church at Twickenham. 
Pope was of very diminutive stature and deformed from his birth. His 
physical infirmity, susceptible temperament, and incessant study 
rendered his life one long disease. He was, as his friend Lord
Chesterfield said, "the most irritable of all the _genus irritabile vatum_, 
offended with trifles and never forgetting or forgiving them." His 
literary stratagems, disguises, assertions, denials, and (we must add) 
misrepresentations would fill volumes. Yet when no disturbing 
jealousy vanity, or rivalry intervened was generous and affectionate, 
and he had a manly, independent spirit. As a poet he was deficient in 
originality and creative power, and thus was inferior to his prototype, 
Dryden, but as a literary artist, and brilliant declaimer satirist and 
moralizer in verse he is still unrivaled. He is the English Horace, and 
will as surely descend with honors to the latest posterity. 
 
AN ESSAY ON CRITICISM, 
WRITTEN IN THE YEAR 1709 
[The title, An Essay on Criticism hardly indicates all that is included in 
the poem. It would have been impossible to give a full and exact idea 
of the art of poetical criticism without entering into the consideration of 
the art of poetry. Accordingly Pope has interwoven the precepts of both 
throughout the poem which might more properly have been styled an 
essay on the Art of Criticism and of Poetry.] 
* * * * * 
 
 
PART I. 
'Tis hard to say if greater want of skill Appear in writing or in judging 
ill, But of the two less dangerous is the offense To tire our patience 
than mislead our sense Some few in that but numbers err in this, Ten 
censure wrong for one who writes amiss, A fool might once himself 
alone expose, Now one in verse makes many more in prose. 
'Tis with our judgments as our watches, none Go just alike, yet each 
believes his own In poets as true genius is but rare True taste as seldom 
is the critic share Both must alike from Heaven derive their light, These 
born to judge as well as those to write Let such teach others who 
themselves excel, And censure freely, who have written well Authors 
are partial to their wit, 'tis true [17] But are not critics to their judgment
too? 
Yet if we look more closely we shall find Most have the seeds of 
judgment in their mind Nature affords at least a glimmering light The 
lines though touched but faintly are drawn right, But as the slightest 
sketch if justly traced Is by ill coloring but the more disgraced So by 
false learning is good sense defaced Some are bewildered in the maze 
of schools [26] And some made coxcombs nature meant but fools In 
search of wit these lose their common sense And then turn critics in 
their own defense Each burns alike who can or cannot write Or with a 
rival's or an eunuch's spite All fools have still an itching to deride And 
fain would be upon the laughing side If Maevius scribble in Apollo's 
spite [34] There are who judge still worse than he can write. 
Some have at first for wits then poets passed Turned critics next and 
proved plain fools at last Some neither can for wits nor critics pass As 
heavy mules are neither horse nor ass. Those half-learned witlings, 
numerous in our isle, As half-formed insects on the banks of Nile 
Unfinished things one knows not what to call Their generation is so 
equivocal To tell them would a hundred tongues require, Or one vain 
wits that might a hundred tire. 
But you who seek to give and merit fame, And justly bear a critic's 
noble name, Be sure yourself and your own reach to know How far 
your genius taste and learning go. Launch not beyond your depth, but 
be discreet And mark that point where sense and dullness meet. 
Nature to all things fixed the limits fit And wisely curbed proud man's 
pretending wit. As on the land while here the ocean gains. In other parts 
it leaves wide sandy plains Thus in the soul while memory prevails, 
The solid power of understanding fails Where beams of warm 
imagination play, The memory's soft figures melt away One science 
only will one genius fit, So vast is art, so narrow human wit Not only 
bounded to peculiar arts, But oft in those confined to single parts Like 
kings, we lose the conquests gained before, By vain ambition still to 
make them more Each might his several province well command, 
Would all but stoop to what they understand.
First follow nature and your judgment frame By her just standard, 
which is still the same. Unerring nature still divinely bright, One clear, 
unchanged and universal light, Life force and beauty, must to all impart, 
At once the source    
    
		
	
	
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