wist not. See 
you, sir, Men say I needs must get wed hastily; Do none point lips at 
him? 
CHASTELARD. Yea, guessingly. 
QUEEN. God help such lips! and get me leave to laugh! What should I 
do but paint and put him up Like a gilt god, a saintship in a shrine, For 
all fools' feast? God's mercy on men's wits! Tall as a housetop and as 
bare of brain-- I'll have no staffs with fool-faced carven heads To hang 
my life on. Nay, for love, no more, For fear I laugh and set their eyes 
on edge To find out why I laugh. Good-night, fair lords; Bid them 
cease playing. Give me your hand; good-night. 
 
SCENE III.--MARY BEATON'S chamber: night. 
[Enter CHASTELARD.] 
CHASTELARD. I am not certain yet she will not come; For I can feel
her hand's heat still in mine, Past doubting of, and see her brows half 
draw, And half a light in the eyes. If she come not, I am no worse than 
he that dies to-night. This two years' patience gets an end at least, 
Whichever way I am well done with it. How hard the thin sweet moon 
is, split and laced And latticed over, just a stray of it Catching and 
clinging at a strip of wall, Hardly a hand's breadth. Did she turn indeed 
In going out? not to catch up her gown The page let slip, but to keep 
sight of me? There was a soft small stir beneath her eyes Hard to put on, 
a quivering of her blood That knew of the old nights watched out 
wakefully. Those measures of her dancing too were changed-- More 
swift and with more eager stops at whiles And rapid pauses where 
breath failed her lips. 
[Enter MARY BEATON.] 
O, she is come: if you be she indeed Let me but hold your hand; what, 
no word yet? You turn and kiss me without word; O sweet, If you will 
slay me be not over quick, Kill me with some slow heavy kiss that 
plucks The heart out at the lips. Alas! Sweet love, Give me some old 
sweet word to kiss away. Is it a jest? for I can feel your hair Touch 
me--I may embrace your body too? I know you well enough without 
sweet words. How should one make you speak? This is not she. Come 
in the light; nay, let me see your eyes. Ah, you it is? what have I done 
to you? And do you look now to be slain for this That you twist back 
and shudder like one stabbed? 
MARY BEATON. Yea, kill me now and do not look at me: God knows 
I meant to die. Sir, for God's love, Kill me now quick ere I go mad with 
shame. 
CHASTELARD. Cling not upon my wrists: let go the hilt: Nay, you 
will bruise your hand with it: stand up: You shall not have my sword 
forth. 
MARY BEATON. Kill me now, I will not rise: there, I am patient, see, 
I will not strive, but kill me for God's sake. 
CHASTELARD. Pray you rise up and be not shaken so: Forgive me 
my rash words, my heart was gone After the thing you were: be not 
ashamed; Give me the shame, you have no part in it; Can I not say a 
word shall do you good? Forgive that too. 
MARY BEATON. I shall run crazed with shame; But when I felt your 
lips catch hold on mine It stopped my breath: I would have told you all;
Let me go out: you see I lied to you, Am I am shamed; I pray you loose 
me, sir, Let me go out. 
CHASTELARD. Think no base things of me: I were most base to let 
you go ashamed. Think my heart's love and honor go with you: Yea, 
while I live, for your love's noble sake, I am your servant in what wise 
may be, To love and serve you with right thankful heart. 
MARY BEATON. I have given men leave to mock me, and must bear 
What shame they please: you have good cause to mock. Let me pass 
now. 
CHASTELARD. You know I mock you not. If ever I leave off to honor 
you, God give me shame! I were the worst churl born. 
MARY BEATON. No marvel though the queen should love you too, 
Being such a knight. I pray you for her love, Lord Chastelard, of your 
great courtesy, Think now no scorn to give me my last kiss That I shall 
have of man before I die. Even the same lips you kissed and knew not 
of Will you kiss now, knowing the shame of them, And say no one 
word to me afterwards, That I may see    
    
		
	
	
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