From the Housetops 
 
The Project Gutenberg EBook of From the Housetops, by George Barr 
McCutcheon This eBook is for the use of anyone anywhere at no cost 
and with almost no restrictions whatsoever. You may copy it, give it 
away or re-use it under the terms of the Project Gutenberg License 
included with this eBook or online at www.gutenberg.org 
Title: From the Housetops 
Author: George Barr McCutcheon 
Illustrator: F. Graham Cootes 
Release Date: June 17, 2006 [EBook #18612] 
Language: English 
Character set encoding: ISO-8859-1 
*** START OF THIS PROJECT GUTENBERG EBOOK FROM THE 
HOUSETOPS *** 
 
Produced by Roger Frank and the Online Distributed Proofreading 
Team at http://www.pgdp.net 
 
FROM THE HOUSETOPS 
BY GEORGE BARR McCUTCHEON
Author of "Ghaustark," "The Hollow of Her Hand," "The Prince of 
Graustark," etc. 
With Illustrations by F. GRAHAM COOTES 
 
Copyright, 1916 By DODD, MEAD AND COMPANY, INC. All rights 
reserved Made in U.S.A. 
 
[Illustration: "Stop!" he cried eagerly. "Would you give up 
everything--everything, mind you,--if I were to ask you to do so?"] 
 
Contents ======== 
CHAPTER I 
1 
CHAPTER II 
9 
CHAPTER III 
16 
CHAPTER IV 
27 
CHAPTER V 
39
CHAPTER VI 
57 
CHAPTER VII 
76 
CHAPTER VIII 
90 
CHAPTER IX 
101 
CHAPTER X 
120 
CHAPTER XI 
137 
CHAPTER XII 
155 
CHAPTER XIII 
169 
CHAPTER XIV 
185 
CHAPTER XV
197 
CHAPTER XVI 
213 
CHAPTER XVII 
230 
CHAPTER XVIII 
247 
CHAPTER XIX 
260 
CHAPTER XX 
273 
CHAPTER XXI 
292 
CHAPTER XXII 
310 
CHAPTER XXIII 
329 
CHAPTER XXIV 
345
CHAPTER XXV 
359 
CHAPTER XXVI 
376 
CHAPTER XXVII 
391 
CHAPTER XXVIII 
405 
CHAPTER XXIX 
421 
CHAPTER XXX 
431 
 
FROM THE HOUSETOPS 
CHAPTER I 
Mr. Templeton Thorpe was soon to be married for the second time. 
Back in 1860 he married a girl of twenty-two, and now in the year 1912 
he was taking unto himself another girl of twenty-two. In the interim he 
had achieved a grandson whose years were twenty-nine. In his 
seventy-seventh year he was worth a great many millions of dollars, 
and for that and no other reason perhaps, one of the newspapers, in 
commenting on the approaching nuptials, declared that nobody could 
now deny that he was a philanthropist.
* * * * * 
"I daresay you are right, Mrs. Tresslyn," said old Templeton Thorpe's 
grandson, bitterly. "He hasn't many more years to live." 
The woman in the chair started, her eyes narrowing. The flush 
deepened in her cheeks. It had been faint before and steady, but now it 
was ominous. 
"I fear you are again putting words into my mouth," she said coldly. 
"Have I made any such statement?" 
"I did not say that you had, Mrs. Tresslyn," said the young man. "I 
merely observed that you were right. It isn't necessary to put the 
perfectly obvious into words. He is a very old man, so you are right in 
believing that he hasn't many years left to live. Nearly four times the 
age of Anne,--that's how old he is,--and time flies very swiftly for him." 
"I must again remind you that you are in danger of becoming offensive, 
Braden. Be good enough to remember that this interview is not of my 
choosing. I consented to receive you in--" 
"You knew it was inevitable--this interview, as you call it. You knew I 
would come here to denounce this damnable transaction. I have nothing 
to apologise for, Mrs. Tresslyn. This is not the time for apologies. You 
may order me to leave your house, but I don't believe you will find any 
satisfaction in doing so. You would still know that I have a right to 
protest against this unspeakable marriage, even though it should mean 
nothing more to me than the desire to protect a senile old man against 
the--" 
"Your grandfather is the last man in the world to be described as 
senile," she broke in, with a thin smile. 
"I could have agreed with you a month ago, but not now," said he 
savagely. 
"Perhaps you would better go now, Braden," said she, arising. She was
a tall, handsome woman, well under fifty. As she faced her visitor, her 
cold, unfriendly eyes were almost on a level with his own. The look she 
gave him would have caused a less determined man to quail. It was her 
way of closing an argument, no matter whether it was with her butcher, 
her grocer, of the bishop himself. Such a look is best described as 
imperious, although one less reserved than I but perhaps more potently 
metaphorical would say that she simply looked a hole through you, 
seeing beyond you as if you were not there at all. She had found it 
especially efficacious in dealing with the butcher and even the bishop, 
to say nothing of the effect it always had upon the commonplace 
nobodies who go to the butcher and the    
    
		
	
	
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