to everybody who might be of 
use to me; cabmen, porters, fruit dealers and tobacconists. I found 
much to interest me in the various Catholic institutions, and I was 
above all very fond of visiting the large, ugly gray building with the air 
of a penitentiary about it called the Grey Nunnery. Going through its 
corridors one day I took a wrong turning and found I was among some 
at least quasi-private rooms. The doors being open I saw that there were 
flowers, books, a warm rug on the floor of one and a mirror on the wall 
of another. The third I ventured to step inside of, for a really beautiful 
Madonna and child confronted me at the door. The next moment I saw 
what I had not expected to see--a parrot in a cage suspended from the 
window! I made quite sure that it was not the parrot before I went up to 
it. It was asleep and appeared to be all over of a dull grey color, to 
match the Nuns, one might have said. I stood for quite a little while 
regarding it. Suddenly it stirred, shook itself, awoke and seeing me, 
immediately broke out into frantic shrieks to the old refrain "And for 
goodness sake don't say I told you."
So it was the parrot after all! Of that I felt sure, despite the changed 
color, not only because of the same words being repeated--two birds 
might easily learn the same song, but because of the bird's manner. For 
I felt certain that the thing knew me, recognized me, as we say of 
human beings or of dogs and horses. I felt an extraordinary sensation 
coming over me and sat down for a moment. I seemed literally to be in 
the presence of something incomprehensible as I watched the poor 
excited bird beating about and singing in that way. The words of the 
song became painfully and awfully significant-- "for goodness sake 
don't say I told you!" They were an appeal to my pity, to my sense of 
honor, to my power of secrecy, for I felt convinced that the bird had 
seen something--in fact that, to use De Kock's convenient if ambiguous 
phrase, something had happened! Then to think of its recognizing me 
too, after so long an interval! What an extraordinary thing to do! But I 
remembered, and hope I shall never forget, how exceeding small do the 
mills of the gods grind for poor humanity. I would have examined the 
creature at once more closely had not two of the nuns appeared with 
pious hands lifted in horror at the noise. They knew me slightly but 
affected displeasure at the present moment. 
"Who owns this bird?" said I. It was still screaming. 
"The good Sister Félicité. It is her room." 
"Can I see her?" 
"Ah! non. She is ill, so very ill. She will not live long, cette pauvre 
soeur!" 
I reflected. "Will you give her this paper without fail when I have 
written upon it what I wish?" 
"_Mais oui, Monsieur_!" 
In the presence of the two holy women standing with their hands 
devoutly crossed, and of the parrot whom I silenced as well as I could, 
and in truth I appeared to have some influence over the creature, I 
wrote the following upon a leaf torn out of my scratch-book: "To the
Soeur Félicité. A gentleman who, if he has not made a great mistake, 
saw you once when you were Mdme. Martinetti, asks you now if in 
what may be your last moments, you have anything to tell, anything to 
declare, or anybody to pardon. He would also ask-- what _was done to 
the parrot_? He, with his friend M. De Kock, were at your house in 
New York the night your husband disappeared." 
"Give her that," said I to the waiting sister, "and I will come to see how 
she is to-morrow." 
That night, however, she died, and when I reached the nunnery next 
day it was only to be told that she had read my note and with infinite 
difficulty written an answer to it. 
"I am sorry I should have perhaps hastened her end," said I. "Before 
you give it to me, will you permit me to see her?" 
"_Mais oui, Monsieur_, if monsieur will come this way." 
Until I gazed upon the dead I did not feel quite sure of the identity of 
this pious Sister of Charity. But I only needed to look once upon the 
ghastly pallor, the ugly lip mark and the long slender figure on the bed 
before me to recognize her who had once been Mdme. Martinetti. 
"And now for the paper," I said. 
"It will be in the room that was hers, if monsieur will accompany." We 
walked along several corridors    
    
		
	
	
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