Anecdotes of Painters, Engravers, 
Sculptors
by Shearjashub 
Spooner 
 
The Project Gutenberg EBook of Anecdotes of Painters, Engravers, 
Sculptors 
and Architects, and Curiosities of Art, (Vol. 2 of 3), by Shearjashub 
Spooner This eBook is for the use of anyone anywhere at no cost and 
with almost no restrictions whatsoever. You may copy it, give it away 
or re-use it under the terms of the Project Gutenberg License included 
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Title: Anecdotes of Painters, Engravers, Sculptors and Architects, and 
Curiosities of Art, (Vol. 2 of 3) 
Author: Shearjashub Spooner 
Release Date: April 21, 2007 [EBook #21198] 
Language: English 
Character set encoding: ISO-8859-1 
*** START OF THIS PROJECT GUTENBERG EBOOK 
ANECDOTES OF PAINTERS *** 
 
Produced by Barbara Tozier, Bill Tozier, Janet Blenkinship and the 
Online Distributed Proofreading Team at http://www.pgdp.net
ANECDOTES OF PAINTERS, ENGRAVERS Sculptors and 
Architects, AND CURIOSITIES OF ART. 
BY S. SPOONER, M.D., AUTHOR OF "A BIOGRAPHICAL 
HISTORY OF THE FINE ARTS." 
IN THREE VOLUMES. VOL. II. 
NEW YORK: R. WORTHINGTON, PUBLISHER, 770 Broadway. 
 
COPYRIGHT, S. SPOONER, 1853. 
Reëntered, G. B., 1880. 
 
CONTENTS. 
Titian--Sketch of his Life, 1 Titian's Manners, 5 Titian's Works, 6 
Titian's Imitators, 7 Titian's Venus and Adonis, 8 Titian and the 
Emperor Charles V., 10 Titian and Philip II., 13 Titian's Last Supper 
and El Mudo, 14 Titian's Old Age, 15 Monument to Titian, 15 Horace 
Vernet, 16 The Colosseum, 29 Nineveh and its Remains, 34 
Description of a Palace Exhumed at Nimroud, 37 Origin and Antiquity 
of the Arch, 41 Antiquities of Herculaneum, Pompeii, and Stabiæ, 43 
Ancient Fresco and Mosaic Painting, 55 Mosaic of the Battle of Platæa, 
55 The Aldobrandini Wedding, 56 The Portland Vase, 56 Ancient 
Pictures on Glass, 58 Henry Fuseli; his Birth, 59 Fuseli's early Love of 
Art, 59 Fuseli's Literary and Poetical Taste, 60 Fuseli, Lavater, and the 
Unjust Magistrate, 61 Fuseli's Travels and his Literary Distinction, 62 
Fuseli's Arrival in London, 63 Fuseli's change from Literature to 
Painting, 63 Fuseli's Sojourn in Italy, 65 Fuseli's Nightmare, 66 Fuseli's 
OEdipus and his Daughters, 66 Fuseli and the Shakspeare Gallery, 67 
Fuseli's "Hamlet's Ghost," 68 Fuseli's Titania, 69 Fuseli's Election as a 
Royal Academician, 70 Fuseli and Horace Walpole, 71 Fuseli and the 
Banker Coutts, 72 Fuseli and Professor Porson, 73 Fuseli's method of
giving vent to his Passion, 73 Fuseli's Love for Terrific Subjects, 73 
Fuseli's and Lawrence's Pictures from the "Tempest," 74 Fuseli's 
estimate of Reynolds' Abilities in Historical Painting, 75 Fuseli and 
Lawrence, 75 Fuseli as Keeper of the Royal Academy, 76 Fuseli's Jests 
and Oddities with the Students of the Academy, 77 Fuseli's Sarcasms 
on Northcote, 78 Fuseli's Sarcasms on various rival Artists, 79 Fuseli's 
Retorts, 80 Fuseli's Suggestion of an Emblem of Eternity, 82 Fuseli's 
Retort in Mr. Coutts' Banking House, 82 Fuseli's Sarcasms on 
Landscape and Portrait Painters, 83 Fuseli's Opinion of his own 
Attainment of Happiness, 84 Fuseli's Private Habits, 84 Fuseli's Wife's 
method of Curing his fits of Despondency, 85 Fuseli's Personal 
Appearance, his Sarcastic Disposition, and Quick Temper, 86 Fuseli's 
near Sight, 87 Fuseli's Popularity, 88 Fuseli's Artistic Merits, 88 
Fuseli's Milton Gallery, the Character of his Works, and the 
Permanency of his Fame, 89 Salvator Rosa, 91 Salvator Rosa and Cav. 
Lanfranco, 91 Salvator Rosa at Rome and Florence, 92 Salvator Rosa's 
Return to Rome, 93 Salvator Rosa's Subjects, 93 Flagellation of 
Salvator Rosa, 95 Salvator Rosa and the Higgling Prince, 96 Salvator 
Rosa's Opinion of his own Works, 98 Salvator Rosa's Banditti, 98 
Salvator Rosa and Massaniello, 100 Salvator Rosa and Cardinal Sforza, 
100 Salvator Rosa's Manifesto Concerning his Satirical Picture, La 
Fortuna, 101 Salvator Rosa's Banishment from Rome, 102 Salvator 
Rosa's Wit, 103 Salvator Rosa's Reception at Florence, 103 Histrionic 
Powers of Salvator Rosa, 104 Salvator Rosa's Reception at the Palazzo 
Pitti, 105 Satires of Salvator Rosa, 105 Salvator Rosa's Harpsichord, 
106 Rare Portrait by Salvator Rosa, 106 Salvator Rosa's Return to 
Rome, 109 Salvator Rosa's Love of Magnificence, 109 Salvator Rosa's 
Last Works, 111 Salvator Rosa's Desire to be Considered an Historical 
Painter, 112 Don Mario Ghigi, his Physician, and Salvator Rosa, 113 
Death of Salvator Rosa, 115 Domenichino, 121 The Dulness of 
Domenichino in Youth, 121 Domenichino's Scourging of St. Andrew, 
123 The Communion of St. Jerome, 124 Domenichino's Enemies at 
Rome, 125 Decision of Posterity on the Merits of Domenichino, 126 
Proof of the Merits of Domenichino, 127 Domenichino's Caricatures, 
127 Intrigues of the Neapolitan Triumvirate of Painters, 128 Giuseppe 
Ribera, called Il Spagnoletto--his early Poverty and Industry, 133 
Ribera's Marriage, 134 Ribera's Rise to Eminence, 135 Ribera's
Discovery of the Philosopher's Stone, 135 Ribera's Subjects, 136 
Ribera's Disposition, 137 Singular Pictorial Illusions, 137 Raffaelle's 
Skill in Portraits, 138 Jacopo da Ponte, 139 Giovanni Rosa, 139 Cav. 
Giovanni Centarini, 139 Guercino's Power of Relief, 140 Bernazzano, 
140 Invention of    
    
		
	
	
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