Flaming June 
By Mrs George de Horne Vaizey 
CHAPTER ONE. 
Somewhere on the West coast of England, about a hundred miles from 
the metropolis, there stands a sleepy little town, which possesses no 
special activity nor beauty to justify its existence. People live in it for 
reasons of their own. The people who do not live in it wonder for what 
reasons, but attain no better solution of the mystery than the statement 
that the air is very fine. "We have such bracing air!" says the resident, 
as proudly as if that said air were his special invention and property. 
Certain West-country doctors affect Norton-on-Sea for patients in need 
of restful change, and their melancholy advent justifies the existence of 
the great hotel on the esplanade, and the row of bath-chairs at the 
corner. There are ten bath-chairs in all, and on sunny days ten 
crumpled-looking old ladies can generally be seen sitting inside their 
canopies, trundling slowly along the esplanade, accompanied by a paid 
companion, dressed in black and looking sorry for herself. Occasionally 
on Saturdays and Sundays a pretty daughter, or a tall son takes the 
companion's place, but as sure as Monday arrives they disappear into 
space. One can imagine that one hears them bidding their 
farewells--"So glad to see you getting on so well, mother dear! I 
positively must rush back to town to attend to a hundred duties. It's a 
comfort to feel that you are so well placed. Miss Biggs is a treasure, 
and this air is so bracing!..." 
The esplanade consists of four rows of lodging-houses and two hotels, 
in front of which is a strip of grass, on which a band plays twice a week 
during the summer months, and the school-children twice a day all the 
year long. The invalids in the hotel object to the children and make 
unsuccessful attempts to banish them from their pitch, and the children
in their turn regard the invalids with frank disdain, and make audible 
and uncomplimentary surmises as to the nature of their complaints as 
the procession of chairs trundles by. 
In front of the green, and separating it from the steep, pebbly shore, are 
a number of fishermen's shanties, bathing machines, and hulks of old 
vessels stretched in a long, straggling row, while one larger shed stands 
back from the rest, labelled "Lifeboat" in large white letters. 
Parallel with the esplanade runs the High Street, a narrow thoroughfare 
showing shops crowded with the useless little articles which are 
supposed to prove irresistibly attractive to visitors to the seaside. At the 
bazaar a big white label proclaims that everything in the window is to 
be sold at the astounding price of "eleven-three," and the purchaser is 
free to make his choice from such treasures as work-boxes lined in 
crimson plush, and covered with a massed pattern in shells; desks fitted 
with all the implements for writing, scent bottles tied with blue ribbons; 
packets of stationery with local views, photograph frames in plush and 
gelatine, or to select more perishable trophies in glass and china, all 
solemnly guaranteed to be worth double the price. 
At the photographer's, a few yards farther along, a visitor can have his 
portrait taken a yard square, the size of a postage stamp, or on a 
postcard to send to his friends. Ingenious backgrounds are on hand, 
representing appropriate seaside scenes in which the sitter has nothing 
to do but to press his face against a hole on the canvas, and these are 
extensively patronised, for what can be more convenient than to stand 
on solid earth, attired in sober, everyday clothing, yet be portrayed 
splashing in the waves in the spandiest of French bathing costumes, 
riding a donkey along the sands, or manfully hauling down the sails of 
a yacht! 
Mr Photographer Sykes is a man of resource, and deserves the 
prosperity which is the envy of his neighbours. Mrs Sykes wears silk 
linings to her skirts on Sundays, and rustles like the highest in the land. 
She had three new hats in one summer, and the fishmonger's wife 
knows for a fact that not one of the number costs less than 
"twenty-five-six."
The High Street and the esplanade constitute the new Norton-on-Sea 
which has sprung into being within the last ten years, but the real, 
original, aristocratic Norton lies a couple of miles inland, and consists 
of a wide, sloping street, lined with alternate shops and houses, 
branching off from which are a number of sleepy roads, in which 
detached and semi- detached villas hide themselves behind trees and 
hedges, and barricade their windows with stiff, white curtains. The one 
great longing actuating the Norton householder seems to be to see 
nothing, and to be seen by none. "Is the house overlooked?" they ask 
the agent anxiously on the    
    
		
	
	
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