Godolphin 
 
The Project Gutenberg EBook Godolphin, by E. B. Lytton, Complete 
#183 in our series by Edward Bulwer-Lytton 
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*****These EBooks Were Prepared By Thousands of Volunteers***** 
Title: Godolphin, Complete 
Author: Edward Bulwer-Lytton 
Release Date: March 2005 [EBook #7756] [Yes, we are more than one 
year ahead of schedule] [This file was first posted on May 27, 2003] 
Edition: 10 
Language: English
Character set encoding: ASCII 
 
*** START OF THE PROJECT GUTENBERG EBOOK 
GODOLPHIN, BY LYTTON *** 
 
This eBook was produced by Andrew Heath and David Widger 
 
 
GODOLPHIN By Edward Bulwer Lytton (Lord Lytton) 
TO COUNT ALFRED D'ORSAY. 
MY DEAR COUNT D'ORSAY, 
When the parentage of Godolphin was still unconfessed and unknown, 
you were pleased to encourage his first struggles with the world: Now, 
will you permit the father he has just discovered to re-introduce him to 
your notice? I am sorry to say, however, that my unfilial offspring, 
having been so long disowned, is not sufficiently grateful for being 
acknowledged at last: he says that he belongs to a very numerous 
family, and, wishing to be distinguished from his brothers, desires not 
only to reclaim your acquaintance, but to borrow your name. Nothing 
less will content his ambition than the most public opportunity in his 
power of parading his obligations to the most accomplished gentleman 
of our time. Will you, then, allow him to make his new appearance in 
the world under your wing, and thus suffer the son as well as the father 
to attest the kindness of your heart and to boast the honour of your 
friendship? 
Believe me, My dear Count d'Orsay, With the sincerest regard, Yours, 
very faithfully and truly, E. B. L. 
 
PREFACE TO GODOLPHIN. 
In the Prefaces to this edition of my works, I have occasionally so far 
availed myself of that privilege of self-criticism which the French 
comic writer, Mons. Picord, maintains or exemplifies in the collection 
of his plays,--as, if not actually to sit in judgment on my own 
performances, still to insinuate some excuse for their faults by 
extenuatory depositions as to their character and intentions. Indeed, a
writer looking back to the past is unconsciously inclined to think that 
he may separate himself from those children of his brain which have 
long gone forth to the world; and though he may not expatiate on the 
merits his paternal affection would ascribe to them, that he may speak 
at least of the mode in which they were trained and reared--of the hopes 
he cherished, or the objects he entertained, when he finally dismissed 
them to the opinions of others and the ordeal of Fate or Time. 
For my part, I own that even when I have thought but little of the value 
of a work, I have always felt an interest in the author's account of its 
origin and formation, and, willing to suppose that what thus affords a 
gratification to my own curiosity, may not be wholly unattractive to 
others, I shall thus continue from time to time to play the Showman to 
my own machinery, and explain the principle of the mainspring and the 
movement of the wheels. 
This novel was begun somewhere in the third year of my authorship, 
and completed in the fourth. It was, therefore, composed almost 
simultaneously with Eugene Aram, and afforded to me at least some 
relief from the gloom of that village tragedy. It is needless to observe 
how dissimilar in point of scene, character, and fable, the one is from 
the other; yet they are alike in this--that both attempt to deal with one 
of the most striking problems in the spiritual history of man, viz., the 
frustration or abuse of power in a superior intellect originally inclined 
to good. Perhaps there is no problem that more fascinates the attention 
of a man of some earnestness at that period of his life, when his eye 
first disengages itself from the external phenomena around him, and his 
curiosity leads him to examine the cause    
    
		
	
	
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