Atlantic Monthly, Vol. 7, No. 44, June, 1861

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㲴Atlantic Monthly, Vol. 7, No. 44, June, 1861

Project Gutenberg's Atlantic Monthly, Vol. 7, No. 44, June, 1861, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net
Title: Atlantic Monthly, Vol. 7, No. 44, June, 1861
Author: Various
Release Date: May 7, 2004 [EBook #12285]
Language: English
Character set encoding: ISO-8859-1
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Produced by Joshua Hutchinson, Tonya Allen and PG Distributed Proofreaders. Produced from page scans provided by Cornell University.

THE ATLANTIC MONTHLY
A MAGAZINE OF LITERATURE, ART, AND POLITICS.
VOL. VII.--JUNE, 1861.--NO. XLIV.

AGNES OF SORRENTO.

CHAPTER V
.
IL PADRE FRANCESCO.
The next morning Elsie awoke, as was her custom,--when the very faintest hue of dawn streaked the horizon. A hen who has seen a hawk balancing his wings and cawing in mid-air over her downy family could not have awakened with her feathers, metaphorically speaking, in a more bristling state of caution.
"Spirits in the gorge, quotha?" said she to herself, as she vigorously adjusted her dress. "I believe so,--spirits in good sound bodies, I believe; and next we shall hear, there will be rope-ladders, and climbings, and the Lord knows what. I shall go to confession this very morning, and tell Father Francesco the danger; and instead of taking her down to sell oranges, suppose I send her to the sisters to carry the ring and a basket of oranges?"
"Ah, ah!" she said, pausing, after she was dressed, and addressing a coarse print of Saint Agnes pasted against the wall,--"you look very meek there, and it was a great thing no doubt to die as you did; but if you'd lived to be married and bring up a family of girls, you'd have known something greater. Please, don't take offence with a poor old woman who has got into the way of speaking her mind freely! I'm foolish, and don't know much,--so, dear lady, pray for me!" And old Elsie bent her knee and crossed herself reverently, and then went out, leaving her young charge still sleeping.
It was yet dusky dawn when she might have been seen kneeling, with her sharp, clear-cut profile, at the grate of a confession-box in a church in Sorrento. Within was seated a personage who will have some influence on our story, and who must therefore be somewhat minutely introduced to the reader.
Il Padre Francesco had only within the last year arrived in the neighborhood, having been sent as superior of a brotherhood of Capuchins, whose convent was perched on a crag in the vicinity. With this situation came a pastoral care of the district; and Elsie and her grand-daughter found in him a spiritual pastor very different from the fat, jolly, easy Brother Girolamo, to whose place he had been appointed. The latter had been one of those numerous priests taken from the peasantry, who never rise above the average level of thought of the body from which they are drawn. Easy, gossipy, fond of good living and good stories, sympathetic in troubles and in joys, he had been a general favorite in the neighborhood, without exerting any particularly spiritualizing influence.
It required but a glance at Father Francesco to see that he was in all respects the opposite of this. It was evident that he came from one of the higher classes, by that indefinable air of birth and breeding which makes itself felt under every change of costume. Who he might be, what might have been his past history, what rank he might have borne, what part played in the great warfare of life, was all of course sunk in the oblivion of his religious profession, where, as at the grave, a man laid down name and fame and past history and worldly goods, and took up a coarse garb and a name chosen from the roll of the saints, in sign that the world that had known him should know hint no more.
Imagine a man between thirty and forty, with that round, full, evenly developed head, and those chiselled features, which one sees on ancient busts and coins no less than in the streets of modern Rome. The checks were sunken and sallow; the large, black, melancholy eyes had a wistful, anxious, penetrative expression, that spoke a stringent, earnest spirit, which, however deep might be the grave in which it lay buried, had not yet found repose. The long, thin, delicately formed hands were emaciated and bloodless; they clasped with a nervous eagerness a rosary and crucifix of ebony and silver,--the only mark of luxury that could be discerned in a costume unusually threadbare and squalid. The whole picture of the man, as he sat there, had
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