Old Portraits and Modern Sketches; Personal Sketches and Tributes; Historical Papers

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Old Portraits and Modern
Sketches, Complete

Vol. VI., The Works of Whittier: Old Portraits and Modern Sketches
#39 in our series by John Greenleaf Whittier
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Title: Old Portraits, Modern Sketches, Personal Sketches and Tributes
Complete, Volume VI., The Works of Whittier
Author: John Greenleaf Whittier
Release Date: December 2005 [EBook #9594] [Yes, we are more than
one year ahead of schedule] [This file was first posted on October 25,
2003]
Edition: 10
Language: English
Character set encoding: ASCII

*** START OF THE PROJECT GUTENBERG EBOOK, VOLUME
VI., COMPLETE ***

This eBook was produced by David Widger [[email protected]]

OLD PORTRAITS AND MODERN SKETCHES
PERSONAL SKETCHES AND TRIBUTES
HISTORICAL PAPERS
BY
JOHN GREENLEAF WHITTIER

CONTENTS
OLD PORTRAITS AND MODERN SKETCHES. JOHN BUNYAN

THOMAS ELLWOOD JAMES NAYLER ANDREW MARVELL
JOHN ROBERTS SAMUEL HOPKINS RICHARD BAXTER
WILLIAM LEGGETT NATHANIEL PEABODY ROGERS ROBERT
DINSMORE PLACIDO, THE SLAVE POET
PERSONAL SKETCHES AND TRIBUTES. THE FUNERAL OF
TORREY EDWARD EVERETT LEWIS TAPPAN BAYARD
TAYLOR WILLIAM ELLERY CHANNING DEATH OF
PRESIDENT GARFIELD LYDIA MARIA CHILD
OLIVER WENDELL HOLMES LONGFELLOW OLD NEWBURY
SCHOOLDAY REMEMBRANCES EDWIN PERCY WHIPPLE
HISTORICAL PAPERS. DANIEL O'CONNELL ENGLAND UNDER
JAMES II. THE BORDER WAR OF 1708 THE GREAT IPSWICH
FRIGHT THE BOY CAPTIVES THE BLACK MEN IN THE
REVOLUTION AND WAR OF 1812 THE SCOTTISH REFORMERS
THE PILGRIMS OF PLYMOUTH GOVERNOR ENDICOTT JOHN
WINTHROP

OLD PORTRAITS AND MODERN SKETCHES
Inscribed as follows, when first collected in book-form:-- To Dr. G.
BAILEY, of the National Era, Washington, D. C., these sketches, many
of which originally appeared in the columns of the paper under his
editorial supervision, are, in their present form, offered as a token of the
esteem and confidence which years of political and literary communion
have justified and confirmed, on the part of his friend and associate,
THE AUTHOR.

JOHN BUNYAN.
"Wouldst see A man I' the clouds, and hear him speak to thee?"
Who has not read Pilgrim's Progress? Who has not, in childhood,

followed the wandering Christian on his way to the Celestial City?
Who has not laid at night his young head on the pillow, to paint on the
walls of darkness pictures of the Wicket Gate and the Archers, the Hill
of Difficulty, the Lions and Giants, Doubting Castle and Vanity Fair,
the sunny Delectable Mountains and the Shepherds, the Black River
and the wonderful glory beyond it; and at last fallen asleep, to dream
over the strange story, to hear the sweet welcomings of the sisters at the
House Beautiful, and the song of birds from the window of that "upper
chamber which opened towards the sunrising?" And who, looking back
to the green spots in his childish experiences, does not bless the good
Tinker of Elstow?
And who, that has reperused the story of the Pilgrim at a maturer age,
and felt the plummet of its truth sounding in the deep places of the soul,
has not reason to bless the author for some timely warning or grateful
encouragement? Where is the scholar, the poet, the man of taste and
feeling, who does not, with Cowper,
"Even in transitory life's late day, Revere the man whose Pilgrim marks
the road, And guides the Progress of the soul to God!"
We have just been reading, with no slight degree of interest, that simple
but wonderful piece of autobiography, entitled Grace abounding to the
Chief of Sinners, from the pen of the author of Pilgrim's Progress. It is
the record of a journey more terrible than that of the ideal Pilgrim;
"truth stranger than fiction;" the painful upward struggling of a spirit
from the blackness of despair and blasphemy, into the high, pure air of
Hope and Faith. More earnest words were never written. It is the entire
unveiling of a human heart; the tearing off of the fig-leaf covering of its
sin. The voice which speaks to us from