Ernest Maltravers | Page 2

strange and affecting fidelity that she
maintained, in spite of new ties--her final re-meeting, almost in
middle-age, with one lost and adored almost in childhood--all this, as
shown in the novel, is but the imperfect transcript of the true
adventures of a living woman.
In regard to Maltravers himself, I must own that I have but
inadequately struggled against the great and obvious difficulty of
representing an author living in our own times, with whose supposed
works or alleged genius and those of any one actually existing, the
reader can establish no identification, and he is therefore either
compelled constantly to humour the delusion by keeping his
imagination on the stretch, or lazily driven to confound the Author /in/
the Book with the Author /of/ the Book.* But I own, also, I fancied,
while aware of this objection, and in spite of it, that so much not
hitherto said might be conveyed with advantage through the lips or in
the life of an imaginary writer of our own time, that I was contented, on
the whole, either to task the imagination, or submit to the suspicions of
the reader. All that my own egotism appropriates in the book are some
occasional remarks, the natural result of practical experience. With the
life or the character, the adventures or the humours, the errors or the
good qualities, of Maltravers himself, I have nothing to do, except as
the narrator and inventor.
* In some foreign journal I have been much amused by a credulity of
this latter description, and seen the various adventures of Mr.
Maltravers gravely appropriated to the embellishment of my own life,
including the attachment to the original of poor Alice Darvil; who now,
by the way, must be at least seventy years of age, with a grandchild
nearly as old as myself.
E. B. L.

A WORD TO THE READER PREFIXED TO THE FIRST EDITION
OF 1837.
THOU must not, my old and partial friend, look into this work for that
species of interest which is drawn from stirring adventures and a
perpetual variety of incident. To a Novel of the present day are
necessarily forbidden the animation, the excitement, the bustle, the
pomp, and the stage effect which History affords to Romance.
Whatever merits, in thy gentle eyes, /Rienzi/, or /The Last Days of
Pompeii/, may have possessed, this Tale, if it please thee at all, must
owe that happy fortune to qualities widely different from those which
won thy favour to pictures of the Past. Thou must sober down thine
imagination, and prepare thyself for a story not dedicated to the
narrative of extraordinary events--nor the elucidation of the characters
of great men. Though there is scarcely a page in this work episodical to
the main design, there may be much that may seem to thee wearisome
and prolix, if thou wilt not lend thyself, in a kindly spirit, and with a
generous trust, to the guidance of the Author. In the hero of this tale
thou wilt find neither a majestic demigod, nor a fascinating demon. He
is a man with the weaknesses derived from humanity, with the strength
that we inherit from the soul; not often obstinate in error, more often
irresolute in virtue; sometimes too aspiring, sometimes too despondent;
influenced by the circumstances to which he yet struggles to be
superior, and changing in character with the changes of time and fate;
but never wantonly rejecting those great principles by which alone we
can work the Science of Life--a desire for the Good, a passion for the
Honest, a yearning after the True. From such principles, Experience,
that severe Mentor, teaches us at length the safe and practical
philosophy which consists of Fortitude to bear, Serenity to enjoy, and
Faith to look beyond!
It would have led, perhaps, to more striking incidents, and have
furnished an interest more intense, if I had cast Maltravers, the Man of
Genius, amidst those fierce but ennobling struggles with poverty and
want to which genius is so often condemned. But wealth and lassitude
have their temptations as well as penury and toil. And for the rest--I

have taken much of my tale and many of my characters from real life,
and would not unnecessarily seek other fountains when the Well of
Truth was in my reach.
The Author has said his say, he retreats once more into silence and into
shade; he leaves you alone with the creations he has called to life--the
representatives of his emotions and his thoughts--the intermediators
between the individual and the crowd. Children not of the clay, but of
the spirit, may they be faithful to their origin!--so should they be
monitors, not loud but deep, of the world into which they are cast,
struggling against the obstacles that will beset them, for the