Cecilia Volume 1, by Frances 
Burney 
 
The Project Gutenberg EBook of Cecilia Volume 1, by Frances Burney 
#4 in our series by Frances Burney 
Copyright laws are changing all over the world. Be sure to check the 
copyright laws for your country before downloading or redistributing 
this or any other Project Gutenberg eBook. 
This header should be the first thing seen when viewing this Project 
Gutenberg file. Please do not remove it. Do not change or edit the 
header without written permission. 
Please read the "legal small print," and other information about the 
eBook and Project Gutenberg at the bottom of this file. Included is 
important information about your specific rights and restrictions in how 
the file may be used. You can also find out about how to make a 
donation to Project Gutenberg, and how to get involved. 
**Welcome To The World of Free Plain Vanilla Electronic Texts** 
**eBooks Readable By Both Humans and By Computers, Since 
1971** 
*****These eBooks Were Prepared By Thousands of 
Volunteers!***** 
Title: Cecilia Volume 1 
Author: Frances Burney
Release Date: August, 2004 [EBook #6346] [Yes, we are more than 
one year ahead of schedule] [This file was first posted on November 29, 
2002] 
Edition: 10 
Language: English 
Character set encoding: ASCII 
*** START OF THE PROJECT GUTENBERG EBOOK CECILIA 
VOLUME 1 *** 
 
Produced by Delphine Lettau, Charles Franks and the Online 
Distributed Proofreading Team. 
 
CECILIA 
OR 
Memoirs of an Heiress 
by 
FRANCES BURNEY 
PREFACE 
"Fanny's Cecilia came out last summer, and is as much liked and read, I 
believe, as any book ever was," wrote Charlotte Burney in Jan. 1783. 
"She had 250 pounds for it from Payne and Cadell. Most people say she 
ought to have had a thousand. It is now going into the third edition, 
though Payne owns that they printed two thousand at the first edition, 
and Lowndes told me five hundred was the common number for a 
novel." [Footnote: The Early Diary of Frances Burney, with a selection 
from her correspondence, and from the journals of her sisters Susan
and Charlotte Burney. Edited by Annie Raine Ellis. 1889. Vol. II. p. 
307.] 
The manuscript of Cecilia was submitted to Dr Burney and Mr Crisp 
during its composition, and their suggestions were in some cases 
adopted, as we learn from the Diary. Dr Johnson was not consulted, but 
a desire at once to imitate and to please him evidently controlled the 
work. 
Under these circumstances it is naturally less fresh and spontaneous 
than Evelina, but it is more mature. The touch is surer and the plot 
more elaborate. We cannot to-day fully appreciate the "conflict scene 
between mother and son," for which, Miss Burney tells us, the book 
was written; but the pictures of eighteenth century affectations are all 
alive, and the story is thoroughly absorbing, except, perhaps, in the last 
book. 
Miss Burney often took the name of her characters from her 
acquaintances, and it seems probable that some of the "types" in 
Cecilia are also drawn from real life. The title of Miss Austen's Pride 
and Prejudice was borrowed from Cecilia, and some points of 
resemblance may be traced between the two novels. 
The present edition is reprinted from:-- 
CECILIA, or, Memoirs of an Heiress. By the author of Evelina. In five 
volumes. London: Printed for T. Payne and Son, at the Newsgate, and 
T. Cadell in the Strand. MDCCLXXXII. R. B. J. 
THE RIGHT HON. EDMUND BURKE TO MISS F. BURNEY. 
(AFTER READING CECILIA.) 
Madam,--I should feel exceedingly to blame if I could refuse to myself 
the natural satisfaction, and to you the just but poor return, of my best 
thanks for the very great instruction and entertainment I have received 
from the new present you have bestowed on the public. There are 
few--I believe I may say fairly there are none at all--that will not find 
themselves better informed concerning human nature, and their stock of
observation enriched, by reading your "Cecilia." They certainly will, let 
their experience in life and manners be what it may. The arrogance of 
age must submit to be taught by youth. You have crowded into a few 
small volumes an incredible variety of characters; most of them well 
planned, well supported, and well contrasted with each other. If there 
be any fault in this respect, it is one in which you are in no great danger 
of being imitated. Justly as your characters are drawn, perhaps they are 
too numerous. But I beg pardon; I fear it is quite in vain to preach 
economy to those who are come young to excessive and sudden 
opulence. 
I might trespass on your delicacy if I should fill my letter to you with 
what I fill my conversation to others. I should be troublesome to you 
alone if I should tell you all    
    
		
	
	
	Continue reading on your phone by scaning this QR Code
 
	 	
	
	
	    Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the 
Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.
	    
	    
