and every tree, in the which is the fruit of a tree yielding seed; 
to you it shall be for meat. And to every beast of the earth, and to every 
fowl of the air, and to every thing that creepeth upon the earth, wherein 
there is life, I have given every green herb for meat: and it was so. And 
God saw every thing that He had made, and, behold, it was very good. 
And the evening and the morning were the sixth day. 
'Thus the heavens and the earth were finished, and all the host of them. 
And on the seventh day God ended His work which He had made; and 
He rested on the seventh day from all His work which He had made. 
And God blessed the seventh day, and sanctified it; because that in it 
He had rested from all His work which God created and made.' 
--GENESIS i. 26-ii. 3. 
We are not to look to Genesis for a scientific cosmogony, and are not to 
be disturbed by physicists' criticisms on it as such. Its purpose is quite 
another, and far more important; namely, to imprint deep and
ineffaceable the conviction that the one God created all things. Nor 
must it be forgotten that this vision of creation was given to people 
ignorant of natural science, and prone to fall back into surrounding 
idolatry. The comparison of the creation narratives in Genesis with the 
cuneiform tablets, with which they evidently are most closely 
connected, has for its most important result the demonstration of the 
infinite elevation above their monstrosities and puerilities, of this 
solemn, steadfast attribution of the creative act to the one God. Here we 
can only draw out in brief the main points which the narrative brings 
into prominence. 
1. The revelation which it gives is the truth, obscured to all other men 
when it was given, that one God 'in the beginning created the heaven 
and the earth.' That solemn utterance is the keynote of the whole. The 
rest but expands it. It was a challenge and a denial for all the beliefs of 
the nations, the truth of which Israel was the champion and missionary. 
It swept the heavens and earth clear of the crowd of gods, and showed 
the One enthroned above, and operative in, all things. We can scarcely 
estimate the grandeur, the emancipating power, the all-uniting force, of 
that utterance. It is a worn commonplace to us. It was a strange, 
thrilling novelty when it was written at the head of this narrative. Then 
it was in sharp opposition to beliefs that have long been dead to us; but 
it is still a protest against some living errors. Physical science has not 
spoken the final word when it has shown us how things came to be as 
they are. There remains the deeper question, What, or who, originated 
and guided the processes? And the only answer is the ancient 
declaration, 'In the beginning God created the heaven and the earth.' 
2. The record is as emphatic and as unique in its teaching as to the 
mode of creation: 'God said ... and it was so.' That lifts us above all the 
poor childish myths of the nations, some of them disgusting, many of 
them absurd, all of them unworthy. There was no other agency than the 
putting forth of the divine will. The speech of God is but a symbol of 
the flashing forth of His will. To us Christians the antique phrase 
suggests a fulness of meaning not inherent in it, for we have learned to 
believe that 'all things were made by Him' whose name is 'The Word of 
God'; but, apart from that, the representation here is sublime. 'He spake, 
and it was done'; that is the sign- manual of Deity. 
3. The completeness of creation is emphasised. We note, not only the
recurrent 'and it was so,' which declares the perfect correspondence of 
the result with the divine intention, but also the recurring 'God saw that 
it was good.' His ideals are always realised. The divine artist never 
finds that the embodiment of His thought falls short of His thought. 
'What act is all its thought had been? What will but felt the fleshly 
screen? 
But He has no hindrances nor incompletenesses in His creative work, 
and the very sabbath rest with which the narrative closes symbolises, 
not His need of repose, but His perfect accomplishment of His purpose. 
God ceases from His works because 'the works were finished,' and He 
saw that all was very good. 
4. The progressiveness of the creative process is brought into strong 
relief. The work of the first four days is the preparation of the 
dwelling-place for the living creatures who are afterwards created to 
inhabit it. How far    
    
		
	
	
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