surf in the bay. We went up 
the beach, by the sandy down, Where the sea-stocks bloom to the 
white-walled town, Through the narrow paved streets where all was 
still, To the little gray church on the windy hill. From the church came 
a murmur of folk at their prayers; But we stood without in the cold 
blowing airs. 
We climbed on the graves, on the stones worn with rains, And we 
gazed up the aisle, through the small leaded panes. She sate by the 
pillar, we saw her clear. 'Margaret! hist! come, quick, we are here!' 
'Dear heart,' I said, 'we are long alone.' 'The sea grows stormy, the little 
ones moan.' 'But, ah, she gave me never a look, For her eyes were 
sealed to the holy book. Loud prays the priest, shut stands the door. 
Come away, children, call no more. Come away, come down, call no 
more.' Down, down, down, Down to the depths of the sea. She sits at 
her wheel in the humming town, Singing most joyfully. Hark what she 
sings: 'Oh, joy! oh, joy! For the humming street, and the child with its 
toy; For the priest, and the bell, and the holy well; For the wheel where 
I spun, And the blessed light of the sun.' And so she sings her fill, 
Singing most joyfully, Till the shuttle falls from her hand, And the 
whizzing wheel stands still. She steals to the window, and looks at the 
sand, And over the sand at the sea, And her eyes are set in a stare, And 
anon there breaks a sigh, And anon there drops a tear, From a 
sorrow-clouded eye, And a heart sorrow-laden, A long, long sigh, For 
the cold strange eyes of a little Mermaiden, And the gleam of her 
golden hair." 
Not less excellent, in a style wholly different, was A.'s treatment (and 
there was this high element of promise in A. that, with a given story to 
work upon, he was always successful) of the AEgyptian legend of 
Mycerinus, a legend not known unfortunately to general English 
readers, who are therefore unable to appreciate the skill displayed in 
dealing with it. We must make room for one extract, however, in 
explanation of which it is only necessary to say that Mycerinus, having
learnt from the oracle that being too just a king for the purposes of the 
gods, who desired to afflict the AEgyptians, he was to die after six 
more years, made the six years into twelve by lighting his gardens all 
night with torches, and revelled out what remained to him of life. We 
can give no idea of the general conception of the poem, but as a mere 
piece of description this is very beautiful. 
"There by the river bank he wandered on, From palm grove on to palm 
grove, happy trees, Their smooth tops shining sunwards, and beneath 
Burying their unsunned stems in grass and flowers; Where in one 
dream the feverish time of youth Might fade in slumber, and the feet of 
joy Might wander all day long, and never tire: Here came the king, 
holding high feast at morn, Rose-crowned: and even when the sun went 
down, A hundred lamps beamed in the tranquil gloom, From tree to 
tree, all through the twinkling grove, Revealing all the tumult of the 
feast, Flushed guests, and golden goblets foamed with wine, While the 
deep burnished foliage overhead Splintered the silver arrows of the 
moon." 
Containing as it did poems of merit so high as these, it may seem 
strange that this volume should not have received a more ready 
recognition; for there is no excellence which the writer of the passages 
which we have quoted could hereafter attain, the promise of which 
would not be at once perceived in them. But the public are apt to judge 
of books of poetry by the rule of mechanism, and try them not by their 
strongest parts but by their weakest; and in the present instance (to 
mention nothing else) the stress of weight in the title which was given 
to the collection was laid upon what was by no means adequate to 
bearing it. Whatever be the merits of the "Strayed Reveller" as poetry, 
it is certainly not a poem in the sense which English people generally 
attach to the word, looking as they do not only for imaginative 
composition but for verse;--and as certainly if the following passage 
had been printed merely as prose, in a book which professed to be 
nothing else, no one would have suspected that it was composed of an 
agglutination of lines. 
"The gods are happy; they turn on all sides their shining eyes, and see
below them earth and men. They see Tiresias sitting staff in hand on 
the warm grassy Asopus    
    
		
	
	
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