common Cabby, for the time being combining in himself 
the several functions of guide-book, chattel-mortgage and writ of 
habeas corpus on the person of the most popular literary idol of the 
hour and all for the matter of maybe no more than half a crown, 
including the pourboire! 
Who would not have rejoiced to change places with that cabman! And 
how might not Pegasus have envied that cab-horse! 
 
Now after all these years it has come to pass that I am to change places 
with the cabman. 
Perched aloft in the driver's seat of the First Person Singular, it is my 
proud privilege to crack the prefatory whip and start this newest and 
best Le Gallienne Vehicle upon its course through the garlanded Via 
Laurea to the Sign of the Golden Sheaf. 
Look at it well, Dear People, before it starts, this golden vehicle of 
Richard Le Gallienne. 
Consider how it is built on the authentic lines of the best workmanship, 
made to last for generations, maybe for ever. 
Take note of its springs so perfectly hung that the Muse may ride in 
luxurious ease, unjarred by metrical joltings as befits the Queen. 
Mark the mirror smooth surface of the lacquer that only time and 
tireless labour can apply.
Before this Master Coach of Poesy the rattle-jointed Tin Lizzie of Free 
Verse and the painted jazz wagon of Futurism and the cheap imitation 
of the Chinese palanquin must turn aside, they have no right of way, 
these literary road-lice on the garlanded Via Laurea. 
With angry thumb, the traffic cop Time will jerk them back to the side 
streets and byways where they belong, to make way for the Golden 
Coach of Richard Le Gallienne. 
OLIVER HERFORD 
I 
AN ECHO FROM HORACE 
_Lusisti est, et edisti, atque bibisti;
Tempus abire, tibi est._ 
Take away the dancing girls, quench the lights, remove
Golden cups 
and garlands sere, all the feast; away
Lutes and lyres and Lalage; 
close the gates, above
Write upon the lintel this; _Time is done for 
play!
Thou hast had thy fill of love, eaten, drunk; the show
Ends at 
last, 'twas long enough--time it is to go._ 
Thou hast played--ah! heart, how long!--past all count were they, Girls 
of gold and ivory, bosomed deep, all snow,
Leopard swift, and velvet 
loined, bronze for hair, wild clay Turning at a touch to flame, tense as a 
strung bow.
Cruel as the circling hawk, tame at last as dove,--
Thou 
hast had thy fill and more than enough of love. 
Thou hast eaten; peacock's tongues,--fed thy carp with slaves,-- Nests 
of Asiatic birds, brought from far Cathay,
Umbrian boars, and mullet 
roes snatched from stormy waves; Half thy father's lands have gone one 
strange meal to pay; For a morsel on thy plate ravished sea and shore;
Thou hast eaten--'tis enough, thou shalt eat no more. 
Thou hast drunk--how hast thou drunk! mighty vats, whole seas; 
Vineyards purpling half a world turned to gold thy throat, Falernian,
true Massic, the gods' own vintages,
Lakes thou hast swallowed deep 
enough galleys tall to float; Wildness, wonder, wisdom, all, 
drunkenness divine,
All that dreams within the grape, madness too, 
were thine. 
Time it is to go and sleep--draw the curtains close--
Tender strings 
shall lull thee still, mellow flutes be blown, Still the spring shall shower 
down on thy couch the rose, Still the laurels crown thine head, where 
thou dreamest alone. Thou didst play, and thou didst eat, thou hast 
drunken deep, Time at last it is to go, time it is to sleep. 
BALLADE OF THE OLDEST DUEL IN THE WORLD 
A battered swordsman, slashed and scarred,
I scarce had thought to 
fight again,
But love of the old game dies hard,
So to't, my lady, if 
you're fain!
I'm scarce the mettle to refrain,
I'll ask no quarter from 
your art--
But what if we should both be slain!
I fight you, darling, 
for your heart. 
I warn you, though, be on your guard,
Nor an old swordsman's craft 
disdain,
He jests at scars--what saith the Bard?
Love's wounds are 
real, and fierce the pain;
If we should die of love, we twain!
You 
laugh--en garde then--so we start;
Cyrano-like, here's my refrain:
I 
fight you, darling, for your heart. 
If compliments I interlard
Twixt feint and lunge, you'll not complain
Lacking your eyes, the night's un-starred,
The rose is beautiful in 
vain,
In vain smells sweet--Rose-in-the-Brain,
Dizzying the 
world--a touch! sweet smart!--
Only the envoi doth remain:
I fight 
you, darling, for your heart. 
ENVOI 
Princess, I'm yours; the rose-red rain
Pours from my side--but see! I 
dart
Within your guard--poor pretty stain!
I fight you, darling, for 
your heart.
SORCERY 
Face with the forest eyes,
And the wayward wild-wood hair,
How 
shall a man be wise,
When a girl's so fair;
How, with her face once 
seen,
Shall life be as it has been,
This many a year? 
Beautiful fearful thing!
You undulant sorcery!
I dare not hear you 
sing,
Dance not for me;
The whiteness of your breast,
Divinely 
manifest
I must not see. 
Too late, thou    
    
		
	
	
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