Play the Game! | Page 4

Ruth Comfort Mitchell
his teeth seem very white and flashing.
The window was open to the soft Southern California air, and the voices came across to the watchers.
"Hold it!"
"I am holding it!"
A handsome man of forty came up the tree-shaded street, not quite steadily, and turned into the King's walk. His hat was pulled low over his eyes and the collar of his coat was turned up in spite of the mildness of the day. He nodded to the boy and girl as he went past them and on into the house.
"Again!" said Mrs. Lorimer, tragically. "That's the second time this week!"
"Rough on the kid," said her husband. "See him now."
Jimsy King had turned his head and was following his father's slow progress up the steps and across the porch and into the house. "Be in in a minute, Dad!" he called after him.
"Loyal little beggar. I saw him steering him up Broadway one morning, just at school time. Pluck."
Honor had looked after James King, the elder, too, and then at his son, and then at the football in her hands again. "Hurry up," she commanded. "Pull it tighter! Tighter! Do you call that pulling?" Inexorably she got his attention back to the subject in hand.
"That makes it all the worse," said Mrs. Lorimer. "Of course they're only children--babies, really--but I couldn't have anything.... It's bad blood, Stephen. I couldn't have my child interested in one of the 'Wild Kings'!"
"Well, you won't have, if you're wise. Let 'em alone. Let 'em lace footballs on the front lawn ... and they won't hold hands on the side porch! Why, woman dear, like the well-known Mr. Job, the thing you greatly fear you'll bring to pass! Shut her up in a girls' school--even the best and sanest--and you'll make boys suddenly into creatures of romance, remote, desirable. Don't emphasize and underline for her. She's as clean as a star and as unself-conscious as a puppy! Don't hurry her into what one of those English play-writing chaps calls--Granville Barker, isn't it?--Yes,--Madras House--'the barnyard drama of sex.... Male and female created He them ... but men and women are a long time in the making!'"
The lacing of the football was finished. The boy lifted his head and looked soberly at the door through which his father had entered, not quite steadily. Then he drew a long breath, threw back his shining bronze head, said something in a low tone to the girl, and ran into the house.
Honor Carmody got to her feet and stood looking after him, the odd mothering look in her square child's face. She stood so for long moments, without moving, and her mother and her stepfather watched her.
Suddenly Stephen Lorimer flung the window up as far as it would go and leaned out.
"It's all right, Top Step," he called, meeting the leaping gladness of her glance. "We've decided, your mother and I. You're going to L. A. High! You're going----" but now he dropped his voice and spoke only for the woman beside him, slipping a penitent and conciliatory arm about her, his eyes impish, "you're going to run with the boys!"
CHAPTER II
The "Wild Kings" had lived in their fine old house ever since the neighborhood could remember. The first and probably the wildest of them had come out from Virginia when Los Angeles was still a drowsing Spanish village, bringing with him an aged and excellent cellar and a flock of negro servants. Honor's Carmody grandmother could remember the picturesqueness of his entourage, of James King himself, the hard-riding, hard-drinking, soft-spoken cavalier with his proud, pale wife and his slim, high-stepping horses and his grinning blacks. The general conviction was, Grandmother Carmody said, that he had come--or been sent--west to make a fresh start. There was something rather pathetically na?ve about that theory. There could never be a fresh start for the "Wild Kings" in a world of excellent cellars and playing cards. In a surprisingly short time he had re-created his earlier atmosphere for himself--an atmosphere of charm and cheer and color ... and pride and shame and misery, in which his wife and children lived and moved and had their being. In the early eighties he built the big beautiful house on South Figueroa Street, moved the last of his negro servitors and the last of his cellar and his young family into it and died. Since that day Kings had come and gone in it, big, bonny creatures, liked and sighed over, and the house was shabby now, cracked and peeling for the want of paint, the walks grass-grown, the lawn frowzy, lank and stringy curtains at the dim windows. There were only three bottles of the historic cellar left now, precious, cob-webbed; there was only one of the blacks, an ancient, crabbed crone of the second generation, with a
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