her meals and half-a-crown a week, and the lady will teach her 
everything; that is pretty fair for a beginning, and as father says, the 
money will just find her in shoe-leather and aprons. Father's looking
out for a place for Joe now." 
"I wish Susan could have a place like mine, mother," returned Martha, 
proudly. "They are real gentlefolks, that is what they are. 'Will you be 
so good as to clean my boots, Martha?' or 'Thank you, Martha,' when I 
dry the paper of a morning. Oh, it is like play living at the corner house, 
and as for that darling Miss Baby----" but here words failed Martha. 
It could not be denied that Olivia was unusually depressed that 
afternoon, fog and damp always had this effect on her. Her nature 
needed sunshine and crisp, bracing air. 
There was no buoyancy and elasticity in her tread. When people looked 
at her, as they often did, for her pliant, slim figure rather attracted 
notice, she thought they were only commenting on her old black hat 
and jacket. Only one article of her dress satisfied her; her boots were 
neat and strong. Marcus had found her one wet day warming her feet at 
the fire and had gone off to examine her boots without a word. Olivia 
had flushed up and looked uncomfortable when he came back with the 
boots in his hand. 
"Do you want to be laid up with bronchitis or congestion of the lungs?" 
he asked, rather sadly, as he showed her the thin, worn soles; "do you 
think that will make things easier for me, Livy?" The next day he had 
taken her himself to the bootmaker's and had had her fitted with a 
serviceable stout pair. 
Somehow in spite of her pleasure in the boots and Marcus's 
thoughtfulness she had felt rather like a scolded child. 
Her unusual pessimism had a moment's distraction, for as she passed 
the print-shop, at the corner of Harbut Street, she saw her mysterious 
old gentleman standing still on the pavement fixedly regarding a small 
oil-painting. 
Olivia had a good view of the lean, cadaverous face and peaked white 
beard; the heavy grey eyebrows seemed to beetle over the dark sunken 
eyes.
"After all he looks more like a Spaniard than a Russian," she thought, 
and again her theory of the Roman Catholic priest came into her mind. 
"If I could only see him without his hat, I should know if he had a 
tonsure," and then with youthful curiosity she looked to see what 
picture had interested him. 
It was a small painting of the Prodigal Son, but was evidently by no 
amateur, the face of both father and son were admirably portrayed. The 
strong Syrian faces were mellowed by the ruddy gleams of sunset. A 
tame kid was gambolling behind them, and two women were grinding 
corn, with the millstone between them. On the flat white roof of the 
house, another woman had just laid aside her distaff in a hurry. The 
father's arms with their gold bracelets were clasping the gaunt, sharp 
shoulders of the starving youth. 
Olivia knew the picture well. Marcus had been very much struck with it, 
it was good work, he said; the Syrian faces were perfect types, and he 
had made Olivia notice the strong resemblance between father and son. 
"That is the mother, I suppose?" had been her comment; "she has just 
caught sight of them, there is a puzzled look in her eyes as she lays 
aside her distaff, as though she is not quite sure that that wild-looking 
figure in sheep-skin is her own long-lost son." 
"It must be a grand thing to be an artist," was Marcus's reply to this. 
"Goddard, I do not know the name; the picture is cheap, too, only 25 
pounds, but I would wager any money that it was painted in Syria." 
Olivia stole a second glance at the old man, but he never moved; then 
she shivered, and walked faster. It was bitterly cold, a miserable 
afternoon for Marcus, who was visiting his poor patients in the squalid 
back streets and slums that fringed Brompton. 
Mayfield Villas were about ten minutes' walk from Galvaston Terrace; 
the villas had verandahs and long, narrow gardens, but most of them 
had lodgings to let. 
Mrs. Broderick and her maid occupied the first floor at number six, the
drawing-room and back bedroom belonged to the invalid, and Deborah 
had a tiny room close by her mistress, the other room had been 
converted into a kitchen; none of the rooms were large, but they were 
well-furnished, and thoroughly comfortable. During her husband's 
lifetime Mrs. Broderick had been comfortably off, and had had a good 
house--the carved book-cases, Turkey-carpet, and deep easy-chairs, and 
a few proof-engravings handsomely framed, all spoke of    
    
		
	
	
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