a Letter 
to Lord ----, by a late Noble Writer. 
Bolingbroke had died in 1751, and in 1754 his philosophical works 
were posthumously given to the world by David Mallet, Dr. Johnson's 
beggarly Scotchman, to whom Bolingbroke had left half-a-crown in his 
will, for firing off a blunderbuss which he was afraid to fire off himself. 
The world of letters had been keenly excited about Bolingbroke. His
busy and chequered career, his friendship with the great wits of the 
previous generation, his splendid style, his bold opinions, made him a 
dazzling figure. This was the late Noble Writer whose opinions Burke 
intended to ridicule, by reducing them to an absurdity in an 
exaggeration of Bolingbroke's own manner. As it happened, the public 
did not readily perceive either the exaggeration in the manner, or the 
satire in the matter. Excellent judges of style made sure that the writing 
was really Bolingbroke's, and serious critics of philosophy never 
doubted that the writer, whoever he was, meant all that he said. We can 
hardly help agreeing with Godwin, when he says that in Burke's treatise 
the evils of existing political institutions, which had been described by 
Locke, are set forth more at large, with incomparable force of reasoning 
and lustre of eloquence, though the declared intention of the writer was 
to show that such evils ought to be considered merely trivial. Years 
afterwards, Boswell asked Johnson whether an imprudent publication 
by a certain friend of his at an early period of his life would be likely to 
hurt him? "No, sir," replied the sage; "not much; it might perhaps be 
mentioned at an election." It is significant that in 1765, when Burke 
saw his chance of a seat in Parliament, he thought it worth while to 
print a second edition of his Vindication, with a preface to assure his 
readers that the design of it was ironical. It has been remarked as a very 
extraordinary circumstance that an author who had the greatest fame of 
any man of his day as the master of a superb style, for this was indeed 
Bolingbroke's position, should have been imitated to such perfection by 
a mere novice, that accomplished critics like Chesterfield and 
Warburton should have mistaken the copy for a firstrate original. It is, 
however, to be remembered that the very boldness and sweeping 
rapidity of Bolingbroke's prose rendered it more fit for imitation than if 
its merits had been those of delicacy or subtlety; and we must 
remember that the imitator was no pigmy, but himself one of the giants. 
What is certain is that the study of Bolingbroke which preceded this 
excellent imitation left a permanent mark, and traces of Bolingbroke 
were never effaced from the style of Burke. 
The point of the Vindication is simple enough. It is to show that the 
same instruments which Bolingbroke had employed in favour of 
natural against revealed religion, could be employed with equal success
in favour of natural as against, what Burke calls, artificial society. 
"Show me," cries the writer, "an absurdity in religion, and I will 
undertake to show you a hundred for one in political laws and 
institutions.... If, after all, you should confess all these things, yet plead 
the necessity of political institutions, weak and wicked as they are, I 
can argue with equal, perhaps superior force, concerning the necessity 
of artificial religion; and every step you advance in your argument, you 
add a strength to mine. So that if we are resolved to submit our reason 
and our liberty to civil usurpation, we have nothing to do but to 
conform as quietly as we can to the vulgar notions which are connected 
with this, and take up the theology of the vulgar as well as their politics. 
But if we think this necessity rather imaginary than real, we should 
renounce their dreams of society, together with their visions of religion, 
and vindicate ourselves into perfect liberty." 
The most interesting fact about this spirited performance is, that it is a 
satirical literary handling of the great proposition which Burke enforced, 
with all the thunder and lurid effulgence of his most passionate rhetoric, 
five and thirty years later. This proposition is that the world would fall 
into ruin, "if the practice of all moral duties, and the foundations of 
society, rested upon having their reasons made clear and demonstrative 
to every individual." The satire is intended for an illustration of what 
with Burke was the cardinal truth for men, namely, that if you 
encourage every individual to let the imagination loose upon all 
subjects, without any restraint from a sense of his own weakness, and 
his subordinate rank in the long scheme of things, then there is nothing 
of all that the opinion of ages has agreed to regard as excellent and 
venerable, which would    
    
		
	
	
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