A Simple Story, by Mrs. 
Inchbald 
 
The Project Gutenberg EBook of A Simple Story, by Mrs. Inchbald 
This eBook is for the use of anyone anywhere at no cost and with 
almost no restrictions whatsoever. You may copy it, give it away or 
re-use it under the terms of the Project Gutenberg License included 
with this eBook or online at www.gutenberg.org 
Title: A Simple Story 
Author: Mrs. Inchbald 
Editor: G. L. Strachey 
Release Date: July 5, 2007 [EBook #22002] 
Language: English 
Character set encoding: ISO-8859-1 
*** START OF THIS PROJECT GUTENBERG EBOOK A SIMPLE 
STORY *** 
 
Produced by David Edwards, Marcia Brooks, and the Online 
Distributed Proofreading Team at http://www.pgdp.net (This file was 
produced from images generously made available by The Internet 
Archive/American Libraries.)
A SIMPLE STORY 
BY 
MRS. INCHBALD 
WITH AN INTRODUCTION BY 
G. L. STRACHEY 
LONDON HENRY FROWDE 1908 
OXFORD: HORACE HART PRINTER TO THE UNIVERSITY 
 
CONTENTS 
INTRODUCTION 
PREFACE 
VOLUME I I-CHAPTER I 5 I-CHAPTER II 8 I-CHAPTER III 13 
I-CHAPTER IV 14 I-CHAPTER V 17 I-CHAPTER VI 22 
I-CHAPTER VII 25 I-CHAPTER VIII 31 I-CHAPTER IX 34 
I-CHAPTER X 38 I-CHAPTER XI 42 I-CHAPTER XII 47 
I-CHAPTER XIII 53 I-CHAPTER XIV 57 I-CHAPTER XV 63 
I-CHAPTER XVI 69 I-CHAPTER XVII 78 
VOLUME II II-CHAPTER I 85 II-CHAPTER II 90 II-CHAPTER III 
94 II-CHAPTER IV 102 II-CHAPTER V 112 II-CHAPTER VI 117 
II-CHAPTER VII 121 II-CHAPTER VIII 131 II-CHAPTER IX 138 
II-CHAPTER X 146 II-CHAPTER XI 153 II-CHAPTER XII 164 
VOLUME III III-CHAPTER I 173 III-CHAPTER II 177 
III-CHAPTER III 179 III-CHAPTER IV 187 III-CHAPTER V 188 
III-CHAPTER VI 194 III-CHAPTER VII 201 III-CHAPTER VIII 204 
III-CHAPTER IX 205 III-CHAPTER X 214 III-CHAPTER XI 218 
III-CHAPTER XII 227 III-CHAPTER XIII 233 III-CHAPTER XIV
244 
VOLUME IV IV-CHAPTER I 247 IV-CHAPTER II 250 
IV-CHAPTER III 255 IV-CHAPTER IV 261 IV-CHAPTER V 266 
IV-CHAPTER VI 270 IV-CHAPTER VII 277 IV-CHAPTER VIII 283 
IV-CHAPTER IX 285 IV-CHAPTER X 288 IV-CHAPTER XI 291 
IV-CHAPTER XII 293 
 
INTRODUCTION 
A Simple Story is one of those books which, for some reason or other, 
have failed to come down to us, as they deserved, along the current of 
time, but have drifted into a literary backwater where only the 
professional critic or the curious discoverer can find them out. "The 
iniquity of oblivion blindly scattereth her poppy;" and nowhere more 
blindly than in the republic of letters. If we were to inquire how it has 
happened that the true value of Mrs. Inchbald's achievement has passed 
out of general recognition, perhaps the answer to our question would be 
found to lie in the extreme difficulty with which the mass of readers 
detect and appreciate mere quality in literature. Their judgment is 
swayed by a hundred side-considerations which have nothing to do 
with art, but happen easily to impress the imagination, or to fit in with 
the fashion of the hour. The reputation of Mrs. Inchbald's contemporary, 
Fanny Burney, is a case in point. Every one has heard of Fanny 
Burney's novels, and Evelina is still widely read. Yet it is impossible to 
doubt that, so far as quality alone is concerned, Evelina deserves to be 
ranked considerably below A Simple Story. But its writer was the 
familiar friend of the greatest spirits of her age; she was the author of 
one of the best of diaries; and her work was immediately and 
immensely popular. Thus it has happened that the name of Fanny 
Burney has maintained its place upon the roll of English novelists, 
while that of Mrs. Inchbald is forgotten. 
But the obscurity of Mrs. Inchbald's career has not, of course, been the 
only reason for the neglect of her work. The merits of A Simple Story 
are of a kind peculiarly calculated to escape the notice of a generation
of readers brought up on the fiction of the nineteenth century. That 
fiction, infinitely various as it is, possesses at least one characteristic 
common to the whole of it--a breadth of outlook upon life, which can 
be paralleled by no other body of literature in the world save that of the 
Elizabethans. But the comprehensiveness of view shared by Dickens 
and Tolstoy, by Balzac and George Eliot, finds no place in Mrs. 
Inchbald's work. Compared with A Simple Story even the narrow 
canvases of Jane Austen seem spacious pictures of diversified life. Mrs. 
Inchbald's novel is not concerned with the world at large, or with any 
section of society, hardly even with the family; its subject is a group of 
two or three individuals whose interaction forms the whole business of 
the book. There is no local colour in it, no complexity of detail nor 
violence of contrast; the atmosphere is vague and neutral, the action 
passes among ill-defined sitting-rooms, and the most poignant scene in 
the story takes place upon a staircase    
    
		
	
	
	Continue reading on your phone by scaning this QR Code
 
	 	
	
	
	    Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the 
Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.
	    
	    
