Handel 
 
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Title: Handel 
Author: Edward J. Dent 
Release Date: October, 2005 [EBook #9089] [Yes, we are more than 
one year ahead of schedule] [This file was first posted on September 4, 
2003] 
Edition: 10 
Language: English
Character set encoding: ISO-8859-1 
*** START OF THE PROJECT GUTENBERG EBOOK HANDEL 
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HANDEL 
[Illustration: G. F. HANDEL _from a woodcut by Eric King_] 
 
BY EDWARD J. DENT 
 
CONTENTS 
Chapter I 
Birth and parentage--studies under Zachow at 
Halle--Hamburg--friendship and duel with 
Mattheson--_Almira_--departure for Italy. 
Chapter II 
Arrival in Italy--_Rodrigo_--Rome: Cardinal Ottoboni and the 
Scarlattis--Naples: Venice: _Agrippina_--appointment at 
Hanover--London: Rinaldo. 
Chapter III 
Second visit to London--Italian opera--George I and the _Water 
Music_--visit to Germany--Canons and the Duke of 
Chandos--establishment of the Royal Academy of Music. 
Chapter IV 
Buononcini--Cuzzoni, Faustina, and Senesino--death of George I--_The 
Beggar's Opera_--collapse of the Academy. 
Chapter V
Handel naturalized--partnership with Heidegger--_Esther_--the Opera 
of the Nobility--visit to Oxford--opera season at Covent 
Garden--Charles Jennens--collapse of both opera-houses. 
Chapter VI 
Bankruptcy and paralysis--visit to Aix-la-Chapelle--the last 
operas--Vauxhall Gardens--Handel's "borrowings"--visit to 
Ireland--Messiah and other oratorios. 
Chapter VII 
_Judas Maccabaeus_--Gluck--Thomas Morell--incipient 
blindness--Telemann and his garden--last oratorios--death--character 
and personality. 
Bibliography and List of Works 
 
CHRONOLOGY 
1685.... Birth at Halle. 1702.... Entered University; organist of the 
Cathedral. 1703.... Went to Hamburg. 1705.... First opera: Almira 
(Hamburg). 1707.... Arrival in Italy. 1710.... Appointment at Hanover; 
first visit to London. 1711.... First London opera: Rinaldo. 1712.... 
Second visit to London. 1717.... Appointment to the Duke of Chandos. 
1720.... Opening of Royal Academy of Music (Opera). 1726.... 
Naturalized as a British subject. 1728.... _The Beggar's Opera_. 
Collapse of the Academy. 1732.... First public oratorio: Esther. 1733.... 
Festival at Oxford. 1737.... Collapse of Opera; Handel bankrupt and 
paralysed. 1741.... Last opera: Deidamia. 1742.... Messiah at Dublin. 
1751.... First signs of blindness. Last oratorio Jeptha. 1759.... Death in 
London. 
 
CHAPTER I 
Birth and parentage--studies under Zachow at 
Halle--Hamburg--friendship and duel with
Mattheson--Almira--departure for Italy. 
The name of Handel suggests to most people the sound of music 
unsurpassed in massiveness and dignity, and the familiar portraits of 
the composer present us with a man whose external appearance was no 
less massive and dignified than his music. Countless anecdotes point 
him out to us as a well-known figure in the life of London during the 
reigns of Queen Anne and the first two Georges. He lies buried in 
Westminster Abbey. One would expect every detail of his life to be 
known and recorded, his every private thought to be revealed with the 
pellucid clarity of his immortal strains. It is not so; to assemble the bare 
facts of Handel's life is a problem which has baffled the most laborious 
of his biographers, and his inward personality is more mysterious than 
that of any other great musician of the last two centuries. 
The Memoirs of the Life of the late George Frederic Handel, written by 
the Rev. John Mainwaring in 1760, a year after his death, is the first 
example of a whole book devoted to the biography of a musician. The 
author had never known Handel himself; he obtained his material 
chiefly from Handel's secretary, John Christopher Smith the younger. 
Mainwaring is our only authority for the story of Handel's early life. 
Many of his statements have been proved to be untrue, but there is 
undoubtedly a foundation of truth beneath most of them, however 
misleading either Smith's memory or Mainwaring's imagination may 
have been. The rest of our knowledge has to be built up from scattered 
documents of various kinds, helped out by the reminiscences of Dr. 
Burney and Sir John Hawkins. For the inner life of Mozart and 
Beethoven we can turn to copious letters and other personal writings; 
Handel's extant letters do not amount to more than about twenty in all, 
and it is only rarely that they throw much light on the workings of his 
mind. 
The    
    
		
	
	
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