Basil, by Wilkie Collins 
 
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Title: Basil 
Author: Wilkie Collins 
Edition: 10 
Language: English 
Character set encoding: ASCII 
Release Date: November, 2003 [Etext #4605] [Yes, we are more than 
one year ahead of schedule] [This file was first posted on February 17, 
2002] 
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Etext by James Rusk, 
[email protected] Wilkie Collins web site: 
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Basil
by Wilkie Collins 
 
LETTER OF DEDICATION. 
TO CHARLES JAMES WARD, ESQ. 
IT has long been one of my pleasantest anticipations to look forward to 
the time when I might offer to you, my old and dear friend, some such 
acknowledgment of the value I place on your affection for me, and of 
my grateful sense of the many acts of kindness by which that affection 
has been proved, as I now gladly offer in this place. In dedicating the 
present work to you, I fulfil therefore a purpose which, for some time 
past, I have sincerely desired to achieve; and, more than that, I gain for 
myself the satisfaction of knowing that there is one page, at least, of my 
book, on which I shall always look with unalloyed pleasure--the page 
that bears your name. 
I have founded the main event out of which this story springs, on a fact 
within my own knowledge. In afterwards shaping the course of the 
narrative thus suggested, I have guided it, as often as I could, where I 
knew by my own experience, or by experience related to me by others, 
that it would touch on something real and true in its progress. My idea 
was, that the more of the Actual I could garner up as a text to speak 
from, the more certain I might feel of the genuineness and value of the 
Ideal which was sure to spring out of it. Fancy and Imagination, Grace 
and Beauty, all those qualities which are to the work of Art what scent 
and colour are to the flower, can only grow towards heaven by taking 
root in earth. Is not the noblest poetry of prose fiction the poetry of 
every-day truth? 
Directing my characters and my story, then, towards the light of Reality 
wherever I could find it, I have not hesitated to violate some of the 
conventionalities of sentimental fiction. For instance, the first 
love-meeting of two of the personages in this book, occurs (where the 
real love-meeting from which it is drawn, occurred) in the very last 
place and under the very last circumstances which the artifices of
sentimental writing would sanction. Will my lovers excite ridicule 
instead of interest, because I have truly represented them as seeing each 
other where hundreds of other lovers have first seen each other, as 
hundreds of people will readily admit when they read the passage to 
which I refer?