Bruges and West Flanders 
 
The Project Gutenberg eBook, Bruges and West Flanders, by George 
W. T. Omond, Illustrated by Amédée Forestier 
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Title: Bruges and West Flanders 
Author: George W. T. Omond 
 
Release Date: June 23, 2006 [eBook #18670] 
Language: English 
Character set encoding: ISO-8859-1 
***START OF THE PROJECT GUTENBERG EBOOK BRUGES 
AND WEST FLANDERS*** 
E-text prepared by Robert J. Hall 
 
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BRUGES AND WEST FLANDERS 
Painted by 
AMÉDÉE FORESTIER 
Described by 
G. W. T. OMOND 
 
[Illustration: A FLEMISH COUNTRY GIRL] 
 
Preface 
There is no part of Europe more wanting in what is known as 'scenery' 
than Flanders; and those who journey there must spend most of their 
time in the old towns which are still so strangely mediæval in their 
aspect, or in country places which are worth seeing only because of 
their connection with some event in history--Nature has done so little 
for them. Thus the interest and the attraction of Flanders and the 
Flemish towns are chiefly historical. But it would be impossible to 
compress the history of such places as Bruges, Ypres, Furnes, or 
Nieuport within the limits of a few pages, except at the cost of loading 
them with a mass of dry facts. Accordingly the plan adopted in 
preparing the letterpress which accompanies Mr. Forestier's drawings 
has been to select a few leading incidents, and give these at some 
length. 
The Flemish School of Painting and Architecture has been so well and 
frequently described that it would have been mere affectation to make 
more than a few passing allusions to that topic.
Some space has, however, been devoted to an account of the recent 
development of the Flemish littoral, which has been so remarkable 
during the last quarter of a century. 
 
Contents 
CHAPTER I 
THE MARKET-PLACE AND BELFRY--EARLY HISTORY OF 
BRUGES 
CHAPTER II 
BALDWIN BRAS-DE-FER--THE PLACE DU BOURG--MURDER 
OF CHARLES THE GOOD 
CHAPTER III 
THE BÉGUINAGE--CHURCHES--THE RELIC OF THE HOLY 
BLOOD 
CHAPTER IV 
THE BRUGES MATINS--BATTLE OF THE GOLDEN SPURS 
CHAPTER V 
DAMME--THE SEA-FIGHT AT SLUIS--SPLENDOUR OF BRUGES 
IN THE MIDDLE AGES--THE FALL AND LOSS OF TRADE 
CHAPTER VI 
'BRUGES LA MORTE' 
CHAPTER VII
THE PLAIN OF WEST FLANDERS--YPRES 
CHAPTER VIII 
FURNES--THE PROCESSION OF PENITENTS 
CHAPTER IX 
NIEUPORT--THE BATTLE OF THE DUNES 
CHAPTER X 
THE COAST OF FLANDERS 
CHAPTER XI 
COXYDE--THE SCENERY OF THE DUNES 
INDEX 
 
List of Illustrations 
1. A Flemish Country Girl 2. Bruges: A Corner of the Market on the 
Grand' Place 3. Bell-ringer Playing a Chime 4. Bruges: Porte d'Ostende 
5. Bruges: Rue de l'Âne Aveugle (showing end of Town Hall and 
Bridge connecting it with Palais de Justice) 6. Bruges: Quai du Rosaire 
7. Bruges: The Béguinage 8. Bruges: Quai des Marbriers 9. A Flemish 
Young Woman 10. A Flemish Burgher 11. Bruges: Quai du Miroir 12. 
Bruges: View of the Palais du Franc. 13. Bruges: Maison du Pélican 
(Almshouse) 14. Bruges: Vegetable Market 15. The Flemish Plain 16. 
Duinhoek: Interior of a Farmhouse 17. Adinkerque: At the Kermesse 
18. A Farmsteading 19. Ypres: Place du Musée (showing Top Part of 
the Belfry) 20. Ypres: Arcade under the Nieuwerk 21. Furnes: Grand' 
Place and Belfry 22. Furnes: Peristyle of Town Hall and Palais de 
Justice 23. Nieuport: Interior of Church 24. Furnes: Tower of St. 
Nicholas 25. Furnes: In Ste. Walburge's Church 26. Nieuport: A Fair
Parishioner 27. Nieuport: Hall and Vicarage 28. Nieuport: The Quay, 
with Eel-boats and Landing-stages 29. Nieuport: The Town Hall 30. 
Nieuport: Church Porch (Evensong) 31. The Dunes: A Stormy Evening 
32. An Old Farmer 33. La Panne: Interior of a Flemish Inn 34. La 
Panne: A Flemish Inn--Playing Skittles 35. Coxyde: A Shrimper on 
Horseback 36. Coxyde: A Shrimper 37. Adinkerque: Village and Canal 
 
THE MARKET-PLACE AND BELFRY--EARLY HISTORY OF 
BRUGES 
 
BRUGES AND WEST FLANDERS 
CHAPTER I 
THE MARKET-PLACE AND BELFRY--EARLY HISTORY OF 
BRUGES 
Every visitor to 'the quaint old Flemish city' goes first to the 
Market-Place. On Saturday mornings the wide space beneath the 
mighty Belfry is full of stalls, with white canvas awnings, and heaped 
up with a curious assortment of goods. Clothing of every description, 
sabots and leathern shoes and boots, huge earthenware jars, pots and 
pans, kettles, cups and saucers, baskets, tawdry-coloured prints--chiefly 
of a religious character--lamps and candlesticks, the cheaper kinds of 
Flemish pottery, knives and forks, carpenters' tools, and such small 
articles as reels of thread, hatpins, tape, and even bottles of coarse scent, 
are    
    
		
	
	
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