Essays on Scandinavian 
Literature, by Hjalmar 
 
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Hjalmar Hjorth Boyesen 
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Title: Essays on Scandinavian Literature 
Author: Hjalmar Hjorth Boyesen 
 
Release Date: November 23, 2006 [eBook #19908] 
Language: English 
Character set encoding: ISO-8859-1 
***START OF THE PROJECT GUTENBERG EBOOK ESSAYS ON 
SCANDINAVIAN LITERATURE*** 
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ESSAYS ON SCANDINAVIAN LITERATURE 
by 
HJALMAR HJORTH BOYESEN 
 
* * * * * 
 
BY THE SAME AUTHOR. 
Goethe and Schiller. Their Lives and Works; with a commentary on 
"Faust." Essays on German Literature. Essays on Scandinavian 
Literature. A Commentary on the Writings of Henrik Ibsen. Literary 
and Social Silhouettes. The Story of Norway. Gunnar. Tales from Two 
Hemispheres. A Norseman's Pilgrimage. Falconberg. A Novel. Queen 
Titania. Ilka on the Hill-top, and Other Tales. A Daughter of the 
Philistines. The Light of Her Countenance. Vagabond Tales. The 
Mammon of Unrighteousness. The Golden Calf. Social Strugglers. 
Idyls of Norway, and Other Poems. 
THE NORSELAND SERIES (JUVENILE). 
The Modern Vikings: Stories of Life and Sport in the Northland. 
Against Heavy Odds, and A Fearless Trio. Boyhood in Norway. 
Norseland Tales. 
 
* * * * * 
 
ESSAYS ON SCANDINAVIAN LITERATURE 
by 
HJALMAR HJORTH BOYESEN
Professor of Germanic Languages and Literatures in Columbia College 
 
London David Nutt, 270, Strand 1895. 
Copyright, 1895, by Charles Scribner's Sons for the United States of 
America Printed by the Trow Directory, Printing and Bookbinding 
Company New York, U. S. A. 
 
PREFACE 
Some twenty years ago the ambition seized me to write a History of 
Scandinavian Literature. I scarcely realized then what an enormous 
amount of reading would be required to equip me for this task. My 
studies naturally led me much beyond the scope of my original 
intention. There was a fascination in the work which lured me 
perpetually on, and made me explore with a constantly increasing zest 
the great literary personalities of Norway, Sweden, and Denmark. Thus 
my chapter on Henrik Ibsen grew into a book of three hundred and 
seventeen pages, which was published a year ago, and must be regarded 
as supplementary to the present volume. The chapter on Björnstjerne 
Björnson was in danger of expanding to similar proportions, and only 
the most heroic condensation saved it from challenging criticism as an 
independent work. As regards Norway and Denmark, I have 
endeavored to select all the weightiest and most representative names. 
The Swedish authors Johan Ludvig Runeberg, Mrs. Edgren, and 
August Strindberg, and the Dane Oehlenschlaeger, necessity has 
compelled me to reserve for a future volume. 
COLUMBIA COLLEGE, NEW YORK, 
February, 1895. 
 
CONTENTS
PAGE 
BJÖRNSTJERNE BJÖRNSON, 3 
ALEXANDER KIELLAND, 107 
JONAS LIE, 121 
HANS CHRISTIAN ANDERSEN, 155 
CONTEMPORARY DANISH LITERATURE, 181 
GEORG BRANDES, 199 
ESAIAS TEGNÉR, 219 
 
BJÖRNSTJERNE BJÖRNSON 
I 
Björnstjerne Björnson is the first Norwegian poet who can in any sense 
be called national. The national genius, with its limitations as well as its 
virtues, has found its living embodiment in him. Whenever he opens 
his mouth it is as if the nation itself were speaking. If he writes a little 
song, hardly a year elapses before its phrases have passed into the 
common speech of the people; composers compete for the honor of 
interpreting it in simple, Norse-sounding melodies, which gradually 
work their way from the drawing-room to the kitchen, the street, and 
thence out over the wide fields and highlands of Norway. His tales, 
romances, and dramas express collectively the supreme result of the 
nation's experience, so that no one to-day can view Norwegian life or 
Norwegian history except through their medium. The bitterest 
opponent of the poet (for like every strong personality he has many 
enemies) is thus no less his debtor than his warmest admirer. His 
speech has stamped itself upon the very language and given it a new 
ring, a deeper resonance. His thought fills the air, and has become the 
unconscious property of all who have grown to manhood and
womanhood since the day when his titanic form first loomed up on the 
horizon of the North. It is not only as their first and greatest poet that 
the Norsemen love and hate him, but also as a civilizer in the widest 
sense. But like Kadmus, in Greek myth, he has not only brought with 
him letters, but also the dragon-teeth of strife, which it is to be hoped 
will not sprout forth in armed men. 
A man's ancestry and environment, no doubt, account in a superficial 
manner for his appearance and mental    
    
		
	
	
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