Don Juan Tenorio

Don Juan Tenorio

The Project Gutenberg EBook of Don Juan Tenorio, by Jos�� Zorrilla Translated by N. K. Mayberry & A. S. Kline
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Title: Don Juan Tenorio
Author: Jos�� Zorrilla Translated by N. K. Mayberry & A. S. Kline
Release Date: March, 2004 [EBook #5201] [Yes, we are more than one year ahead of schedule] [This file was first posted on June 2, 2002]
Edition: 10
Language: Spanish and English
Character set encoding: ISO-8859-1

*** START OF THE COPYRIGHTED PROJECT GUTENBERG EBOOK DON JUAN TENORIO ***
Copyright (C) 2001 N. K. Mayberry & A. S. Kline

Don Juan Tenorio
by Jos�� Zorrilla
Translated by: N. K. Mayberry & A. S. Kline Copyright 2001 All Rights Reserved
This work may be freely reproduced, stored, and transmitted, electronically or otherwise, for any non-commercial purpose.

Personajes Characters
Don Juan Tenorio Don Juan Tenorio Don Lu��s Mej��a Don Lu��s Mej��a Don Gonzalo de Ulloa (Comendador de Don Gonzalo de Ulloa (Comendador Calatrava) of Calatrava) Don Diego Tenorio Don Diego Tenorio Do?a In��s de Ulloa Do?a In��s de Ulloa Crist��fano Buttarelli Crist��fano Buttarelli Marcos Ciutti Marcos Ciutti Br��gida Br��gida Pascual Pascual El Capit��n Centellas El Capit��n Centellas Don Rafael de Avellaneda Don Rafael de Avellaneda Luc��a Luc��a La Abadesa de las Calatravas de The Abbess of the Calatravas of Sevilla Seville La tornera del convento The doorkeeper of the convent Gast��n Gast��n Miguel Miguel Un Escultor A sculptor Dos alguaciles Two bailiffs Un paje A page La estatua de Don Gonzalo (��l mismo) The statue of Don Gonzalo (the actor himself) La sombra de do?a In��s (ella misma) The shade of Do?a In��s (the actress herself)

PARTE PRIMERA FIRST PART
ACTO PRIMERO ACT ONE
LIBERTINAJE Y ESCANDALO LICENTIOUSNESS AND SCANDAL
Hoster��a de Crist��fano Buttarelli. The Inn of Crist��fano Puerta en el fondo que da a la calle: Buttarelli. A door at the back mesas, jarros y dem��s utensilios leads out to the street: tables, propios de semejante lugar. jugs and other utensils appropriate for such a place.

ESCENA PRIMERA SCENE I
(Don Juan, con antifaz, sentado a una (Don Juan, masked, seated at a mesa escribiendo. Buttarelli y table, writing. Buttarelli and Ciutti, a un lado esperando. Al Ciutti, to one side, waiting. As levantarse el tel��n, se ven pasar por the curtain rises, in the la puerta del fondo m��scaras, background one can see through estudiantes y pueblo con hachones, the door at the back people m��sicas, etc.) wearing masks, students, people with torches, musicians, etc.)
DON JUAN: ?Cu��l gritan esos malditos! How they shout those devils! Pero ?mal rayo me parta Let me be damned by forked lightning si, en concluyendo la carta , if when this letter I'm writing no pagan caros sus gritos! is done, I don't end their revels! (Sigue escribiendo.) (He continues writing.)
BUTTARELLI: (?A Ciutti.) (To Ciutti) Buen carnaval. A good Carnival.
CIUTTI: (A Buttarelli.) (To Buttarelli) Buen agosto A good harvest para rellenar la arquilla. for re-filling the coffers.
BUTTARELLI: ?Qui��! Corre ahora por Sevilla Hey! No fun and plenty of bother poco gusto y mucho mosto. running around in Seville's dust. Ni caen aqu�� buenos peces, And you don't catch such good fish here, que son casas mal miradas since these inns don't find favour por gentes acomodadas, with gentlemen who are wealthy: y atropelladas a veces. or even, at times, the masses.
CIUTTI: Pero hoy... But today...
BUTTARELLI: Hoy no entra en la cuenta, Is not in the reckoning. se ha hecho buen trabajo. Good work's already been done.
CIUTTI: ?Chist! Habla un poco m��s Shhh! Talk a little less loud bajo, then, que mi se?or se impacienta pronto. or my master will soon be beckoning.
BUTTARELLI: ?A su servicio est��s? So you're his servant?
CIUTTI: Ya ha un a?o. For a year.
BUTTARELLI: ?Y qu�� tal te sale? And how's it been?
CIUTTI: No hay prior que se me iguale; No abbot to equal me's been seen, tengo cuanto quiero, y m��s. I've all I ever could want. Tiempo libre, bolsa llena, Good women and good wine, buenas mozas y buen vino. free time, and a full pocket,
BUTTARELLI: ?Cuerpo de tal, qu�� My God, what a racket! destino!
CIUTTI: