Epic and Romance

W.P. Ker

Epic and Romance, by W. P. Ker

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Title: Epic and Romance Essays on Medieval Literature
Author: W. P. Ker

Release Date: January 20, 2007 [eBook #20406]
Language: English
Character set encoding: ISO-8859-1
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Transcriber's note:
This text employs some Anglo-Saxon characters, such as the eth (D or e, equivalent of "th") and the thorn (T or t, also equivalent of "th"). These characters should display properly in most text viewers. The Anglo-Saxon yogh (equivalent of "y," "g," or "gh") will display properly only if the user has the proper font. To maximize accessibility, the character "3" is used in this e-text to represent the yogh, e.g., "3ong" (yong).

Essays on Medieval Literature
Fellow of All Souls College, Oxford Professor of English Literature in University College London

MacMillan and Co., Limited St. Martin's Street, London 1931 Copyright First Edition (8vo) 1896 Second Edition (Eversley Series) 1908 Reprinted (Crown 8vo) 1922, 1926, 1931
Printed in Great Britain By R. & R. Clark, Limited, Edinburgh

These essays are intended as a general description of some of the principal forms of narrative literature in the Middle Ages, and as a review of some of the more interesting works in each period. It is hardly necessary to say that the conclusion is one "in which nothing is concluded," and that whole tracts of literature have been barely touched on--the English metrical romances, the Middle High German poems, the ballads, Northern and Southern--which would require to be considered in any systematic treatment of this part of history.
Many serious difficulties have been evaded (in Finnesburh, more particularly), and many things have been taken for granted, too easily. My apology must be that there seemed to be certain results available for criticism, apart from the more strict and scientific procedure which is required to solve the more difficult problems of Beowulf, or of the old Northern or the old French poetry. It is hoped that something may be gained by a less minute and exacting consideration of the whole field, and by an attempt to bring the more distant and dissociated parts of the subject into relation with one another, in one view.
Some of these notes have been already used, in a course of three lectures at the Royal Institution, in March 1892, on "the Progress of Romance in the Middle Ages," and in lectures given at University College and elsewhere. The plot of the Dutch romance of Walewein was discussed in a paper submitted to the Folk-Lore Society two years ago, and published in the journal of the Society (Folk-Lore, vol. v. p. 121).
I am greatly indebted to my friend Mr. Paget Toynbee for his help in reading the proofs.
I cannot put out on this venture without acknowledgment of my obligation to two scholars, who have had nothing to do with my employment of all that I have borrowed from them, the Oxford editors of the Old Northern Poetry, Dr. Gudbrand Vigfusson and Mr. York Powell. I have still to learn what Mr. York Powell thinks of these discourses. What Gudbrand Vigfusson would have thought I cannot guess, but I am glad to remember the wise goodwill which he was always ready to give, with so much else from the resources of his learning and his judgment, to those who applied to him for advice.
W. P. KER.
LONDON, 4th November 1896.

This book is now reprinted without addition or change, except in a few small details. If it had to be written over again, many things, no doubt, would be expressed in a different way. For example, after some time happily spent in reading the Danish and other ballads, I am inclined to make rather less of the interval between the ballads and the earlier heroic poems, and I have learned (especially from Dr. Axel Olrik) that the Danish ballads do not belong originally to simple rustic people, but to the Danish gentry in the Middle Ages. Also the comparison of Sturla's Icelandic and Norwegian histories, though it still seems to me right in the main, is driven a little too far; it hardly does enough justice to the beauty of the Life of Hacon (H��konar Saga), especially in the part dealing with the rivalry of the King and his father-in-law Duke Skule. The critical problems with regard to the writings of Sturla are more difficult than I imagined, and I am glad to have this opportunity of referring, with admiration, to
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