A Literary History of the English 
People, by 
 
Jean Jules Jusserand This eBook is for the use of anyone anywhere at 
no cost and with almost no restrictions whatsoever. You may copy it, 
give it away or re-use it under the terms of the Project Gutenberg 
License included with this eBook or online at www.gutenberg.org 
Title: A Literary History of the English People From the Origins to the 
Renaissance 
Author: Jean Jules Jusserand 
Release Date: July 11, 2007 [EBook #22049] 
Language: English 
Character set encoding: ISO-8859-1 
*** START OF THIS PROJECT GUTENBERG EBOOK LITERARY 
OF THE ENGLISH *** 
 
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A Literary History of the English People
BY THE SAME AUTHOR. 
* * * * * 
ENGLISH WAYFARING LIFE IN THE MIDDLE AGES (XIVth 
Century). Translated by L. T. Smith. Revised and Enlarged by the 
Author. 4th Edition. 61 Illustrations. Large crown 8vo, cloth, 7s. 6d. 
"An extremely fascinating book."--Times. 
THE ENGLISH NOVEL IN THE TIME OF SHAKESPEARE. 
Translated by E. Lee. Revised and Enlarged by the Author. Illustrated 
by 6 Heliogravures by Dujardin, and 21 full-page and many smaller 
illustrations. 3rd Edition. Large crown 8vo, cloth, 7s. 6d. 
"One of the brightest, most scholarly, and most interesting volumes of 
literary history."--Speaker. 
A FRENCH AMBASSADOR AT THE COURT OF CHARLES II.: Le 
Comte de Cominges, from his unpublished correspondence. 
10 Portraits. Second Edition. Large crown 8vo, cloth, 7s. 6d. 
"The whole book is delightful reading."--Spectator. 
PIERS PLOWMAN: A Contribution to the History of English 
Mysticism. 
Translated by M. E. R. Revised and Enlarged by the Author. Illustrated. 
Demy 8vo, cloth, 12s. 
"This masterly interpretation of an epoch-making book."--Standard. 
* * * * * 
London: T. FISHER UNWIN.
[Illustration: 
HÉLIOG DUJARDIN IMP.CH.WITTMANN PARIS 
MEDIÆVAL LONDON from manuscript 16 F. II in the British 
Museum 
] 
 
A Literary History of The English People 
from the Origins To the Renaissance 
 
By 
J. J. Jusserand 
 
London T. Fisher Unwin Mdcccccv 
 
PREFACE 
Many histories have preceded this one; many others will come after. 
Such is the charm of the subject that volunteers will never be lacking to 
undertake this journey, so hard, so delightful too. 
As years go on, the journey lengthens: wider grows the field, further 
advance the seekers, and from the top of unexplored headlands, through 
morning mists, they descry the outlines of countries till then unknown. 
They must be followed to realms beyond the grave, to the silent 
domains of the dead, across barren moors and frozen fens, among chill 
rushes and briars that never blossom, till those Edens of poetry are
reached, the echoes of which, by a gift of fairies or of muses, still 
vibrate to the melody of voices long since hushed. 
More has been done during the last fifty years to shed light on the 
origins than in all the rest of modern times. Deciphering, annotating, 
printing, have gone on at an extraordinary pace and without 
interruption; the empire of letters has thus been enlarged, according to 
the chances of the explorers' discoveries, by gardens and deserts, 
cloudy immensities, and boundless forests; its limits have receded into 
space: at least so it seems to us. We laugh at the simplicity of honest 
Robertson, who in the last century wondered at the superabundance of 
historical documents accessible in his time: the day is not far distant 
when we shall be laughed at in the same way for our own simplicity. 
The field of literary history widens in another manner yet, and one that 
affects us more nearly. The years glide on so rapidly that the traveller 
who started to explore the lands of former times, absorbed by his task, 
oblivious of days and months, is surprised on his return at beholding 
how the domain of the past has widened. To the past belongs Tennyson, 
the laureate; to the past belongs Browning, and that ruddy smiling face, 
manly and kind, which the traveller to realms beyond intended to 
describe from nature on his coming back among living men, has faded 
away, and the grey slab of Westminster covers it. A thing of the past, 
too, the master who first in France taught the way, daring in his 
researches, straightforward in his judgments, unmindful of 
consequences, mindful of Truth alone; whose life was a model no less 
than his work. The work subsists, but who shall tell what the life has 
been, and what there was beneficent in that patriarchal voice with its 
clear, soft, and dignified tones? The life of Taine is a work which his 
other works have not sufficiently made known. 
The task is an immense one; its charm can scarcely be expressed. No 
one can understand, who has    
    
		
	
	
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