A Hero and Some Other Folks, 
by William A. 
 
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William A. Quayle 
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Title: A Hero and Some Other Folks 
Author: William A. Quayle 
 
Release Date: October 27, 2006 [eBook #19647] 
Language: English 
Character set encoding: ISO-8859-1 
***START OF THE PROJECT GUTENBERG EBOOK A HERO 
AND SOME OTHER FOLKS*** 
E-text prepared by Al Haines 
 
A HERO AND SOME OTHER FOLKS
by 
WILLIAM A. QUAYLE 
Author of "The Poet's Poet and Other Essays" 
 
Cincinnati: Jennings & Pye New York: Eaton & Mains Copyright, 
1900, by The Western Methodist Book Concern 
 
To think some one will care to listen to us, and to believe we do not 
speak to vacant air but to listening hearts, is always sweet. That friends 
have listened to this author's spoken and written words with apparent 
gladness emboldens him to believe they will give him hearing once 
again. 
May some one's eyes be lightened, some one's burden be lifted from his 
shoulders for an hour of rest, some one's landscape grow larger, fairer, 
and more fruitful, because these essays have been written. 
WILLIAM A. QUAYLE. 
 
Contents 
I. JEAN VALJEAN II. SOME WORDS ON LOVING 
SHAKESPEARE III. CALIBAN IV. WILLIAM THE SILENT V. 
THE ROMANCE OF AMERICAN GEOGRAPHY VI. 
ICONOCLASM IN NINETEENTH-CENTURY LITERATURE VII. 
TENNYSON THE DREAMER VIII. THE AMERICAN 
HISTORIANS IX. KING ARTHUR X. THE STORY OF THE 
PICTURES XI. THE GENTLEMAN IN LITERATURE XII. THE 
DRAMA OF JOB 
 
A Hero and Some Other Folks
I 
Jean Valjean 
The hero is not a luxury, but a necessity. We can no more do without 
him than we can do without the sky. Every best man and woman is at 
heart a hero-worshiper. Emerson acutely remarks that all men admire 
Napoleon because he was themselves in possibility. They were in 
miniature what he was developed. For a like though nobler reason, all 
men love heroes. They are ourselves grown tall, puissant, victorious, 
and sprung into nobility, worth, service. The hero electrifies the world; 
he is the lightning of the soul, illuminating our sky, clarifying the air, 
making it thereby salubrious and delightful. What any elect spirit did, 
inures to the credit of us all. A fragment of Lowell's clarion verse may 
stand for the biography of heroism: 
"When a deed is done for Freedom, through the broad earth's aching 
breast Runs a thrill of joy prophetic, trembling on from east to west; 
And the slave, where'er he cowers, feels the soul within him climb To 
the awful verge of manhood, as the energy sublime Of a century bursts 
full-blossomed on the thorny stem of Time;" 
such being the undeniable result and history of any heroic service. 
But the world's hero has changed. The old hero was Ulysses, or 
Achilles, or Aeneas. The hero of Greek literature is Ulysses, as Aeneas 
is in Latin literature. But to our modern thought these heroes miss of 
being heroic. We have outgrown them as we have outgrown dolls and 
marbles. To be frank, we do not admire Aeneas nor Ulysses. Aeneas 
wept too often and too copiously. He impresses us as a big cry-baby. 
Of this trinity of classic heroes--Ulysses, Aeneas, and 
Achilles--Ulysses is least obnoxious. This statement is cold and 
unsatisfactory, and apparently unappreciative, but it is candid and just. 
Lodge, in his "Some Accepted Heroes," has done service in rubbing the 
gilding from Achilles, and showing that he was gaudy and cheap. We 
thought the image was gold, which was, in fact, thin gilt. Achilles sulks 
in his tent, while Greek armies are thrown back defeated from the 
Trojan gates. In nothing is he admirable save that, when his pouting fit
is over and when he rushes into the battle, he has might, and overbears 
the force opposing him as a wave does some petty obstacle. But no 
higher quality shines in his conquest. He is vain, brutal, and impervious 
to high motive. In Aeneas one can find little attractive save his filial 
regard. He bears Anchises on his shoulders from toppling Troy; but his 
wanderings constitute an Odyssey of commonplaces, or chance, or 
meanness. No one can doubt Virgil meant to create a hero of 
commanding proportions, though we, looking at him from this far 
remove, find him uninteresting, unheroic, and vulgar; and why the 
goddess should put herself out to allay tempests in his behalf, or why 
hostile deities should be disturbed to tumble seas into turbulence for 
such a voyager, is a query. He merits neither their wrath nor    
    
		
	
	
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