Going into Society | Page 3

Charles Dickens
fee to the Project of 20% of the net profits you derive calculated using the method you already use to calculate your applicable taxes. If you don't derive profits, no royalty is due. Royalties are payable to "Project Gutenberg Association/Carnegie-Mellon University" within the 60 days following each date you prepare (or were legally required to prepare) your annual (or equivalent periodic) tax return.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
The Project gratefully accepts contributions in money, time, scanning machines, OCR software, public domain etexts, royalty free copyright licenses, and every other sort of contribution you can think of. Money should be paid to "Project Gutenberg Association / Carnegie-Mellon University".
*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*

This etext was prepared from the 1894 Chapman and Hall "Christmas Stories" edition by David Price, email [email protected]

GOING INTO SOCIETY

At one period of its reverses, the House fell into the occupation of a Showman. He was found registered as its occupier, on the parish books of the time when he rented the House, and there was therefore no need of any clue to his name. But, he himself was less easy to be found; for, he had led a wandering life, and settled people had lost sight of him, and people who plumed themselves on being respectable were shy of admitting that they had ever known anything of him. At last, among the marsh lands near the river's level, that lie about Deptford and the neighbouring market-gardens, a Grizzled Personage in velveteen, with a face so cut up by varieties of weather that he looked as if he had been tattooed, was found smoking a pipe at the door of a wooden house on wheels. The wooden house was laid up in ordinary for the winter, near the mouth of a muddy creek; and everything near it, the foggy river, the misty marshes, and the steaming market-gardens, smoked in company with the grizzled man. In the midst of this smoking party, the funnel-chimney of the wooden house on wheels was not remiss, but took its pipe with the rest in a companionable manner.
On being asked if it were he who had once rented the House to Let, Grizzled Velveteen looked surprised, and said yes. Then his name was Magsman? That was it, Toby Magsman--which lawfully christened Robert; but called in the line, from a infant, Toby. There was nothing agin Toby Magsman, he believed? If there was suspicion of such--mention it!
There was no suspicion of such, he might rest assured. But, some inquiries were making about that House, and would he object to say why he left it?
Not at all; why should he? He left it, along of a Dwarf.
Along of a Dwarf?
Mr. Magsman repeated, deliberately and emphatically, Along of a Dwarf.
Might it be compatible with Mr. Magsman's inclination and convenience to enter, as a favour, into a few particulars?
Mr. Magsman entered into the following particulars.
It was a long time ago, to begin with;--afore lotteries and a deal more was done away with. Mr. Magsman was looking about for a good pitch, and he see that house, and he says to himself, "I'll have you, if you're to be had. If money'll get you, I'll have you."
The neighbours cut up rough, and made complaints; but Mr. Magsman don't know what they WOULD have had. It was a lovely thing. First of all, there was the canvass, representin the picter of the Giant, in Spanish trunks and a ruff, who was himself half the heighth of the house, and was run up with a line and pulley to a pole on the roof, so that his Ed was coeval with the parapet. Then, there was the canvass, representin the picter of the Albina lady, showing her white air to the Army and Navy in correct uniform. Then, there was the canvass, representin the picter of the Wild Indian a scalpin a member of some foreign nation. Then, there was the canvass, representin the picter of a child of a British Planter, seized by two Boa Constrictors--not that WE never had no child, nor no Constrictors neither. Similarly, there was the canvass, representin the picter of the Wild Ass of the Prairies--not that WE never had no wild asses, nor wouldn't have had 'em at a gift. Last, there was the canvass, representin the picter of the Dwarf, and like him too (considerin), with George the Fourth in such a state of astonishment at him as His Majesty couldn't with his utmost politeness and stoutness express. The front of the House was so covered with canvasses, that there wasn't a spark of daylight ever visible on that side. "MAGSMAN'S AMUSEMENTS," fifteen foot long by two foot high, ran over the front door and parlour winders. The passage was a Arbour of green baize
Continue reading on your phone by scaning this QR Code

 / 9
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.