Between Friends, by Robert W. 
Chambers 
 
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**Welcome To The World of Free Plain Vanilla Electronic Texts** 
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*****These eBooks Were Prepared By Thousands of 
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Title: Between Friends 
Author: Robert W. Chambers
Release Date: July, 2005 [EBook #8441] [Yes, we are more than one 
year ahead of schedule] [This file was first posted on July 11, 2003] 
Edition: 10 
Language: English 
Character set encoding: ASCII 
*** START OF THE PROJECT GUTENBERG EBOOK BETWEEN 
FRIENDS *** 
 
This eBook was produced by Andre Boutin-Maloney of Regina, 
Saskatchewan, Canada. 
 
Between Friends 
by Robert W. Chambers 
 
1914 
 
I 
Like a man who reenters a closed and darkened house and lies down; 
lying there, remains conscious of sunlight outside, of bird-calls, and the 
breeze in the trees, so had Drene entered into the obscurity of himself. 
Through the chambers of his brain the twilit corridors where cringed 
his bruised and disfigured soul, there nothing stirring except the 
automatic pulses which never cease. 
Sometimes, when the sky itself crashes earthward and the world lies in 
ruins from horizon to horizon, life goes on.
The things that men live through--and live! 
But no doubt Death was too busy elsewhere to attend to Drene. 
He had become very lean by the time it was all over. Gray glinted on 
his temples; gray softened his sandy mustache: youth was finished as 
far as he was concerned. 
An odd idea persisted in his mind that it had been winter for many 
years. And the world thawed out very slowly for him. 
But broken trees leaf out, and hewed roots sprout; and what he had so 
long mistaken for wintry ashes now gleamed warmly like the orange 
and gold of early autumn. After a while he began to go about more or 
less--little excursions from the dim privacy of mind and soul--and he 
found the sun not very gray; and a south wind blowing in the world 
once more. 
Quair and Guilder were in the studio that day on business; Drene 
continued to modify his composition in accordance with Guilder's 
suggestions; Quair, always curious concerning Drene, was becoming 
slyly impudent. 
"And listen to me, Guilder. What the devil's a woman between 
friends?" argued Quair, with a malicious side glance at Drene. "You 
take my best girl away from me--" 
"But I don't," remarked his partner dryly. 
"For the sake of argument, you do. What happens? Do I raise hell? No. 
I merely thank you. Why? Because I don't want her if you can get her 
away. That," he added, with satisfaction, "is philosophy. Isn't it, 
Drene?" 
Guilder intervened pleasantly: 
"I don't think Drene is particularly interested in philosophy. I'm sure 
I'm not. Shut up, please."
Drene, gravely annoyed, continued to pinch bits of modeling wax out 
of a round tin box, and to stick them all over the sketch he was 
modifying. 
Now and then he gave a twirl to the top of his working table, which 
revolved with a rusty squeak. 
"If you two unusually intelligent gentlemen ask me what good a 
woman the world--" began Quair. 
"But we don't," interrupted Guilder, in the temperate voice peculiar to 
his negative character. 
"Anyway," insisted Quair, "here's what I think of 'em--" 
"My model, yonder," said Drene, a slight shrug of contempt, "happens 
to be feminine, and may also be human. Be decent enough to defer the 
development of your rather tiresome theory." 
The girl on the model-stand laughed outright at the rebuke, stretched 
her limbs and body, and relaxed, launching a questioning glance at 
Drene. 
"All right; rest a bit," said the sculptor, smearing the bit of wax he was 
pinching over the sketch before him. 
He gave another twirl or two to the table, wiped his bony fingers on a 
handful of cotton waste, picked up his empty pipe, and blew into the 
stem, reflectively. 
Quair, one of the associated architects of the new opera, who had been 
born a gentleman and looked the perfect    
    
		
	
	
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