Matthew Arnolds Sohrab and Rustum and Other Poems | Page 2

of his poetical works, with the exception of occasional verses.
Arnold's prose works, aside from his letters, consist wholly of critical essays, in which he has dealt fearlessly with the greater issues of his day. As will be seen by their titles (see page xxxviii of this volume), the subject-matter of these essays is of very great scope, embracing in theme literature, politics, social conduct, and popular religion. By them Arnold has exerted a remarkable influence on public thought and stamped himself as one of the ablest critics and reformers of the last century. Arnold's life was thus one of many widely diverse activities and was at all times deeply concerned with practical as well as with literary affairs; and on no side was it deficient in human sympathies and relations. He won respect and reputation while he lived, and his works continue to attract men's minds, although with much unevenness. It has been said of him that, of all the modern poets, except Goethe, he was the best critic, and of all the modern critics, with the same exception, he was the best poet. He died at Liverpool, where he had gone to meet his daughter returning from America, April 15, 1888. By his death the world lost an acute and cultured critic, a refined writer, an earnest educational reformer, and a noble man. He was buried in his native town, Laleham.
Agreeably to his own request, Arnold has never been made the subject for a biography. By means of his letters, his official reports, and statements of his friends, however, one is able to trace the successive stages of his career, as he steadily grew in honor and public usefulness. Though somewhat inadequate, the picture thus presented is singularly pleasing and attractive. The subjoined appreciations have been selected with a view of giving the student a glimpse of Arnold as he appeared to unprejudiced minds.
One who knew him at Oxford wrote of him as follows: "His perfect self-possession, the sallies of his ready wit, the humorous turn which he could give to any subject that he handled, his gaiety, audacity, and unfailing command of words, made him one of the most popular and successful undergraduates that Oxford has ever known."
"He was beautiful as a young man, strong and manly, yet full of dreams and schemes. His Olympian manners began even at Oxford: there was no harm in them: they were natural, not put on. The very sound of his voice and wave of his arm were Jove-like."--PROFESSOR MAX M��LLER.
"He was most distinctly on the side of human enjoyment. He conspired and contrived to make things pleasant. Pedantry he abhorred. He was a man of this life and this world. A severe critic of this world he indeed was; but, finding himself in it, and not precisely knowing what is beyond it, like a brave and true-hearted man, he set himself to make the best of it. Its sights and sounds were dear to him. The 'uncrumpling fern, the eternal moonlit snow,' the red grouse springing at our sound, the tinkling bells of the 'high-pasturing kine,' the vagaries of men, of women, and dogs, their odd ways and tricks, whether of mind or manner, all delighted, amused, tickled him.

"In a sense of the word which is noble and blessed, he was of the earth earthy.... His mind was based on the plainest possible things. What he hated most was the fantastic--the far-fetched, all-elaborated fancies and strained interpretations. He stuck to the beaten track of human experience, and the broader the better. He was a plain-sailing man. This is his true note."--MR. AUGUSTINE BIRRELL.
"He was incapable of sacrificing the smallest interest of anybody to his own; he had not a spark of envy or jealousy; he stood well aloof from all the bustlings and jostlings by which selfish men push on; he bore life's disappointments--and he was disappointed in some reasonable hopes--with good nature and fortitude; he cast no burden upon others, and never shrank from bearing his own share of the daily load to the last ounce of it; he took the deepest, sincerest, and most active interest in the well-being of his country and his countrymen."--MR. JOHN MORLEY.
In his essay on Arnold, George E. Woodberry speaks of the poet's personality as revealed by his letters in the following beautiful manner: "Few who did not know Arnold could have been prepared for the revelation of a nature so true, so amiable, so dutiful. In every relation of private life he is shown to have been a man of exceptional constancy and plainness.... Every one must take delight in the mental association with Arnold in the scenes of his existence ... and in his family affections. A nature warm to its own, kindly to all, cheerful, fond of sport and fun, and