France in the Eighteenth Century

John Moody

Miscellanies (Vol. 3 of 3), by John Morley

Project Gutenberg's Critical Miscellanies (Vol. 3 of 3), by John Morley This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org
Title: Critical Miscellanies (Vol. 3 of 3) Essay 8: France in the Eighteenth Century
Author: John Morley
Release Date: September 30, 2006 [EBook #19410]
Language: English
Character set encoding: ISO-8859-1
*** START OF THIS PROJECT GUTENBERG EBOOK CRITICAL MISCELLANIES ***

Produced by Paul Murray, Suzan Flanagan and the Online Distributed Proofreading Team at http://www.pgdp.net

CRITICAL MISCELLANIES
BY JOHN MORLEY
VOL. III.
Essay 8: France in the Eighteenth Century
London MACMILLAN AND CO., Limited NEW YORK: THE MACMILLAN COMPANY 1904

FRANCE IN THE EIGHTEENTH CENTURY.
M. Taine as a man of letters 261
Political preparation needed for the historian 262
M. Taine's conception of history 265
Its shortcomings 266
Chief thesis of his book 268
The expression of this thesis not felicitous 269
Its substance unsatisfactory 272
Cardinal reason for demurring to it 275
Adaptation of the literary teaching of the eighteenth century to the social crisis 277
Why that teaching prevailed in France while it withered in England 280
Social Elements. The French Court 282
The Nobility 283
M. Taine exaggerates the importance of literature 286
Historic doctrine could have saved nothing 287
Lesson of the American Revolution 288
Conclusion 289

FRANCE IN THE EIGHTEENTH CENTURY.[1]
The announcement that one of the most ingenious and accomplished men of letters in Europe was engaged upon a history of the French Revolution, raised some doubts among those who have thought most about the qualifications proper to the historian. M. Taine has the quality of the best type of a man of letters; he has the fine critical aptitude for seizing the secret of an author's or an artist's manner, for penetrating to dominant and central ideas, for marking the abstract and general under accidental forms in which they are concealed, for connecting the achievements of literature and art with facts of society and impulses of human character and life. He is the master of a style which, if it seems to lack the breadth, the firmness, the sustained and level strength of great writing, is yet always energetic, and fresh, and alive with that spontaneous reality and independence of interest which distinguishes the genuine writer from the mere weaver of sentences and the servile mechanic of the pen. The matter and form alike of M. Taine's best work--and we say best, for his work is by no means without degrees and inequalities of worth--prove that he has not shrunk from the toil and austerity of the student, from that scorn of delight and living of laborious days, by which only can men either get command of the art of just and finished expression, or gather to themselves much knowledge.
[1] Les Origines de la France Contemporaine. Tom. i. L'Ancien R��gime. Par H. Taine. Paris: Hachette. 1876.
But with all its attractiveness and high uses of its own, the genius for literature in its proper sense is distinct from the genius for political history. The discipline is different, because the matter is different. To criticise Rousseau's Social Contract requires one set of attainments, and to judge the proceedings of the Constituent Assembly or the Convention requires a set of quite different attainments. A man may have the keenest sense of the filiation of ideas, of their scope and purport, and yet have a very dull or uninterested eye for the play of material forces, the wayward tides of great gatherings of men, the rude and awkward methods that sometimes go to the attainment of wise political ends.
It would perhaps not be too bold to lay down this proposition; that no good social history has ever been written by a man who has not either himself taken a more or less active part in public affairs, or else been an habitual intimate of persons who were taking such a part on a considerable scale. Everybody knows what Gibbon said about the advantage to the historian of the Roman Empire of having been a member of the English parliament and a captain in the Hampshire grenadiers. Thucydides commanded an Athenian squadron, and Tacitus filled the offices of pr?tor and consul. Xenophon, Polybius, and Sallust, were all men of affairs and public adventure. Guicciardini was an ambassador, a ruler, and the counsellor of rulers; and Machiavel was all these things and more. Voltaire was the keen-eyed friend of the greatest princes and statesmen of his time, and was more than once engaged in diplomatic transactions. Robertson was a powerful party chief in the Assembly of the Scotch Church. Grote and Macaulay were active members of parliament, and Hallam and Milman were confidential members of circles where affairs of State were the staple of daily discussion among the
Continue reading on your phone by scaning this QR Code

 / 14
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.