A Collection of Old English Plays, Vol. II

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A Collection of Old English Plays,
Vol. II

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Title: A Collection of Old English Plays, Vol. II
Author: Various
Release Date: January 9, 2004 [EBook #10656]
Language: English
Character set encoding: ISO-8859-1
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ENGLISH PLAYS, V2 ***

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A COLLECTION OF OLD ENGLISH PLAYS, VOL. II
In Four Volumes
Edited by
A.H. BULLEN
1882-89.

CONTENTS:
Preface Dick of Devonshire The Lady Mother The Tragedy of Sir John
Van Olden Barnavelt Captain Underwit Appendix I. Appendix II.
Footnotes.

PREFACE.
The plays in this volume are printed for the first time. All are
anonymous; but it is absolutely certain that Sir John Van Olden
Barnavelt is a masterpiece by Fletcher and Massinger; that Captain
Underwit is a comedy of Shirley's; and that the Lady Mother (a piece of
no particular merit) is by Glapthorne. I am not at all sure that I am right
in ascribing Dick of Devonshire to Heywood. But, whoever may have
been the author, I am confident that this well-written play will be
welcomed by all. In Appendix I I give an account of the folio volume
(Eg. MS. 1,994) from which the two last pieces are taken.
To Mr. ROBERT BOYLE, of St. Petersburg, I offer my sincere thanks
for the very interesting note (_Appendix II_) which he sent me after
reading the proof-sheets of Barnavelt. Elsewhere I have expressed my
gratitude to Mr. F.G. FLEAY for his valuable help.
The preparation of this volume has been a work of great labour, for
everything has been transcribed by my own hand; but the tedious delay
in publication has been due in great part to circumstances beyond my
control.
January 27, 1883.

INTRODUCTION TO DICK OF DEVONSHIRE.
The play of _Dick of Devonshire_, now first printed (from Eg. MS.,
1994[1]), is distinctly a well-written piece, the work of a practised hand.
There is nothing amateurish in the workmanship; the reader is not
doomed to soar into extravagances at one moment, and sink into
flatnesses at another. Ample opportunities were offered for displays of
boisterous riot, but the playwright's even-balanced mind was not to be
disturbed. Everywhere there are traces of studious care; and we may be
sure that a style at once so equable and strong was not attained without
a long apprenticeship. Nor will the reader fail to note the lesson of

charitableness and Christian forbearance constantly, yet unobtrusively,
inculcated.
The hero of the play, Richard Pike, published, under the title of _Three
to One_, a pamphlet (reprinted in vol. i. of Mr. Arber's valuable
_English Garner_) describing his exploits. There is no date to the
pamphlet; but it was no doubt issued very shortly after Pike's return,
which took place on April 20, 1626. At the outset the writer apologises
for the rudeness of his style, "I know not," he says, "what the court of a
king means, nor what the fine phrases of silken courtiers are. A good
ship I know, and a poor cabin; and the language of a cannon: and
therefore as my breeding has been rough, scorning delicacy; and my
present being consisteth altogether upon the soldier (blunt, plain and
unpolished), so must my writings be, proceeding from fingers fitter for
the pike than the pen." In those days a soldier was never at a loss to
express himself, and honest Dick Pike was no exception to the rule. He
goes straight to the point, and relates his adventures very vividly in the
homeliest language. Returning from an expedition against Algiers
"somewhat more acquainted with the world, but little amended in
estate," he could not long rest inactive; and soon, "the drum beating up
for a new expedition," set out to try his fortunes again. The design was
against Cadiz; the fleet, under the command of the Earl of Essex,
numbered some 110 sail. There is no need to continue the story, for I
have nothing to add to the facts set forth in the pamphlet and the play.
If _Britannia's Pastorals_ had been written a few years later, we may be
sure that William Browne would have paid a fitting compliment to his
fellow-townsman's bravery. But Pike's famous deeds were not forgotten
by his countymen; for in a broadside of the late seventeenth century,
bearing the title of _A Panegyric Poem; or, Tavestock's Encomium_,[2]
he is thus enthusiastically praised:--
"Search whether can be found again the
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