four feet high. It may be that the 
Gael's conception of humanised spirits may not have been uninfluenced 
by the traditions of that earlier diminutive race whose arrow-heads of 
flint were so long regarded as "elf-bolts." The fairies dwelt only in 
grassy knolls, on the summits of high hills, and inside cliffs. Although 
capable of living for several centuries, they were not immortal. They 
required food, and borrowed meal and cooking utensils from human 
beings, and always returned what they received on loan. They could be 
heard within the knolls grinding corn and working at their anvils, and 
they were adepts at spinning and weaving and harvesting. When they 
went on long journeys they became invisible, and were carried through
the air on eddies of western wind. 
At the seasonal changes of the year, "the wee folk" were for several 
days on end inspired, like all other supernatural furies, with enmity 
against mankind. Their evil influences were negatived by spells and 
charms. We who still hang on our walls at Christmas the mystic holly, 
are unconsciously perpetuating an old-world custom connected with 
belief in the efficacy of the magical circle to protect us against evil 
spirits. And in our concern about luck, our proneness to believe in 
omens, the influence of colours and numbers, in dreams and in 
prophetic warnings, we retain as much of the spirit as the poetry of the 
religion of our remote ancestors. 
THE HEROES. 
The heroes, with the exception of Cuchullin, who appear in this volume, 
figure in the tales and poems of the Ossianic or Fian Cycle, which is 
common to Ireland and to Scotland. They have been neglected by our 
Scottish poets since Gavin Douglas and Barbour. In Ireland the Fians 
are a band of militia--the original Fenians. In Scotland the tales vary 
considerably, and belong to the hunting period before the introduction 
of agriculture. But in this country, as well as in Ireland, they are 
evidently influenced by historic happenings. There are tales of Norse 
conflicts, as well as tales of adventure among giants and spirits. 
The cycle had evidently remote beginnings. When we find Diarmid and 
Grainnè, like Paris and Helen, the cause of conflict and disaster; and 
Diarmid, like Achilles, charmed of body, and vulnerable only on his 
heel-spot, we incline to the theory that from a mid-European centre 
migrating "waves" swept over prehistoric Greece, and left traces of 
their mythology and folk-lore in Homer, while other "waves," sweeping 
northward, bequeathed to us as a literary inheritance the Celtic 
folk-tales, in which the deeds and magical attributes of remote tribal 
heroes and humanised deities are co-mingled and perpetuated. 
On fragments of these folk-tales the poet Macpherson reared his 
Ossianic epic, in imitation of the Iliad and Paradise Lost.
The "Death of Cuchullin" is a rendering in verse of an Irish prose 
translation of a fragment of the Cuchullin Cycle, which moves in the 
Bronze Age period. Cuchullin, with "the light of heroes" on his 
forehead, is also reminiscent of Achilles. One of the few Cuchullin 
tales found in Scotland is that which relates his conflict with his son, 
and bears a striking similarity to the legend of Sohrab and Rustum. 
Macpherson also drew from this Cycle in composing his Ossian, and 
mingled it with the other, with which it has no connection. 
The third great Celtic Cycle--the Arthurian--bears close resemblances, 
as Campbell, of "The West Highland Tales," has shown, to the Fian 
Cycle, and had evidently a common origin. Its value as a source of 
literary inspiration has been fully appreciated, but the Fian and 
Cuchullin cycles still await, like virgin soil, to yield an abundant 
harvest for the poets of the future. 
Notes on the folk-beliefs and tales will be found at the end of this 
volume. 
Some of the short poems have appeared in the "Glasgow Herald" and 
"Inverness Courier"; the three tales appeared in the "Celtic Review." 
CONTENTS. 
Preface 
The Wee Folk 
The Remnant Bannock 
The Banshee 
Conn, Son of the Red 
The Song of Goll 
The Blue Men of the Minch 
The Urisk
The Nimble Men 
My Gunna 
The Gruagach 
The Little Old Man of the Barn 
Yon Fairy Dog 
The Water-Horse 
The Changeling 
My Fairy Lover 
The Fians of Knockfarrel 
Her Evil Eye 
A Cursing 
Leobag's Warning 
Tober Mhuire 
Sleepy Song 
Song of the Sea 
The Death of Cuchullin 
Lost Songs 
OTHER POEMS. 
The Dream 
Free Will
Strife 
Sonnet 
"Out of the Mouths of Babes" 
Notes 
THE WEE FOLK. 
In the knoll that is the greenest,
And the grey cliff side,
And on the 
lonely ben-top
The wee folk bide;
They'll flit among the heather,
And trip upon the brae--
The wee folk, the green folk, the red folk 
and grey. 
As o'er the moor at midnight
The wee folk pass,
They whisper 
'mong the rushes
And o'er the green grass;
All through the marshy 
places
They glint and pass    
    
		
	
	
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