Dead Man's Plack and an Old 
Thorn, by 
 
William Henry Hudson This eBook is for the use of anyone anywhere 
at no cost and with almost no restrictions whatsoever. You may copy it, 
give it away or re-use it under the terms of the Project Gutenberg 
License included with this eBook or online at www.gutenberg.org 
Title: Dead Man's Plack and an Old Thorn 
Author: William Henry Hudson 
Release Date: November 1, 2006 [EBook #19691] 
Language: English 
Character set encoding: ISO-8859-1 
*** START OF THIS PROJECT GUTENBERG EBOOK DEAD 
MAN'S PLACK AND AN OLD THORN *** 
 
Produced by Susan Skinner, Mary Meehan and the Online Distributed 
Proofreading Team at http://www.pgdp.net 
 
[Illustration: DEAD MAN'S PLACK.] 
 
DEAD MAN'S PLACK
AND 
AN OLD THORN 
BY W. H. HUDSON 
1920 LONDON & TORONTO J. M. DENT & SONS LTD. New York: 
E. P. DUTTON & CO. 
 
CONTENTS 
DEAD MAN'S PLACK: 
Preamble 
Chapter 
I. 
II. 
III. 
IV. 
V. 
VI. 
VII. 
VIII. 
IX. 
X. 
XI.
XII. 
AN OLD THORN: 
Chapter 
I. 
II. 
III. 
POSTSCRIPT 
 
ILLUSTRATIONS 
DEAD MAN'S PLACK 
HAWTHORN AND IVY, NEAR THE GREAT RIDGE WOOD 
 
DEAD MAN'S PLACK 
 
PREAMBLE 
"The insect tribes of human kind" is a mode of expression we are 
familiar with in the poets, moralists and other superior persons, or 
beings, who viewing mankind from their own vast elevation see us all 
more or less of one size and very, very small. No doubt the comparison 
dates back to early, probably Pliocene, times, when some one climbed 
to the summit of a very tall cliff, and looking down and seeing his 
fellows so diminished in size as to resemble insects, not so gross as 
beetles perhaps but rather like emmets, he laughed in the way they 
laughed then at the enormous difference between his stature and theirs. 
Hence the time-honoured and serviceable metaphor.
Now with me, in this particular instance, it was all the other way 
about--from insect to man--seeing that it was when occupied in 
watching the small comedies and tragedies of the insect world on its 
stage that I stumbled by chance upon a compelling reminder of one of 
the greatest tragedies in England's history--greatest, that is to say, in its 
consequences. And this is how it happened. 
One summer day, prowling in an extensive oak wood, in Hampshire, 
known as Harewood Forest, I discovered that it counted among its 
inhabitants no fewer than three species of insects of peculiar interest to 
me, and from that time I haunted it, going there day after day to spend 
long hours in pursuit of my small quarry. Not to kill and preserve their 
diminutive corpses in a cabinet, but solely to witness the comedy of 
their brilliant little lives. And as I used to take my luncheon in my 
pocket I fell into the habit of going to a particular spot, some opening 
in the dense wood with a big tree to lean against and give me shade, 
where after refreshing myself with food and drink I could smoke my 
pipe in solitude and peace. Eventually I came to prefer one spot for my 
midday rest in the central part of the wood, where a stone cross, slender, 
beautifully proportioned and about eighteen feet high, had been erected 
some seventy or eighty years before by the lord of the manor. On one 
side of the great stone block on which the cross stood there was an 
inscription which told that it was placed there to mark the spot known 
from of old as Dead Man's Plack; that, according to tradition, handed 
from father to son, it was just here that King Edgar slew his friend and 
favourite Earl Athelwold, when hunting in the forest. 
I had sat there on many occasions, and had glanced from time to time at 
the inscription cut on the stone, once actually reading it, without having 
my attention drawn away from the insect world I was living in. It was 
not the tradition of the Saxon king nor the beauty of the cross in that 
green wilderness which drew me daily to the spot, but its solitariness 
and the little open space where I could sit in the shade and have my 
rest. 
Then something happened. Some friends from town came down to me 
at the hamlet I was staying at, and one of the party, the mother of most
of them, was not only older than the rest of us in years, but also in 
knowledge and wisdom; and at the same time she was younger than the 
youngest of us, since she had the curious mind, the undying interest in 
everything on earth--the secret, in fact, of everlasting youth. Naturally, 
being of this temperament, she wanted to know what I was doing and 
all about what I had seen, even to the    
    
		
	
	
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