least 
not to the former. He pretended gayety and had great hopes for the 
future, for he was living entirely on means supplied him by his father. 
News of Constantia gladdened him, and he decided to go to Italy, but 
the revolution early in 1831 decided him for France. Dr. Malfatti was 
good to him and cheered him, and he managed to accomplish much 
social visiting. The letters of this period are most interesting. He heard 
Sarah Heinefetter sing, and listened to Thaiberg's playing of a 
movement of his own concerto. Thalberg was three years younger than
Chopin and already famous. Chopin did not admire him: "Thalberg 
plays famously, but he is not my man...He plays forte and piano with 
the pedals but not with the hand; takes tenths as easily as I do octaves, 
and wears studs with diamonds." 
Thalberg was not only too much of a technician for Chopin, but he was 
also a Jew and a successful one. In consequence, both poet and Pole 
revolted. 
Hummel called on Frederic, but we hear nothing of his opinion of the 
elder man and his music; this is all the more strange, considering how 
much Chopin built on Hummel's style. Perhaps that is the cause of the 
silence, just as Wagner's dislike for Meyerbeer was the result of his 
obligations to the composer of "Les Huguenots." He heard Aloys 
Schmitt play, and uttered the very Heinesque witticism that "he is 
already over forty years old, and composes eighty years old music." 
This in a letter to Elsner. Our Chopin could be amazingly sarcastic on 
occasion. He knew Slavik the violin virtuoso, Merk the 'cellist, and all 
the music publishers. At a concert given by Madame Garzia-Vestris, in 
April, 1831, he appeared, and in June gave a concert of his own, at 
which he must have played the E minor concerto, because of a passing 
mention in a musical paper. He studied much, and it was July 20, 1831, 
before he left Vienna after a second, last, and thoroughly discouraging 
visit. 
Chopin got a passport vised for London, "passant par Paris &. 
Londres," and had permission from the Russian Ambassador to go as 
far as Munich. Then the cholera gave him some bother, as he had to 
secure a clean bill of health, but he finally got away. The romantic story 
of "I am only passing through Paris," which he is reported to have said 
in after years, has been ruthlessly shorn of its sentiment. At Munich he 
played his second concerto and pleased greatly. But he did not remain 
in the Bavarian capital, hastening to Stuttgart, where he heard of the 
capture of Warsaw by the Russians, September 8, 1831. This news, it is 
said, was the genesis of the great C minor etude in opus 10, sometimes 
called the "Revolutionary." Chopin exclaimed in a letter dated 
December 16, 1831, "All this caused me much pain--who could have 
foreseen it!" and in another letter he wrote, "How glad my mamma will 
be that I did not go back." Count Tarnowski in his recollections prints 
some extracts from a diary said to have been kept by Chopin.
According to this his agitation must have been terrible. Here are several 
examples: 
"My poor father! My dearest ones! Perhaps they hunger? Maybe he has 
not anything to buy bread for mother? Perhaps my sisters have fallen 
victims to the fury of the Muscovite soldiers? Oh, father, is this the 
consolation of your old age? Mother, poor suffering mother, is it for 
this you outlived your daughter?" 
"And I here unoccupied! And I am here with empty hands! Sometimes 
I groan, suffer and despair at the piano! O God, move the earth, that it 
may swallow the humanity of this century! May the most cruel fortune 
fall upon the French, that they did not come to our aid." All this sounds 
a trifle melodramatic and quite unlike Chopin. 
He did not go to Warsaw, but started for France at the end of 
September, arriving early in October, 1831. Poland's downfall had 
aroused him from his apathy, even if it sent him further from her. This 
journey, as Liszt declares, "settled his fate." Chopin was twenty-two 
years old when he reached Paris. 
 
II. PARIS:--IN THE MAELSTROM 
 
Here, according to Niecks, is the itinerary of Chopin's life for the next 
eighteen years: In Paris, 27 Boulevard Poisonniere, to 5 and 38 
Chaussee d'Antin, to Aix-la-Chapelle, Carlsbad, Leipzig, Heidelberg, 
Marienbad, and London, to Majorca, to 5 Rue Tronchet, 16 Rue Pigalle, 
and 9 Square d'Orleans, to England and Scotland, to 9 Square d'Orleans 
once more, Rue Chaillot and 12 Place Vendeme, and then--Pere la 
Chaise, the last resting-place. It may be seen that Chopin was a restless, 
though not roving nature. In later years his inability to    
    
		
	
	
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