Bacon is Shake-Speare 
 
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Title: Bacon is Shake-Speare 
Author: Sir Edwin Durning-Lawrence 
Release Date: February, 2006 [EBook #9847] [Yes, we are more than 
one year ahead of schedule] [This file was first posted on October 24, 
2003]
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[Illustration: Plate I From "Sylva Sylvarum," 1627] 
BACON IS SHAKE-SPEARE 
BY 
SIR EDWIN DURNING-LAWRENCE, BT. 
"Every hollow Idol is dethroned by skill, insinuation and regular 
approach." 
Together with a Reprint of Bacon's Promus of Formularies and 
Elegancies. 
Collated, with the Original MS. by the late F.B. BICKLEY, and revised 
by F.A. HERBERT, of the British Museum. 
MCMX 
 
TO THE READER 
The plays known as Shakespeare's are at the present time universally 
acknowledged to be the "Greatest birth of time," the grandest
production of the human mind. Their author also is generally 
recognised as the greatest genius of all the ages. The more the 
marvellous plays are studied, the more wonderful they are seen to be. 
Classical scholars are amazed at the prodigious amount of knowledge 
of classical lore which they display. Lawyers declare that their author 
must take rank among the greatest of lawyers, and must have been 
learned not only in the theory of law, but also intimately acquainted 
with its forensic practice. In like manner, travellers feel certain that the 
author must have visited the foreign cities and countries which he so 
minutely and graphically describes. 
It is true that at a dark period for English literature certain critics denied 
the possibility of Bohemia being accurately described as by the sea, and 
pointed out the "manifest absurdity" of speaking of the "port" at Milan; 
but a wider knowledge of the actual facts has vindicated the author at 
the expense of his unfortunate critics. It is the same with respect to 
other matters referred to in the plays. The expert possessing special 
knowledge of any subject invariably discovers that the plays shew that 
their author was well acquainted with almost all that was known at the 
time about that particular subject. 
And the knowledge is so extensive and so varied that it is not too much 
to say that there is not a single living man capable of perceiving half of 
the learning involved in the production of the plays. One of the greatest 
students of law publicly declared, while he was editor of the Law Times, 
that although he thought that he knew something of law, yet he was not 
ashamed to confess that he had not sufficient legal knowledge or 
mental capacity to enable him to fully comprehend a quarter of the law 
contained in the plays. 
Of course, men of small learning, who know very little of classics and 
still less of law, do not experience any of these difficulties, because 
they are not able to perceive how great is the vast store of learning 
exhibited in the plays. 
There is also shewn in the plays the most perfect knowledge of Court 
etiquette, and of the manners and the methods of the greatest in the land,
a knowledge which none but a courtier moving in the highest circles 
could by any possibility have acquired. 
In his diary, Wolfe Tone records that the French soldiers who invaded 
Ireland behaved exactly like the French soldiers are described as 
conducting themselves at Agincourt in the play of "Henry V," and he 
exclaims, "It is marvellous!" (Wolfe Tone also adds that Shakespeare 
could never have seen a French soldier, but we know that Bacon while 
in Paris had had considerable experience of them.) 
The mighty author of the immortal plays was gifted with the most 
brilliant genius ever conferred upon man. He possessed an intimate and 
accurate acquaintance, which could not have been artificially acquired, 
with all the    
    
		
	
	
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