Master Olof: A Drama in Five Acts | Page 4

availed himself of a legend which had been accepted as truth for centuries, and which has been exploded only by recent historical research. We know now that Rink and Knipperdollink could never have been in Sweden, but we know also that a German lay preacher named Melchior Hofman appeared at Stockholm about the time indicated in the play, and that, in 1529, another such preacher, named Tilemann, made Olof himself the object of his fierce invectives. These instances serve, in fact, to prove how skilfully Strindberg handled his historical material. He is never rigid as to fact, but as a rule he is accurate in spirit. Another instance of this kind is found in the references in the first act to the use of Swedish for purposes of worship. It is recorded--and by himself, I think-- that Olof once asked his mother whether she really understood the Latin prayers, since she was so very fond of them. She answered: "No, I don't understand them, but when I hear them I pray devoutly to God that they may please Him, which I don't doubt they do."
On the other hand, what maybe regarded as rather an awkward slip is found in the first scene of the fifth act, where Gert cries exultantly to Olof: "You don't know that Thomas Münster has established a new spiritual kingdom at Mühlhausen." The name of the great Anabaptist "prophet" was Thomas Münzer, and the place where he established his brief reign was Münster. Strindberg's habit was to fill his head with the facts to be used, and then to rely on his memory. Marvellous as his memory was, it sometimes deceived him, and checking off names or dates seems to have been utterly beyond him. Thus it is quite probable that the passage in question represents an unconscious error. At the same time it is barely possible that the mistake may have been purposely laid in the mouth of a fanatic, from whom exactness of statement could hardly be expected. Thus, in the first act, Gert remarks that "Luther is dead." We understand, of course, that this expression is metaphorical, signifying that Luther has done all that can be expected of him, but it is nevertheless characteristically ambiguous.
The second scene of the third act is apparently laid in Olof's house at Stockholm, although the location of the building is not definitely indicated. We find him waiting for a messenger who is to announce the results of the Riksdag then in session. But the Riksdag was held at Vester?s, and we know that Olof was one of two delegates sent by the burghers and the peasants to the King, whom they implored "on their knees and with tears" to withdraw his abdication. The Courtier's reference to Olof's debate with Galle renders it still more uncertain whether we are in Stockholm or in Vester?s. The Courtier also informs Olof of his appointment as pastor of Greatchurch, the facts being that Olof was not ordained until 1539 and received his appointment a year after the events described in the last act of the play. In the metrical version, Strindberg makes his most radical departure from the historical course of events by letting Luther's marriage precede and influence that of Olof, although in reality Olof's anticipated that of Luther by several months.
The complaints of the Man from Sm?land in the first scene of the second act could scarcely have been warranted in 1524, when that act takes place. The hold of the young King was far too precarious at that early date to permit any regulations of the kind referred to. The establishment of a maximum price on oxen does not seem to have occurred until 1532, and a prohibition against the shooting of deer by the peasants was actually issued in 1538, both measures helping to provoke the widespread uprising that broke out in Sm?land in 1541. It was named the "Dacke feud" after its principal leader, the peasant-chieftain Nils Dacke, to whom the Sexton refers in the second scene of the last act--also a little prematurely.
Whether these be conscious or unconscious anachronisms, they matter very little when the general accuracy of the play is considered. From the moment the Danes had been driven out of the country, one of the most serious problems confronting the King was the financial chaos into which the country had fallen, and his efforts, first of all to raise enough means for ordinary administrative purposes, and secondly to reorganize trade and agriculture, brought him almost immediately into conflict with the peasants, who, during the long struggle for national independence, had become accustomed to do pretty much as they pleased. The utterances of the Man from Sm?land are typical of the sentiments that prevailed among the peasants throughout the country, not least when he