A Soldier's Sketches Under Fire 
 
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Title: A Soldier's Sketches Under Fire 
Author: Harold Harvey 
Release Date: June 14, 2005 [EBook #16056] 
Language: English 
Character set encoding: ISO-8859-1 
*** START OF THIS PROJECT GUTENBERG EBOOK A 
SOLDIER'S SKETCHES UNDER FIRE *** 
 
Produced by Internet Archive/Canadian Libraries 
(http://www.archive.org/details/toronto), Suzanne Lybarger and the 
Online Distributed Proofreading Team at http://www.pgdp.net 
 
A SOLDIER'S SKETCHES UNDER FIRE 
 
[Illustration: PRIVATE HAROLD HARVEY. _Frontispiece_] 
 
A SOLDIER'S SKETCHES UNDER FIRE 
By HAROLD HARVEY 
[Illustration: SLM & Co. MDCCXCIV] 
LONDON 
SAMPSON LOW, MARSTON & CO., LTD.
FORENOTE 
A title such as "A Soldier's Sketches Under Fire" indicates at once the 
nature, scope and limitations of this unpretentious volume of annotated 
drawings to which it has been given. 
Faked pictures of the war are plentiful. Sketches taken on the spot they 
depict, sometimes by a hand that had momentarily laid down a rifle to 
take them, and always by a draughtsman who drew in overt or covert 
peril of his life, gain in verisimilitude what they must lose in 
elaboration or embellishment; are the richer in their realism by reason 
of the absence of the imaginary and the meretricious. 
All that Mr. Harold Harvey drew he saw; but he saw much that he 
could not draw. All sorts of exploits of which pictures that brilliantly 
misrepresent them are easily concoctable were for him impossible 
subjects for illustration. As he puts it himself, very modestly: 
"There were many happenings--repulsions of sudden attacks, temporary 
retirements, charges, and things of that sort that would have made 
capital subjects, but of which my notebook holds no 'pictured 
presentment,' because I was taking part in them." 
He also remarks: 
"Sketched in circumstances that certainly had their own disadvantages 
as well as their special advantages, I present these drawings only for 
what they are." 
Just because they are what they are they are of enduring interest and 
permanent value. They have the vividness of the actual, the convincing 
touch of the true. 
Mr. Harvey was among the very first to obey the call of "King and 
Country," tarrying only, I believe, to finish his afterwards popular 
poster of "A Pair of Silk Stockings" for the Criterion production. To 
join the Colours as a private soldier, he left his colours as an artist, 
throwing up an established and hardly-won position in the world of his 
profession, into which--sent home shot and poisoned--he must now 
fight his way back. His ante-war experiences of sojourn and travel in 
India, South and East Africa, South America, Egypt and the 
Mediterranean should again stand him in good stead, for the more an 
artist has learned the more comprehensive his treasury of impressions 
and recollections; the more he has seen the more he can show. To Mr.
Harvey's studies of Egyptian life, character and customs was 
undoubtedly attributable the success of his "Market Scene in Cairo," 
exhibited in the Royal Academy of 1909. Purchased by a French 
connoisseur, this picture brought its painter several special 
commissions. 
I venture to express the opinion that the simple, direct and soldierly 
style in which Mr. Harold Harvey has written the notes that accompany 
his illustrations will be appreciated. His reticence as regards his own 
doings, the casual nature of his references--where they could not be 
avoided--to his personal share in great achievements, manifest a spirit 
of self-effacement that is characteristic of the men of the army in which 
he fought; men whose like the world has never known. 
ROBERT OVERTON. 
 
TO 
=LADY ANGELA FORBES= 
WHOSE WORK FOR SOLDIERS IN FRANCE AND AT HOME 
HAS BEEN AS UNTIRING AS IT HAS BEEN UNOSTENTATIOUS. 
 
CONTENTS 
FORENOTE 
=ON THE WAY TO THE FRONT.= 
 
Chapter 
I.--FROM SOUTHAMPTON TO MALTA 
II.--FROM MALTA TO MARSEILLES 
III.--FROM MARSEILLES TO ARMENTIÈRES 
=AT THE FRONT.= 
 
Chapter
IV.--SOME SAMPLE EXCITEMENTS OF LIFE IN THE 
TRENCHES 
V.--THE LIGHTER SIDE OF TRENCH LIFE 
VI.--THE "MAKE" OF A BRITISH TRENCH 
VII.--THE RUSE OF A GERMAN SNIPER 
VIII.--THREE DEATH TRAPS 
IX.--GERMAN BEASTS IN A FRENCH CONVENT 
X.--ANOTHER SCENE OF BOCHE BRUTALITY 
XI.--THE TRICK THAT DIDN'T TRICK US 
XII.--THE BARRED ROAD TO CALAIS 
 
SKETCHES 
PRIVATE HAROLD HARVEY Frontispiece ABOARD THE 
TRANSPORT 
BIVOUAC AT MALTA 
CASEMENT GARDENS, MALTA 
SERGEANTS' MESS 
ORDNANCE DEPARTMENT, MALTA 
ON THE QUAYHEAD AT MARSEILLES 
QUAYSIDE, MARSEILLES 
FORTY PASSENGERS IN EACH CATTLE TRUCK 
A WASH AND A WAIT 
"DOOMSDAY BOOK": A FRENCH LESSON IN A CATTLE 
TRUCK 
LADY ANGELA FORBES'S SOLDIERS' HOME AT ETAPLES 
ROAD TO THE TRENCHES 
MY SKETCH-BOOK 
MAP: LA BASSÉE-ST. JULIEN 
OUTSKIRTS OF A VILLAGE
MY    
    
		
	
	
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