great  
laboratory skill. But alas for poor Rita—b attered by a terribly unfortunate and  
violent first marriage—she can’t seem to tell the margarine from t\
he butter. 
All well and good. For two years Dexter and Rita cut a brilliant swathe across  
the Miami social scene, noticed and admi red everywhere. But then, through a  
series of events that might well leave an enlightened observer somewhat  
skeptical, Dexter and Rita had become accidentally engaged. And the more I  
pondered on how to extricate myself from this ridiculous fate, the more I  
realized that it was a logical next step  in the evolution of my disguise. A  
married Dexter—a Dexter with two ready-made children!—is surely a \
great deal  
further from seeming to be anything at a ll like what he really is. A quantum  
leap forward, onto a new level of human camouflage. 
And then there are the two children. 
It may seem strange that someone whose  only passion is for human vivisection  
should actually enjoy Rita’s children, but he does. I do. Mind you, I don’t get  
all weepy-eyed at the thought of a lost tooth, since that would require the  
ability to feel emotion, and I am quite happily without any such mutation. But  
on the whole, I find children a great deal  more interesting than their elders,  
and I get particularly irritable with those who cause them harm. In fact, I  
occasionally search them out. And when I track these predators down, and when I  
am very sure that they have actually done  what they have been doing, I make sure  
they are quite unable to do it ever again—and with a very happy hand, unspoiled  
by conscience. 
So the fact that Rita had two children from her disastrous first marriag\
e was  
far from repellent, particularly when it became apparent that they needed  
Dexter’s special parenting touch to keep their own fledgling Dark Passengers  
strapped into a safe, snug Dark Car Seat  until they could learn how to drive for  
themselves. For presumably as a result of  the emotional and even physical damage  
inflicted on Cody and Astor by their drug-addled biological father, they too had  
turned to the Dark Side, just like me. And now they were to be my children,  
legally as well as spiritually. It was almost  enough to make me feel that there  
was some guiding purpose to life after all. 
And so there were several very good reasons for Dexter to go through wit\
h  
this—but Paris? I don’t know where it came from, this idea that Paris is  
romantic. Aside from the French, has anyone  but Lawrence Welk ever thought an  
accordion was sexy? And wasn’t it by now clear that they don’t like us there?
And they insist on speaking French, of all things? 
Perhaps Rita had been brainwashed by an old movie, something with a perky-plucky  
blonde and a romantic dark-haired man, mo dernist music playing as they pursue  
each other around the Eiffel Tower and laugh at the quaint hostility of the  
dirty, Gauloise-smoking man in the beret. Or maybe she had heard a Jacques Brel  
record once and decided it spoke to her soul. Who can say? But somehow R\
ita had  
the notion firmly welded into her steel-trap  brain that Paris was the capital of  
sophisticated romance, and the idea would not come out without major surgery. 
So on top of the endless debates about chicken versus fish and wine versus cash  
bar, a series of monomaniacal rambling monologues about Paris began to emerge.  
Surely we could afford a whole week, that wo uld give us time to see the Jardin  
des Tuileries and the Louvre—and maybe something by Molière at the  
Comédie-Française. I had to applaud the depth of her research. For my part, my\
  
interest in Paris had faded away completely long ago when I learned that it was  
in France. 
Luckily for us, I was saved from the necessity of finding a politic way of  
telling her all this when Cody and Astor ma de their subtle entrance. They don’t  
barrel into a room with guns blazing as most children of seven and ten do. As I  
have said, they were somewhat damaged by  their dear old biological dad, and one  
consequence is that you never see them come and go: they enter the room by  
osmosis. One moment they are nowhere to be  seen and the next they are standing  
quietly beside you, waiting to be noticed. 
“We    
    
		
	
	
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