_O_, _who so well_?--
_You it was made the man_
_That made these songs of love_,
_Death_, _and the trivial rest_:
_So that_, _your love elsewhere_,
_These songs_, _or bad or good_--
_How should they ever have 
been_? 
WORTHING, _July_ 31, 1901. 
PROLOGUE 
These to the glory and praise of the green land
That bred my women, 
and that holds my dead,
_ENGLAND_, and with her the strong 
broods that stand
Wherever her fighting lines are thrust or spread!
They call us proud?--Look at our English Rose!
Shedders of 
blood?--Where hath our own been spared?
Shopkeepers?--Our 
accompt the high _GOD_ knows.
Close?--In our bounty half the 
world hath shared.
They hate us, and they envy? Envy and hate
Should drive them to the _PIT'S_ edge?--Be it so!
That race is 
damned which misesteems its fate;
And this, in _GOD'S_ good time, 
they all shall know, 
And know you too, you good green _ENGLAND_, then--
Mother of 
mothering girls and governing men!
0. HAWTHORN AND LAVENDER 
ENVOY 
_My songs were once of the sunrise_: 
_They shouted it over the bar_;
_First-footing the dawns_, _they 
flourished_, 
_And flamed with the morning star_. 
_My songs are now of the sunset_: 
_Their brows are touched with light_,
_But their feet are lost in the 
shadows_ 
_And wet with the dews of night_. 
_Yet for the joy in their making_ 
_Take them_, _O fond and true_,
_And for his sake who made them_ 
_Let them be dear to You_. 
PRAELUDIUM 
_Largo espressivo_ 
In sumptuous chords, and strange,
Through rich yet poignant 
harmonies:
Subtle and strong browns, reds
Magnificent with death 
and the pride of death,
Thin, clamant greens
And delicate yellows 
that exhaust
The exquisite chromatics of decay:
From ruining 
gardens, from reluctant woods--
Dear, multitudinously reluctant 
woods!--
And sering margents, forced
To be lean and bare and 
perished grace by grace,
And flower by flower discharmed,
Comes, 
to a purpose none,
Not even the Scorner, which is the Fool, can blink,
The dead-march of the year.
Dead things and dying! Now the long-laboured soul
Listens, and 
pines. But never a note of hope
Sounds: whether in those high,
Transcending unisons of resignation
That speed the sovran sun,
As 
he goes southing, weakening, minishing,
Almighty in obedience; or 
in those
Small, sorrowful colloquies
Of bronze and russet and gold,
Colour with colour, dying things with dead,
That break along this 
visual orchestra:
As in that other one, the audible,
Horn answers 
horn, hautboy and violin
Talk, and the 'cello calls the clarionet
And 
flute, and the poor heart is glad.
There is no hope in these--only 
despair. 
Then, destiny in act, ensues
That most tremendous passage in the 
score:
When hangman rains and winds have wrought
Their worst, 
and, the brave lights gone down,
The low strings, the brute brass, the 
sullen drums
Sob, grovel, and curse themselves
Silent. . . . 
But on the spirit of Man
And on the heart of the World there falls
A 
strange, half-desperate peace:
A war-worn, militant, gray jubilance
In the unkind, implacable tyranny
Of Winter, the obscene,
Old, 
crapulous Regent, who in his loins--
O, who but feels he carries in his 
loins
The wild, sweet-blooded, wonderful harlot, Spring? 
I. 
Low--low
Over a perishing after-glow,
A thin, red shred of moon
Trailed. In the windless air
The poplars all ranked lean and chill.
The smell of winter loitered there,
And the Year's heart felt still.
Yet not so far away
Seemed the mad Spring,
But that, as lovers will,
I let my laughing heart go play,
As it had been a fond maid's 
frolicking;
And, turning thrice the gold I'd got,
In the good gloom
Solemnly wished me--what?
What, and with whom? 
II
Moon of half-candied meres
And flurrying, fading snows;
Moon of 
unkindly rains,
Wild skies, and troubled vanes;
When the Norther 
snarls and bites,
And the lone moon walks a-cold,
And the lawns 
grizzle o' nights,
And wet fogs search the fold:
Here in this heart of 
mine
A dream that warms like wine,
A dream one other knows,
Moon of the roaring weirs
And the sip-sopping close, 
February Fill-Dyke,
Shapes like a royal rose-- 
A red, red rose! 
O,