The Golden Bird | Page 2

Maria Thompson Daviess
"I can't, Matt, you dear thing. I honestly can't. I've got to go back to the land from which my race sprang and make it blossom into a beautiful existence for those two dear old boys. When Uncle Cradd heard of the smash from that horrible phosphate deal he was at the door the next morning at sun-up, driving the two gray mules to one wagon himself, with old Rufus driving the gray horses hitched to that queer tumble-down, old family coach, though he hadn't spoken to father since he married mother twenty-eight years ago.
"'Ready to move you all home, bag and baggage, William,' he said, as he took father into his huge old arms clad in the rusty broadcloth of his best suit, which I think is the garment he purchased for father's very worldly, town wedding with my mother, which he came from Riverfield to attend for purposes of disinheriting the bridegroom and me, though I was several years in the future at that date. 'Elmnest is as much yours as mine, as I told you when you sprigged off to marry in town. Get your dimity together, Nancy! Your grandmother Craddock's haircloth trunk is strapped on behind her carriage there, and Rufus will drive you home. These mules are too skittish for him to handle. Fine pair, eh, William?' And right there in the early dawn, almost in front of the garage that contained his touring Chauvinnais and my gray roadster, father stood in his velvet dressing-gown and admired the two moth-eaten old animals. Now, I honestly ask you, Matthew, could a woman of heart refuse at least to attempt to see those two great old boys through the rest of their lives in peace and comfort together? Elmnest is roof and land and that is about all, for Uncle Cradd never would let father give him a cent on account of his feud with mother, even after she had been dead for years. Father would have gone home with him that morning, but I made him stay to turn things over to Judge Rutherford. Aren't they great, those two old pioneers?"
"They are the best sports ever, Ann, and I say let's fix up Elmnest for them to live in when they won't stay with us, and for a summer home for us to go and take--take the children for rural training. Now what do you say--wedding to-morrow?" And the light in dear old Matthew's eyes was very lovely indeed as the music grew less blatant and the waiter turned down the lights near the little alcove that the wide walnut paneling made beside the steps that go up to the balcony. I have always said that the Clovermead Country Club has the loveliest house anywhere in the South.
"No, Matthew, I care too much about you to let you marry a woman in search of a roof and food," I answered him, with all of the affection I seemed to possess at that time in my eyes. "You deserve better than that from me."
"Now, see here, Ann Craddock, did I or did I not ask you to marry me at your fourteenth birthday party, which was just ten years ago, and did you or did you not tell me just to wait until you got grown? Have you or have you not reached the years of discretion and decision? I am ready to marry, I am!" And as he made this announcement of his matrimonially inclined condition of mind, Matthew took my hand in his and laid his cheek against it.
"My heart isn't grown up yet, Matt," I said softly, with all the tenderness I, as I before remarked, at that time possessed. "Don't wait for me. Marry Belle Proctor or somebody and--and bring the--babies out to Elmnest for--"
The explosion that then followed landed me in Owen Murray's arms on the floor of the ball-room, and landed Matthew in his big racing-car, which I could hear go roaring down the road beyond the golf-links.
There is a certain kind of woman whose brain develops with amazing normality and strength, but whose heart remains very soft-fibered and uncertain, with tendencies to lapse into second childhood. I am that garden variety, and it took the exercising of many heart interests to toughen my cardiac organ.
As I traveled out the long turnpike that wound itself through the Harpeth Valley to the very old and tradition-mossed town of Riverfield, in the high, huge-wheeled, swinging old coach of my Great-grandmother Craddock, sitting pensively alone while father occupied the front seat beside Uncle Cradd, both of them in deep converse about a line in Tom Moore, while Uncle Cradd bumbled the air of "Drink to me only with thine eyes" in a lovely old bass, I should have been softly and pensively weeping at
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