I am not wanted. I am 
crowded out. My hands tremble and I cannot write. My eyes fail and I 
cannot see. To the window! 
* * * * * 
The lights of Oxford St. once more; the glare and the rattle without, the 
fever and the ruin, the nerves and the heart within. Poor nerves, poor 
heart; it is food you want and wine and rest, and I cannot give them to 
you. 
* * * * * 
Sing, Hortense, will you? Sit by my side, by our dear river St. Maurice, 
the clear, the sparkling. See how the floating cribs sail by, each with its 
gleaming lights! It is like Venice I suppose. Shall we see Venice ever, 
Hortense, you and I? Sing now for me, 
Descendez à l'ombre, Ma Jolie blonde. 
Only you are petite brune, there is nothing blonde about you, mignonne, 
my dear mademoiselle, I should say if I were with you of course as I 
used to do. But surely I am with you and those lights are the floating 
cribs I see, and your voice it is that sings, and presently the boatmen 
hear and they turn and move their hands and join in--Now all together, 
Descendez à l'ombre, 
* * * * * 
It was like you, Hortense, to come all this way. How did you manage it, 
manage to cross that great water all alone? My poor girl did you grow 
tired of _Le bon Père_ at last and of the Martyrs and the Saints and the 
Jesuit Fathers? But you have got your amulet on still I hope. That is 
right, for there is a chance--there is a chance of these things proving 
blessings after all to good girls, and you were a good girl Hortense. 
You will not mind my calling you Hortense, will you? When we are in
Le Bas Canada again, in your own seignieury, it will be 
"Madamoiselle," I promise you. You say it is a strange pillow, 
Hortense? Books, my girl, and manuscripts; hard but not so hard as 
London stones and London hearts. Do you know I think I am dying, or 
else going mad? And no one will listen even if I cry out. There is too 
much to listen to already in England. Think of all the growing green, 
Hortense, if you can, where you are, so far away from it all. Where you 
are it is cold and the snow is still on the ground and only the little 
bloodroot is up in the woods. Here where I am Hortense, where I am 
going to die, it is warm and green full of color--oh! Such color! Before 
I came here, to London you know London that is going to do so much 
for me, for us both, I had one day--one day in the country. There I 
saw--No! They will not let me tell you, I knew they would try to 
prevent me, those long gray fingers stealing in, stealing in! But I will 
tell you. Listen, Hortense, please. I saw the hawthorne, pink and white, 
the laburnum-- yellow--not fire-color, I shall correct the Laureate there, 
Hortense, when I am better, when I--publish!--It is dreadful to be alone 
in London. Don't come, Hortense. Stay where you are, even if it is cold 
and gray and there is no color. Keep your amulet round your neck, 
dear!--I count my pulse beats. It is a bad thing to do. It is broad 
daylight now and the fingers have gone. I can write again perhaps.--The 
pen--The paper--The ink--God. Hortense! There is no ink left! And my 
heart--My heart--Hortense!!! 
Descendez à l'ombre, Ma Jolie blonde. 
 
Monsieur, Madame and the Pea-Green Parrot 
 
 
 
CHAPTER I. 
I am an Englishman by birth. Having however lived for fourteen years 
out in America or rather in Canada, I am only half an Englishman. All 
the love for the dear old land which I am now revisiting is still there, 
deep in my heart, but from so long a residence in another country
certain differences arise of character, habit and thought, not to be easily 
shaken off. I was in the Civil Service in Canada and did very well until 
I meddled with literature. Discovering that I had a faculty for verse and 
story-telling, I was ambitious and at the same time foolish enough to 
work so hard at my new pursuit that I was compelled to "cut" the 
service, in other words to resign. Some other Englishman got my post 
and I found myself, rather unexpectedly, it is true, free to write to my 
heart's content. 
I got off a number of things, poems, sketches, etc., but my great work 
turned out to be a comedy. I slaved at this all day and amused myself 
by rehearsing it    
    
		
	
	
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