Animal Carvings from Mounds 
of the Mississippi Valley 
 
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Mississippi Valley, by Henry W. Henshaw This eBook is for the use of 
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Title: Animal Carvings from Mounds of the Mississippi Valley Second 
Annual Report of the Bureau of Ethnology to the Secretary of the 
Smithsonian Institution, 1880-81, Government Printing Office, 
Washington, 1883, pages 117-166 
Author: Henry W. Henshaw 
Release Date: April 17, 2006 [EBook #18184] 
Language: English 
Character set encoding: ISO-8859-1 
*** START OF THIS PROJECT GUTENBERG EBOOK ANIMAL 
CARVINGS FROM MOUNDS *** 
 
Produced by Verity White, PM for Bureau of American Ethnology and 
the Online Distributed Proofreading Team at http://www.pgdp.net 
(This file was produced from images generously made available by the
Bibliothèque nationale de France (BnF/Gallica) at http://gallica.bnf.fr) 
 
SMITHSONIAN INSTITUTION----BUREAU OF ETHNOLOGY. 
ANIMAL CARVINGS 
FROM 
MOUNDS OF THE MISSISSIPPI VALLEY. 
BY 
HENRY W. HENSHAW. 
 
CONTENTS. 
Introductory 123 Manatee 125 Toucan 135 Paroquet 139 Knowledge of 
tropical animals by Mound-Builders 142 Other errors of identification 
144 Skill in sculpture of the Mound-Builders 148 Generalization not 
designed 149 Probable totemic origin 150 Animal mounds 152 The 
"Elephant" mound 152 The "Alligator" mound 158 Human sculptures 
160 Indian and mound-builders' art compared 164 General conclusions 
166 
 
ILLUSTRATIONS. 
Fig. 4.--Otter from Squier and Davis 128 5.--Otter from Squier and 
Davis 128 6.--Otter from Rau. Manatee from Stevens 129 7.--Manatee 
from Stevens 129 8.--Lamantin or Sea-Cow from Squier and Davis 130 
9.--Lamantin or Sea-Cow from Squier 130 10.--Manatee (Manatus 
Americanus, Cuv.) 132 11.--Manatee (Manatus Americanus, Cuv.) 132 
12.--Cincinnati Tablet--back. From Squier and Davis 133 
13.--Cincinnati Tablet--back. From Short 134 14.--Toucan from Squier 
and Davis 135 15.--Toucan from Squier and Davis 135 16.--Toucan
from Squier and Davis 136 17.--Toucan as figured by Stevens 137 
18.--Keel-billed Toucan of Southern Mexico 139 19.--Paroquet from 
Squier and Davis 140 20.--Owl from Squier and Davis 144 21.--Grouse 
from Squier and Davis 144 22.--Turkey-buzzard from Squier and Davis 
145 23.--Cherry-bird 145 24.--Woodpecker 146 25.--Eagle from Squier 
and Davis 146 26.--Rattlesnake from Squier and Davis 147 27.--Big 
Elephant Mound in Grant County, Wisconsin 153 28.--Elephant Pipe. 
Iowa 155 29.--Elephant Pipe. Iowa 156 30.--The Alligator Mound near 
Granville, Ohio 159 31.--Carvings of heads 162 32.--Carvings of heads 
162 33.--Carvings of heads 162 34.--Carving of head 163 35.--Carving 
of head 163 
 
ANIMAL CARVINGS FROM MOUNDS OF THE MISSISSIPPI 
VALLEY. 
BY H. W. HENSHAW. 
 
INTRODUCTORY. 
The considerable degree of decorative and artistic skill attained by the 
so-called Mound-Builders, as evidenced by many of the relics that have 
been exhumed from the mounds, has not failed to arrest the attention of 
archæologists. Among them, indeed, are found not a few who assert for 
the people conveniently designated as above a degree of artistic skill 
very far superior to that attained by the present race of Indians as they 
have been known to history. In fact, this very skill in artistic design, 
asserted for the Mound-Builders, as indicated by the sculptures they 
have left, forms an important link in the chain of argument upon which 
is based the theory of their difference from and superiority to the North 
American Indian. 
Eminent as is much of the authority which thus contends for an artistic 
ability on the part of the Mound-Builders far in advance of the 
attainments of the present Indian in the same line, the question is one 
admitting of argument; and if some of the best products of artistic
handicraft of the present Indians be compared with objects of a similar 
nature taken from the mounds, it is more than doubtful if the artistic 
inferiority of the latter-day Indian can be substantiated. Deferring, 
however, for the present, any comparison between the artistic ability of 
the Mound-Builder and the modern Indian, attention may be turned to a 
class of objects from the mounds, notable, indeed, for the skill with 
which they are wrought, but to be considered first in another way and 
for another purpose than mere artistic comparison. 
As the term Mound-Builders will recur many times throughout this 
paper, and as the phrase has been objected to by some archæologists on 
account of its indefiniteness, it may be well to state that it is employed 
here with its commonly accepted signification, viz: as applied to the 
people who formerly lived throughout the Mississippi Valley and 
raised the mounds of that region. It should also be clearly understood 
that by its use the writer is not to be considered as committing himself 
in any way to the theory that the Mound-Builders were of a different 
race from the North American Indian. 
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