Flaming June

Mrs George de Horne Vaizey



Flaming June
By Mrs George de Horne Vaizey
CHAPTER ONE.
Somewhere on the West coast of England, about a hundred miles from the metropolis, there stands a sleepy little town, which possesses no special activity nor beauty to justify its existence. People live in it for reasons of their own. The people who do not live in it wonder for what reasons, but attain no better solution of the mystery than the statement that the air is very fine. "We have such bracing air!" says the resident, as proudly as if that said air were his special invention and property. Certain West-country doctors affect Norton-on-Sea for patients in need of restful change, and their melancholy advent justifies the existence of the great hotel on the esplanade, and the row of bath-chairs at the corner. There are ten bath-chairs in all, and on sunny days ten crumpled-looking old ladies can generally be seen sitting inside their canopies, trundling slowly along the esplanade, accompanied by a paid companion, dressed in black and looking sorry for herself. Occasionally on Saturdays and Sundays a pretty daughter, or a tall son takes the companion's place, but as sure as Monday arrives they disappear into space. One can imagine that one hears them bidding their farewells--"So glad to see you getting on so well, mother dear! I positively must rush back to town to attend to a hundred duties. It's a comfort to feel that you are so well placed. Miss Biggs is a treasure, and this air is so bracing!..."
The esplanade consists of four rows of lodging-houses and two hotels, in front of which is a strip of grass, on which a band plays twice a week during the summer months, and the school-children twice a day all the year long. The invalids in the hotel object to the children and make unsuccessful attempts to banish them from their pitch, and the children in their turn regard the invalids with frank disdain, and make audible and uncomplimentary surmises as to the nature of their complaints as the procession of chairs trundles by.
In front of the green, and separating it from the steep, pebbly shore, are a number of fishermen's shanties, bathing machines, and hulks of old vessels stretched in a long, straggling row, while one larger shed stands back from the rest, labelled "Lifeboat" in large white letters.
Parallel with the esplanade runs the High Street, a narrow thoroughfare showing shops crowded with the useless little articles which are supposed to prove irresistibly attractive to visitors to the seaside. At the bazaar a big white label proclaims that everything in the window is to be sold at the astounding price of "eleven-three," and the purchaser is free to make his choice from such treasures as work-boxes lined in crimson plush, and covered with a massed pattern in shells; desks fitted with all the implements for writing, scent bottles tied with blue ribbons; packets of stationery with local views, photograph frames in plush and gelatine, or to select more perishable trophies in glass and china, all solemnly guaranteed to be worth double the price.
At the photographer's, a few yards farther along, a visitor can have his portrait taken a yard square, the size of a postage stamp, or on a postcard to send to his friends. Ingenious backgrounds are on hand, representing appropriate seaside scenes in which the sitter has nothing to do but to press his face against a hole on the canvas, and these are extensively patronised, for what can be more convenient than to stand on solid earth, attired in sober, everyday clothing, yet be portrayed splashing in the waves in the spandiest of French bathing costumes, riding a donkey along the sands, or manfully hauling down the sails of a yacht!
Mr Photographer Sykes is a man of resource, and deserves the prosperity which is the envy of his neighbours. Mrs Sykes wears silk linings to her skirts on Sundays, and rustles like the highest in the land. She had three new hats in one summer, and the fishmonger's wife knows for a fact that not one of the number costs less than "twenty-five-six."
The High Street and the esplanade constitute the new Norton-on-Sea which has sprung into being within the last ten years, but the real, original, aristocratic Norton lies a couple of miles inland, and consists of a wide, sloping street, lined with alternate shops and houses, branching off from which are a number of sleepy roads, in which detached and semi- detached villas hide themselves behind trees and hedges, and barricade their windows with stiff, white curtains. The one great longing actuating the Norton householder seems to be to see nothing, and to be seen by none. "Is the house overlooked?" they ask the agent anxiously on the occasion of the first application. "Does it
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